Download To Sir Phillip With Love The Epilogue Ebook, Epub, Textbook, quickly and easily or read online To Sir Phillip With Love The Epilogue full books anytime and anywhere. Click download or read online button and get unlimited access by create free account.

Those cute kids from romance novels aren't actually supposed to grow up, are they? When last we saw Amanda Crane, she was eight years old and (in her own words) a blight on the face of humanity. Now she's grown up, remarkably well-adjusted, and ready to fall in love. All she needs is the right gentleman...

Sir Phillip knew that Eloise Bridgerton was a spinster, and so he'd proposed, figuring that she'd be homely and unassuming, and more than a little desperate for an offer of marriage. Except . . . she wasn't. The beautiful woman on his doorstep was anything but quiet, and when she stopped talking long enough to close her mouth, all he wanted to do was kiss her . . . and more. Did he think she was mad? Eloise Bridgerton couldn't marry a man she had never met! But then she started thinking . . . and wondering . . . and before she knew it, she was in a hired carriage in the middle of the night, on her way to meet the man she hoped might be her perfect match. Except . . . he wasn't. Her perfect husband wouldn't be so moody and ill-mannered, and while Phillip was certainly handsome, he was a large brute of a man, rough and rugged, and totally unlike the London gentlemen vying for her hand. But when he smiled . . . and when he kissed her . . . the rest of the world simply fell away, and she couldn't help but wonder . . . could this imperfect man be perfect for her?

Now a Netflix series created by Shonda Rhimes — producer and creator of Grey’s Anatomy, How to Get Away with Murder, and Scandal — starring Julie Andrews, Phoebe Dynevor, Regé-Jean Page, and Nicola Coughlan. She wrote him a letter...and he stole her heart. Sir Phillip knew that Eloise Bridgerton was a spinster, and so he’d proposed, figuring that she’d be homely and unassuming, and more than a little desperate for an offer of marriage. Except . . . she wasn’t. The beautiful woman on his doorstep was anything but quiet, and when she stopped talking long enough to close her mouth, all he wanted to do was kiss her . . . and more. Did he think she was mad? Eloise Bridgerton couldn’t marry a man she had never met! But then she started thinking . . . and wondering . . . and before she knew it, she was in a hired carriage in the middle of the night, on her way to meet the man she hoped might be her perfect match. Except . . . he wasn’t. Her perfect husband wouldn’t be so moody and ill-mannered, and while Phillip was certainly handsome, he was a large brute of a man, rough and rugged, and totally unlike the London gentlemen vying for her hand. But when he smiled . . . and when he kissed her . . . the rest of the world simply fell away, and she couldn’t help but wonder . . . could this imperfect man be perfect for her?

Once upon a time, a historical romance author created a family . . . But not just any family. Eight brothers and sisters, assorted in-laws, sons and daughters, nieces and nephews (not to mention an overweight corgi) plus an irrepressible matriarch who's a match for any of them . . . These are the Bridgertons: less a family than a force of nature. Through eight bestselling novels, readers laughed, cried, and fell in love. But they wanted more. And so the readers asked the author . . . What happens next? Does Simon ever read his father's letters? Do Francesca and Michael become parents? Who would win in a Pall Mall grudge match? Does "The End" really have to be the end? Now, with The Bridgertons: Happily Ever After, Julia Quinn delivers eight sexy, funny, and heartwarming "2nd Epilogues" plus a bonus story about none other than the wise and witty matriarch Violet Bridgerton herself. So get to know the Bridgertons all over again—because Happily Ever After is a whole lot of fun.

We can't really say more without giving away a big, fat spoiler, but it turns out that Colin is a bit of a meddler, Hyacinth is more of a meddler, and the only time all of the Bridgertons stop talking at once is when Penelope has something really embarrassing to say. Hey, we never said it was easy to marry a Bridgerton, just that it was fun.

When James Sidwell, Marquis of Riverdale, offered to help Elizabeth Hotchkiss find herself a husband, he never dreamed that the only candidate he could propose would be himself..

In every life there is a turning point . . . A moment so tremendous, so sharp and breathtaking, that one knows one's life will never be the same. For Michael Stirling, London's most infamous rake, that moment came the first time he laid eyes on Francesca Bridgerton. After a lifetime of chasing women, of smiling slyly as they chased him, of allowing himself to be caught but never permitting his heart to become engaged, he took one look at Francesca Bridgerton and fell so fast and hard into love it was a wonder he managed to remain standing. Unfortunately for Michael, however, Francesca's surname was to remain Bridgerton for only a mere thirty-six hours longer—the occasion of their meeting was, lamentably, a supper celebrating her imminent wedding to his cousin. But that was then . . . Now Michael is the earl and Francesca is free, but still she thinks of him as nothing other than her dear friend and confidant. Michael dares not speak to her of his love . . . until one dangerous night, when she steps innocently into his arms and passion proves stronger than even the most wicked of secrets . . .

