The Southern Book Club’s Guide to Slaying Vampires: A Novel

Something is wrong in the small outback town of Morgan Creek. A farmer goes missing after a blue in the pub. A teenage couple fail to show up for work. When Patrick and Sheila McDonough investigate, they discover the missing persons list is growing. Before they realise what's happening, the residents of the remote town find themselves in a fight for their lives against a foe they would never have suspected. And the dry red earth will run with blood.

It's Brent Weeks meets China Mieville in this wildly imaginative fantasy debut featuring high action, elegant writing, and sword and sorcery with a Chinese flare. Persimmon Gaunt and Imago Bone are a romantic couple and partners in crime. Persimmon is a poet from a well-to-do family, who found herself looking for adventure, while Imago is a thief in his ninth decade who is double-cursed, and his body has not aged in nearly seventy years. Together, their services and wanderlust have taken them into places better left unseen, and against odds best not spoken about. Now, they find themselves looking to get away, to the edge of the world, with Persimmon pregnant with their child, and the most feared duo of assassins hot on their trail. However, all is never what it seems, and a sordid adventure--complete with magic scrolls, gangs of thieves, and dragons both eastern and western--is at hand.

A New York Times Bestselling AuthorEnglish professor Arthur Prescott is happiest when surrounded by the ancient books and manuscripts of the Barchester Cathedral library, nurturing his secret obsession with the Holy Grail and researching his perennially unfinished guide to the medieval cathedral. Then a beautiful young American arrives in Barchester to digitize the library's manuscripts, and Arthur's tranquility is broken. Appalled by the threat modern technology poses to the library he loves, he sets out to thwart Bethany, only to find in her a kindred spirit with a similar love for knowledge and books - and a fellow Grail fanatic.

BAG OF TRICKS Eleven-year-old Juice Smith's favorite place in the whole world was the old abandoned Wilner Theatre. There on its dark and dusty stage she could pretend to be "Juice the Magnifico" performing magic with her bag of tricks. Her grandfather, a long-time member of the local Sleights-of-Hand, had given her a special skeleton key, and to Juice's surprise it fit right in the lock of the ornate old trunk that had been left backstage … BLACK MAGIC The Sleights-of-Hand were furious when they discovered at their next meeting that Nat Smith had given his skeleton key–the skeleton key–to his granddaughter. Nat wondered what they could possible be afraid of after all these years. But one by one over the next few weeks, the venerable members of the Sleights-of-Hand would find their magical talents failing them at crucial–and gruesome–moments. And Nat would discover there was good reason to be afraid. Very afraid.

Introduction to Sociology 2e adheres to the scope and sequence of a typical, one-semester introductory sociology course. It offers comprehensive coverage of core concepts, foundational scholars, and emerging theories, which are supported by a wealth of engaging learning materials. The textbook presents detailed section reviews with rich questions, discussions that help students apply their knowledge, and features that draw learners into the discipline in meaningful ways. The second edition retains the book's conceptual organization, aligning to most courses, and has been significantly updated to reflect the latest research and provide examples most relevant to today's students. In order to help instructors transition to the revised version, the 2e changes are described within the preface. The images in this textbook are grayscale. Authors include: Heather Griffiths, Nathan Keirns, Eric Strayer, Susan Cody-Rydzewski, Gail Scaramuzzo, Tommy Sadler, Sally Vyain, Jeff Bry, Faye Jones

This book is a printed edition of the Special Issue "Rabies Symptoms, Diagnosis, Prophylaxis and Treatment" that was published in TropicalMed

In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.

EVERYONE IS HIDING A SECRET. ONE OF THEM IS MURDER. 'I raced through it - edgy, tense' Harriet Tyce, author of Blood Orange 'I for one am terrified of the woman next door!' Louise Candlish, author of The Other Passenger 'Tightly plotted, edge-of-seat gripping' Sophie Hannah, author of Haven't They Grown 'Dark, twisty, claustrophobic' Jo Spain, author of The Confession _______________ The book club was her idea, of course. It was her way into our group. A chance to get close. I knew from the day she arrived that she couldn't be trusted. And I was right. Alice didn't come to the village for peace and quiet. She came for revenge. _______________ A deliciously addictive psychological thriller about a book club that unravels dark and scandalous secrets between one circle of neighbours. The perfect page-turner for fans of Big Little Lies and The Rumour. What readers are saying about The Book Club: 'Wow. What a page turner' 'Couldn't put it down!!!' 'Truly a five-star debut' 'Absolutely addictive' 'Seriously page-turning, totally gripping' 'A thrilling read, found it hard to put down once I'd started. Loved the ending' 'Brilliant, a proper page turner' 'Dark and creepy' 'Loved it!' 'Gripping to the last page' 'Fast paced and will make your blood run cold!' 'Had me on the edge of my seat'

