The Return

A group of friends reunite after one of them has returned from a mysterious two-year disappearance in this edgy and haunting debut. Julie is missing, and no one believes she will ever return—except Elise. Elise knows Julie better than anyone, and feels it in her bones that her best friend is out there and that one day Julie will come back. She’s right. Two years to the day that Julie went missing, she reappears with no memory of where she’s been or what happened to her. Along with Molly and Mae, their two close friends from college, the women decide to reunite at a remote inn. But the second Elise sees Julie, she knows something is wrong—she’s emaciated, with sallow skin and odd appetites. And as the weekend unfurls, it becomes impossible to deny that the Julie who vanished two years ago is not the same Julie who came back. But then who—or what—is she?

Foster's concise analysis of art practices over the past three decades traces important models at work in art and theory, with special attention to the controversial connections between the two during this period. The author includes a new narrative of the historical avant-garde and concludes with an original reading of our contemporary situation--and what it portends for future practices of art, theory, culture, and politics. 90 illustrations.

At the age of twenty-three, the narrator hurriedly packed his bags and left behind the stifling heat of Port-au-Prince for the unending winter of Montreal. It was 1976, and Baby Doc Duvalier's regime had just killed a journalist colleague. But thirty-three years later, after his father's death, he decides to return him to Baradères, the village where he was born. How does one return from exile? In Dany's case, he grounds himself in a hotel room in Port-au-Prince, afraid to see the city he has dreamed of in Montreal. Every time he ventures out of this safety zone, the past and present collide in dizzying ways - the rhythm of the language, the faces of the people, the dust on the roads. How is it that we are undeniably born of a particular place? Why are we always our father's son? The Return captures the tension between being from a place but not of it and the subtle ways in which the sights and sounds of memory can seduce. This is at once a novel that is new and original, that melds haiku and narration. A serious book, yet poetic, oneiric, realist. It is the novel of a great writer.

"The book first describes the significant cultural changes experienced by Inuit since the Canadian government took over their lives in the 1950s. The government moved Inuit from their family camps to crowded settlements run by White government officers, took their children away to residential/boarding and day schools, and began a wage economy that created poverty. The greatest change took place in the Inuit family. This is a family-based collectivist culture, so when the family is dramatically changed everything will go wrong. Generations were segregated where family life meant being very close across generations, parenting changed, children became much more independent. The generation that was placed in the boarding and day schools developed problems with alcohol, domestic violence, and romantic relationships. Their children beginning in the 1980s started killing themselves. Suicide among youth has become an epidemic, with Inuit having among the highest suicide rates in the world. I trace suicide and other social problems to the imperialism/colonialism of the government. But then the book turns to how Inuit are preventing suicide by developing and running their own programs and activities. Government suicide prevention has not worked, but when Inuit are in control it does appear to work quite well. The actions by a group of youth in one community are detailed, showing how they organized themselves and started a youth center that seems to have stopped many suicides. The aspirations and challenges of Inuit youth are described, and their futures are outlined."--Provided by publisher.

This book argues that the Arab Spring brought to the forefront numerous societal, political, and historical problems in the Middle East that scholars and practitioners throughout the 20th century and into the 21st century have continually glossed over or reduced in their analysis and analytical frameworks when studying the Middle East. These include the prevalent and persistent impact of Islam on political life, an impact of transnational and subnational identities, including sect, tribe, and regional identity, as well as the overuse of the state as the fundamental unit of analysis when studying the region. As a result, this book asserts that primordial identities including religion, sect, and tribe have, and will continue to have, a significant impact on the conduct of politics in the Middle East.

WINNER OF THE 2017 PULITZER PRIZE: from Man Booker Prize and National Book Critics Circle Award finalist Hisham Matar, a memoir of his journey home to his native Libya in search of answers to his father's disappearance. In 2012, after the overthrow of Qaddafi, the acclaimed novelist Hisham Matar journeys to his native Libya after an absence of thirty years. When he was twelve, Matar and his family went into political exile. Eight years later Matar's father, a former diplomat and military man turned brave political dissident, was kidnapped from the streets of Cairo by the Libyan government and is believed to have been held in the regime's most notorious prison. Now, the prisons are empty and little hope remains that Jaballa Matar will be found alive. Yet, as the author writes, hope is "persistent and cunning." Winner of the 2017 Pulitzer Prize for biography/autobiography, the PEN/Jean Stein Book Award, France's Prix du livre étranger, and a finalist for the Orwell Book Prize and the 2016 National Book Critics Circle Award, The Return is a brilliant and affecting portrait of a country and a people on the cusp of immense change, and a disturbing and timeless depiction of the monstrous nature of absolute power.