1814 promises to be another eventful season, but not, This Author believes, for Anthony Bridgerton, London's most elusive bachelor, who has shown no indication that he plans to marry. And in all truth, why should he? When it comes to playing the consummate rake, nobody does it better... --Lady Whistledown's Society Papers, April 1814 But this time the gossip columnists have it wrong. Anthony Bridgerton hasn't just decided to marry--he's even chosen a wife! The only obstacle is his intended's older sister, Kate Sheffield--the most meddlesome woman ever to grace a London ballroom. The spirited schemer is driving Anthony mad with her determination to stop the betrothal, but when he closes his eyes at night, Kate's the woman haunting his increasingly erotic dreams... Contrary to popular belief, Kate is quite sure that reformed rakes to not make the best husbands--and Anthony Bridgerton is the most wicked rogue of them all. Kate's determined to protect her sister--but she fears her own heart is vulnerable. And when Anthony's lips touch hers, she's suddenly afraid she might not be able to resist the reprehensible rake herself...

Now a Netflix series created by Shonda Rhimes— producer and creator of Grey’s Anatomy, How to Get Away with Murder, and Scandal— starring Julie Andrews, Phoebe Dynevor, Regé-Jean Page, and Nicola Coughlan. A funny thing happened ... Unlike most men of his acquaintance, Gregory Bridgerton believes in true love. And he is convinced that when he finds the woman of his dreams, he will know in an instant that she is the one. And that is exactly what happened. Except ... She wasn’t the one. In fact, the ravishing Miss Hermione Watson is in love with another. But her best friend, the ever-practical Lady Lucinda Abernathy, wants to save Hermione from a disastrous alliance, so she offers to help Gregory win her over. But in the process, Lucy falls in love. With Gregory! Except ... Lucy is engaged. And her uncle is not inclined to let her back out of the betrothal, even once Gregory comes to his senses and realizes that it is Lucy, with her sharp wit and sunny smile, who makes his heart sing. And now, on the way to the wedding, Gregory must risk everything to ensure that when it comes time to kiss the bride, he is the only man standing at the altar ...

On the cusp of her first London season, Miss Madeline Gracechurch was shy, pretty, and talented with a drawing pencil, but hopelessly awkward with gentlemen. She was certain to be a dismal failure on the London marriage mart. So Maddie did what generations of shy, awkward young ladies have done: she invented a sweetheart. A Scottish sweetheart. One who was handsome and honorable and devoted to her, but conveniently never around. Maddie poured her heart into writing the imaginary Captain MacKenzie letter after letter . . . and by pretending to be devastated when he was (not really) killed in battle, she managed to avoid the pressures of London society entirely. Until years later, when this kilted Highland lover of her imaginings shows up in the flesh. The real Captain Logan MacKenzie arrives on her doorstep—handsome as anything, but not entirely honorable. He's wounded, jaded, in possession of her letters . . . and ready to make good on every promise Maddie never expected to keep.

A general critical study of Sidney's life and works, first published in 1977: his life in relation to his works and both in relation to his age. In the late 1570s and early 1580s, when the literary scene in England was barren, Sidney emerged as the right man at the right moment to establish a national literature. In his Defence of Poetry he formulated a poetic which showed 'why and how' imaginative literature could be written in Protestant England; and in his poetry and prose, chiefly in Astrophel and Stella and the two versions of The Countess of Pembroke's Arcadia, he revealed that the English language was, as he claimed, 'indeed capable of any excellent exercising of it'. Through the influence of his personality, his critical insight, and his brilliant achievement in both poetry and prose - which Professor Hamilton in this study establishes through careful analysis - Sidney became the central figure of the English literary Renaissance.

From New York Times bestselling author Julia Quinn comes the seventh novel in the beloved Regency-set world of her charming, powerful Bridgerton family, now a series created by Shonda Rhimes for Netflix. From the #1 New York Times bestselling author of The Sum of All Kisses and Because of Miss Bridgerton comes the story of Hyacinth, the youngest child of the famed Bridgerton siblings. Meet Our Hero . . . Gareth St. Clair is in a bind. His father, who detests him, is determined to beggar the St. Clair estates and ruin his inheritance. Gareth’s sole bequest is an old family diary, which may or may not contain the secrets of his past . . . and the key to his future. The problem is—it’s written in Italian, of which Gareth speaks not a word. Meet Our Heroine . . . All the ton agreed: there was no one quite like Hyacinth Bridgerton. She’s fiendishly smart, devilishly outspoken, and according to Gareth, probably best in small doses. But there’s something about her—something charming and vexing—that grabs him and won’t quite let go . . . Meet Poor Mr. Mozart . . . Or don’t. But rest assured, he’s spinning in his grave when Gareth and Hyacinth cross paths at the annual—and annually discordant—Smythe-Smith musicale. To Hyacinth, Gareth’s every word seems a dare, and she offers to translate his diary, even though her Italian is slightly less than perfect. But as they delve into the mysterious text, they discover that the answers they seek lie not in the diary, but in each other . . . and that there is nothing as simple—or as complicated—as a single, perfect kiss. This edition includes the second epilogue from The Bridgertons: Happily Ever After.

This early work by Radclyffe Hall was originally published in 1928 and we are now republishing it with a brand new introductory biography. 'The Well of Loneliness' is a novel that follows an upper-class Englishwoman who falls in love with another woman while serving as an ambulance driver in World War I. Marguerite Radclyffe Hall was born on 12th August 1880, in Bournemouth, England. Hall's first novel The Unlit Lamp (1924) was a lengthy and grim tale that proved hard to sell. It was only published following the success of the much lighter social comedy The Forge (1924), which made the best-seller list of John O'London's Weekly. Hall is a key figure in lesbian literature for her novel The Well of Loneliness (1928). This is her only work with overt lesbian themes and tells the story of the life of a masculine lesbian named Stephen Gordon.