A tragic accident leaves the tight-knit book club in the small seaside town of Fairweather reeling. Then stranger Tom McLysaght arrives in the community, and the members of the club find their lives changing in ways they never could have imagined. None of them realise that Tom is hiding a secret. On the surface, his move to Fairweather was to escape his highflying life in London and to put some much-needed distance between him and his ex-fiancée - but deep down Tom knows that there are some things he cannot run from. As the months pass with book club gatherings, secrets are shared and hurts begin to heal. New friendships might be the last thing on their minds but the members of the book club are about to discover that opening themselves up to other people might be the only thing that will help them all to live, and to love, again.

The New York Times Best Seller A Barnes & Noble Best Fiction Book of 2020 A Goodreads Choice Awards Finalist Steel Magnolias meets Dracula in this '90s-set horror novel about a women's book club that must do battle with a mysterious newcomer to their small Southern town, perfect for murderinos and fans of Stephen King. Bonus features: • Reading group guide for book clubs • Hand-drawn map of Mt. Pleasant • Annotated true-crime reading list by Grady Hendrix • And more! Patricia Campbell’s life has never felt smaller. Her husband is a workaholic, her teenage kids have their own lives, her senile mother-in-law needs constant care, and she’s always a step behind on her endless to-do list. The only thing keeping her sane is her book club, a close-knit group of Charleston women united by their love of true crime. At these meetings they’re as likely to talk about the Manson family as they are about their own families. One evening after book club, Patricia is viciously attacked by an elderly neighbor, bringing the neighbor's handsome nephew, James Harris, into her life. James is well traveled and well read, and he makes Patricia feel things she hasn’t felt in years. But when children on the other side of town go missing, their deaths written off by local police, Patricia has reason to believe James Harris is more of a Bundy than a Brad Pitt. The real problem? James is a monster of a different kind—and Patricia has already invited him in. Little by little, James will insinuate himself into Patricia’s life and try to take everything she took for granted—including the book club—but she won’t surrender without a fight in this blood-soaked tale of neighborly kindness gone wrong.

“T.M. Logan’s latest nail-biter...THE VACATION is a virtual holiday."—Washington Post In The Vacation, a captivating thriller from T. M. Logan, the bestselling author of Lies and 29 Seconds, four best friends on a dream vacation come face-to-face with an explosive secret. It was supposed to be the perfect getaway: Kate and her three best friends, spending a week with their families in a luxurious villa in the south of France. Through the decades they’ve stayed closer than ever, and seven days of drinking crisp French wine and laying out under the dazzling Mediterranean sun is the perfect celebration of their friendship. But soon after arriving, Kate discovers an incriminating text on her husband’s cell phone. A text revealing that he’s having an affair. And that the other woman is one of her best friends. But which one? Trapped in paradise with no one to trust, Kate is determined to find out who has put her marriage—and a lifelong friendship—in jeopardy. But as she closes in on the truth, she realizes that the stakes are higher than she ever imagined. Everyone on the trip has secrets...and someone may be prepared to kill to keep theirs hidden.

Tense, gripping and with a twist you won't see coming, The Split is an explosive new stand-alone thriller from Sharon Bolton about a woman on the run. No matter how far you run, some secrets will always catch up with you... The remote Antarctic island of South Georgia is about to send off its last boat of the summer – which signifies safety to resident glaciologist Felicity Lloyd. Felicity lives in fear – fear that her ex-husband Freddie will find her, even out here. She took a job on this isolated island to hide from him, but now that he's out of prison, having served a term for murder, she knows he won’t give up until he finds her. But a doctor delving into the background of Felicity and Freddie's relationship, back in Cambridge, learns that Felicity has been on the edge for a long time. Heading to South Georgia himself to try and get to her first is the only way he can think of to help her.