In the romantic tradition of Dear John, Nicholas Sparks returns with the story of an injured Navy doctor -- and two women whose secrets will change the course of his life in this #1 New York Times bestseller. Trevor Benson never intended to move back to New Bern, North Carolina. But when a mortar blast outside the hospital where he worked sent him home from Afghanistan with devastating injuries, the dilapidated cabin he'd inherited from his grandfather seemed as good a place to regroup as any. Tending to his grandfather's beloved beehives, Trevor isn't prepared to fall in love with a local . . . yet, from their very first encounter, Trevor feels a connection with deputy sheriff Natalie Masterson that he can't ignore. But even as she seems to reciprocate his feelings, she remains frustratingly distant, making Trevor wonder what she's hiding. Further complicating his stay in New Bern is the presence of a sullen teenage girl, Callie, who lives in the trailer park down the road. Trevor hopes Callie can shed light on the mysterious circumstances of his grandfather's death, but she offers few clues -- until a crisis triggers a race to uncover the true nature of Callie's past, one more intertwined with the elderly man's passing than Trevor could ever have imagined. In his quest to unravel Natalie and Callie's secrets, Trevor will learn the true meaning of love and forgiveness . . . and that in life, to move forward, we must often return to the place where it all began.

As moving as his bestselling works of fiction, Nicholas Sparks's unique memoir, written with his brother, chronicles the life-affirming journey of two brothers bound by memories, both humorous and tragicIn January 2003, Nicholas Sparks and his brother, Micah, set off on a three-week trip around the globe. It was to mark a milestone in their lives, for at thirty-seven and thirty-eight respectively, they were now the only surviving members of their family. Against the backdrop of the wonders of the world and often overtaken by their feelings, daredevil Micah and the more serious, introspective Nicholas recalled their rambunctious childhood adventures and the tragedies that tested their faith. And in the process, they discovered startling truths about loss, love, and hope.Narrated with irrepressible humor and rare candor, and including personal photos, THREE WEEKS WITH MY BROTHER reminds us to embrace life with all its uncertainties...and most of all, to cherish the joyful times, both small and momentous, and the wonderful people who make them possible.

There's only one thing that can follow the success of Bentley Little's acclaimed The Association, The Walking, and The Revelation. And that's Bentley Little's return.

"The scholars who have contributed to this volume of essays are Jewish and Christian thinkers who, without melding their different religious traditions and scholarly methods, have developed complementary responses to what they believe is wrong with contemporary biblical scholarship in Judaism and Christianity. The purpose of this collection is to draw attention to the similarities among these responses and to the possibility that they may contribute to a family of postcritical methods for interpreting the scriptural traditions." "The postcritical scholars employ current methods of critical, scientific inquiry to clarify the language the historical contexts and the didactic messages of the biblical traditions. They do not, however, find these methods sufficient. They argue that the biblical traditions communicate to their practitioners some rules of action that cannot be deciphered within the terms set by canons of critical reason that emerged in the European Renaissance and Enlightenment. Rather, among the Bible's unique rules of action are the principles for interpreting the traditions themselves." "Postcritical scholars attempt to identify these rules of interpretation producing what editor Peter Ochs has come to term "postcritical Scriptural interpretation." It is neither strictly modern nor premodern. This form of inquiry emerges in the dialogue that is now unfolding between a contemporary family of scholars and their scriptural traditions."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

THEY CALLED HER A WANDERER. Shari Cooper is dead, the victim of a murderous attack. She is on the other side, in a place of spirits, an eternal realm of light and love. But she is given a rare offer. To return to Earth without having to be reborn. Into the body of a depressed teenage girl. A transfer of souls, they call it. Shari is given a chance to be a Wanderer, and to do a great service for humanity. It is an offer she gladly accepts. Then she is back, in a human body. Yet she does not remember being Shari Cooper. At first she recalls nothing of the afterlife. Perhaps it is just as well. Not everybody on Earth welcomes Wanderers. Of the few who know of their existence, some want them dead. And others, the truly evil ones, wish them much worse than that.

Makes available important articles on increasing returns as related to the size of the economy

The Return of the Native offers a look at the role of preconquest peoples such as the Aztecs and the Incas in the imagination of Spanish American elites in the first century after independence.

This work traces the debate of biographical criticism.

The Return of the Soldier tells the story of a shell-shocked soldier who returns home from the First World War believing that he is in love with a working-class woman from his past, rather than married to his aristocratic wife. His family and doctor must decide whether to allow him to remain safely in his delusion, or to bring him back to reality and return him to the front. A brief novel with a seemingly simple plot, it is a classic of modernist literature and provides a point of entry into discussions of some of the twentieth century’s most enduring themes. Appendices include textual variants, patriotic and antiwar verse from World War I, war journalism by West, contemporary paintings and propaganda posters, and material on shell-shock.

With over a million copies sold, this classic work is essential reading for all who ask, “Where has my struggle led me?” A chance encounter with a reproduction of Rembrandt’s The Return of the Prodigal Son catapulted Henri Nouwen on an unforgettable spiritual adventure. Here he shares the deeply personal and resonant meditation that led him to discover the place within where God has chosen to dwell. As Nouwen reflects on Rembrandt’s painting in light of his own life journey, he evokes a powerful drama of the classic parable in a rich, captivating way that is sure to reverberate in the hearts of readers. Nouwen probes the several movements of the parable: the younger son’s return, the father’s restoration of sonship, the elder son’s resentfulness, and the father’s compassion. The themes of homecoming, affirmation, and reconciliation will be newly discovered by all who have known loneliness, dejection, jealousy, or anger. The challenge to love as God loves, and to be loved as God’s beloved, will be seen as the ultimate revelation of the parable known to Christians throughout time, and is here represented with a vigor and power fresh for our times.

New edition of Greenfield's pioneering study about the legal, political and historical aspects of cultural restitution.