A historic literary event: the publication of a newly discovered novel, the earliest known work from Harper Lee, the beloved, bestselling author of the Pulitzer Prize-winning classic, To Kill a Mockingbird. Originally written in the mid-1950s, Go Set a Watchman was the novel Harper Lee first submitted to her publishers before To Kill a Mockingbird. Assumed to have been lost, the manuscript was discovered in late 2014. Go Set a Watchman features many of the characters from To Kill a Mockingbird some twenty years later. Returning home to Maycomb to visit her father, Jean Louise Finch—Scout—struggles with issues both personal and political, involving Atticus, society, and the small Alabama town that shaped her. Exploring how the characters from To Kill a Mockingbird are adjusting to the turbulent events transforming mid-1950s America, Go Set a Watchman casts a fascinating new light on Harper Lee’s enduring classic. Moving, funny and compelling, it stands as a magnificent novel in its own right.

THE HIGHLY-ACCLAIMED, LIFE-AFFIRMING AND MOVING SUNDAY TIMES BESTSELLER FROM NUMBER-ONE BESTSELLING AUTHOR AND BRITAIN'S MOST LOVED WOMAN, DAWN FRENCH LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 'I absolutely loved Because of You. Fantastic, passionate, compassionate, so much wisdom, a lot of humour, very real and credible' BERNARDINE EVARISTO, Booker Prize-winning author of Girl, Woman, Other 'Gorgeous . . . wise and full of love' MARIAN KEYES __________ Tick-tock, tick-tock, tick-tock . . . midnight. The old millennium turns into the new. In the same hospital, two very different women give birth to two very similar daughters. Hope leaves with a beautiful baby girl. Anna leaves with empty arms. Seventeen years later, the gods who keep watch over broken-hearted mothers wreak mighty revenge, and the truth starts rolling, terrible and deep, toward them all. The power of mother-love will be tested to its limits. Perhaps beyond . . . Because of You is the remarkably poignant story perfect for every Dawn French fan, told with her signature humour, warmth and so much love. 'An extraordinary book - sad, heartening, gripping and reassuringly human' JO BRAND 'The final scenes are so perfectly executed they almost broke my heart. Because of You is a story to cherish' Sunday Express 'French manages to pick your heart up with the nib of her pen and slowly pull it apart, heart-wrenchingly, page by page . . . A true writing talent' My Weekly 'Dawn French is a wonderful writer' Daily Mail 'Moving . . . French's best yet' Good Housekeeping 'Dawn tackles the big ones - love, death, grief, childhood, motherhood, parenthood - head on' Guardian 'Beautifully observed' The Times READERS LOVE BECAUSE OF YOU: 'Dawn had me laughing, crying . . . I loved every word' 5***** Reader Review 'Breathtakingly beautiful with one hell of an ending' 5***** Reader Review 'Heart-breaking but so beautiful' 5***** Reader Review 'Fantastic story, fantastic characters - I want to read it all over again' 5***** Reader Review 'Have your tissues ready when you read this one' 5***** Reader Review

Examines the repeated association of new electronic media with spiritual phenomena from the telegraph in the late 19th century to television.

‘Tight, clever and riddled with wit. Like discovering Adrian Mole or Bridget Jones for the first time.’ Joanna Nadin, author of The Queen of Bloody Everything ‘A sweet, fizzy sherbet dib-dab of a book - deliciously nostalgic, hugely funny and ultimately heartwarming. The perfect book for our times.’ Veronica Henry 'Full of fabulous characters, sprinkled with joy and drenched in wit.’ Milly Johnson July, 1962 Sixteen year-old Evie Epworth stands on the cusp of womanhood. But what kind of a woman will she become? The fastest milk bottle-delivery girl in East Yorkshire, Evie is tall as a tree and hot as the desert sand. She dreams of an independent life lived under the bright lights of London (or Leeds). The two posters of Adam Faith on her bedroom wall (‘brooding Adam’ and ‘sophisticated Adam’) offer wise counsel about a future beyond rural East Yorkshire. Her role models are Charlotte Bronte, Shirley MacLaine and the Queen. But, before she can decide on a career, she must first deal with the malign presence of her future step-mother, the manipulative and money-grubbing Christine. If Evie can rescue her bereaved father, Arthur, from Christine’s pink and over-perfumed clutches, and save the farmhouse from being sold off then maybe she can move on with her own life and finally work out exactly who it is she is meant to be. Moving, inventive and richly comic, The Miseducation of Evie Epworth is the most joyful debut novel of the year and the best thing to have come out of Yorkshire since Wensleydale cheese. ‘Such a joyful and uplifting read. Just the sort of thing that people will want to be reading right now.’ Radio 2 Book Club 'Funny and original with a cast of eccentric characters, this debut novel is a tour de force. Not to be missed.' Sunday Express 'A rich triumph of comic writing.' Waterstones.com 'One of the funniest, wittiest and most joyful books you will read this year.' Lancaster Guardian

From the New York Times–bestselling author of The Color Purple: A “moving, tender” novel of a Deep South tenant farmer’s quest for a new life (Publishers Weekly). Grange Copeland, a deeply conflicted and struggling tenant farmer in the Deep South of the 1930s, leaves his family and everything he’s ever known to find happiness and respect in the cold cities of the North. This misadventure, his “second life,” proves a dismal failure that sends him back where he came from to confront his now-grown-up son’s disastrous relationships with his own family, including Grange’s granddaughter, Ruth Copeland, a child that Grange grows to love. Love becomes the substance of his third and final life. He spends it in devotion to Ruth, teaching and protecting her—though the cost of doing so is almost more than he can bear. From a Pulitzer Prize and National Book Award winner, this is an “honest sensitive tale . . . leavened by those moments of humor and warmth that have enabled men and women to endure so much tragedy” (Chicago Daily News). This ebook features an illustrated biography of Alice Walker including rare photos from the author’s personal collection.

'Fiendishly clever' Daily Mail 'Complex and sinister' Observer 'A literary high-wire artist' Sunday Express 'Prepare for sleep deprivation!' Red All Beth has to do is drive her son to his Under-14s away match, watch him play, and bring him home. Just because she knows that her former best friend lives near the football ground, that doesn't mean she has to drive past her house and try to catch a glimpse of her. Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora Braid for twelve years. But she can't resist. She parks outside Flora's house and watches from across the road as Flora and her children, Thomas and Emily, step out of the car. Except... There's something terribly wrong. Flora looks the same, only older - just as Beth would have expected. It's the children that are the problem. Twelve years ago, Thomas and Emily Braid were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Beth hears Flora call them by their names - but they haven't changed at all. They are no taller, no older. Why haven't they grown? There's something terribly wrong. Flora looks the same, only older - just as Beth would have expected. It's the children that are the problem. Twelve years ago, Thomas and Emily Braid were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Beth hears Flora call them by their names - but they haven't changed at all. They are no taller, no older. Why haven't they grown?

Epistemologies of African Conflicts is a bold and ground-breaking epistemological critique of the dominant discourses on contemporary African conflicts. Using the Sierra Leone civil war as its empirical case, and through a detailed and painstaking examination of the dominant ways in which that conflict has been interpreted, theorised and understood, this provocative study considers how Africa is constructed as a reality for knowledge and the power political implications that this construction has for the continent and its people. This study goes beyond the immediate concerns about how the empirical aspect of Africanist discourses attest to their theoretical formulations, to focus on questions about the formal character of Africanist knowledge, their conditions of possibility, the ways in which they produce African subjectivities, define African realities and shape Western attitudes towards the continent as a result of these conflicts. This study situates the current discourses on contemporary African conflicts within the centuries-long Eurocentric conceptions of Africa conveyed through the 'colonial library' and investigates the historical linkages between 'Africanism' as the body of knowledge on and about Africa and a Western will to power which since the fifteenth century has also perfectly espoused and necessitated an Africanist will to truth. Identifying evolutionism as a major condition of Africanist knowledge linked to these power knowledge systems, it argues that the scripts of these conflicts are always already written long before the first shots are fired. Thus, the predicament of Africanist discourses emanates not only from their conceptual and epistemological dependence on the conceptualities of the colonial library, as well as their fidelity to an evolutionist epistemology, but also their devotion to the power/knowledge regimes of the Western will to power which makes them possible.