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The value of nothing is explored in rich detail as the author reaches back as far as the ancient Sumerians to find evidence that humans have long struggled with the concept of zero, from the Greeks who may or may not have known of it, to the East where it was first used, to the modern-day desktop PC, which uses it as an essential letter in its computational alphabet.

At the age of twelve, Eve Black was the only member of her family to survive an encounter with serial attacker the Nothing Man. Now an adult, she is obsessed with identifying the man who destroyed her life. Supermarket security guard Jim Doyle has just started reading The Nothing Man—the true-crime memoir Eve has written about her efforts to track down her family’s killer. As he turns each page, his rage grows. Because Jim’s not just interested in reading about the Nothing Man. He is the Nothing Man. Jim soon beings to realize how dangerously close Eve is getting to the truth. He knows she won’t give up until she finds him. He has no choice but to stop her first ...

It takes a long time to understand nothing. -- Edward Dahlberg When asked what five books he would take with him to a desert island, George Bernard Shaw replied that he would take five blank books. The Nothing Book is a blank book. The possibilities are endless. Write your own novel, compile a personal cookbook, draw pictures, make lists, keep records, collect autographs, write poetry, plan vacations, start a diary or scrapbook, design clothes, invent needlework or knitting patterns, doodle, compose songs, jot down important dates, keep a guest book, press flowers, gather favorite quotes, accumulate (or invent) funny stories, use your imagination and do your own thing The Nothing Book is your book, it is meant to be whatever you want it to be. As Byron once wrote: 'Tis pleasant, sure, to see one's name in print; A book's a book, although there's nothing in't.

An eminent theologian argues that nothingness is necessary in order to fully actualize the Godhead. Eminent theologian Thomas J. J. Altizer breaks new ground by exploring the ultimate transfiguration of the Godhead as a question of the Nihil or nothingness and God. The Nihil is essential to the full actualization of the Godhead in that it fully occurs in both a primordial and an apocalyptic sacrifice of the Godhead. Virtually unexplored by philosophical and theological thinking, the Nihil is luminously enacted in the deepest expressions of the imagination, and most clearly and decisively so in the Christian epic tradition. Altizer looks at the works of philosophers and theologians such as Spinoza, Barth, Hegel, Nietzsche, and epic writers such as Dante, Milton, and Blake to ultimately posit a God that is necessarily a dichotomous God.

In an era when reality was aestheticized as collectibles, Octave Mirbeau unleashed his fiction like a destructive machine, setting fire to stale material and discredited ideologies, burning them as fuel and expelling texts as clean emissions. In this first English-language overview of all the novels published under Mirbeau's name, this study argues that Mirbeau is unique among his fin-de-siècle peers. Unlike the Decadents, whose art was a reliquary in which dead inspiration was preserved, Mirbeau disengaged himself from the corpses of past works. Abhorring tradition and complacency, Mirbeau elaborated a kinetics of fiction that made the novel into an agent of violent transformation.Contrasting the Decadents' aesthetic of elegant morbidity with Mirbeau's vitalistic view of fiction, this volume shows Mirbeau modeling himself on the figure of the torture artist, cutting up his finished works, building novels to disassemble them, fitting them together in revolutionary ways. Creativity for Mirbeau fertilizesun jardin des supplices, a cemetery smoldering with decomposing texts that are resolved into their constituent parts and then reemerge in different guises. In Mirbeau's writing, lives and art works are only transient aggregates of material, and creativity is immortalized through the perishing of old forms.

THE NOTHING BLADERUNNER is the result of deep self-examination and the exploration of the writer's consciousness as original experience. The collection is a by-product of all the fears, wonders, and anxieties experienced as a result of these encounters and further typifies the struggle of an inner conflict between creative thought and the pervasive impositions of socially-sanctioned ideas.A playful matrix of cliches, unfulfilled romances, and labyrinthian insights, THE NOTHING BLADERUNNER is a compendium of living questions that can only be answered by the inquisitive and creative reader.

King Bear leaves his palace to live with his pet rabbit and care for his pansy in a simple apartment on the outskirts of town.

'Reluctantly agreeing to track down three dangerous criminals, DCI Henry Christie's philosophy is that anything that keeps him at the cutting edge of coppering can't be all bad. But then he's asked to close down an investigation into a fatal police shooting, and he uncovers a number of worrying connections. Henry charges headlong into a terrifying conspiracy and finds himself much closer to the cutting edge than even he would have wanted'.

It is not uncommon for children to bicker with one another but how much is too much?Alice Nammtells a quirky tale of four young brothers who have nothing better to do than argue with each other. What are they quarreling about and why is it so important? Find out in"The Nothing Story".

War changed Clinton Brown. Permanently disfigured by a tragic military accident, he's struggling to find satisfaction from life as a rewrite man for Pacific City's Courier. Shame has led him to isolate himself from closest friends and even his estranged, still faithfully devoted wife, Ellen. Only the bottle keeps him company. But now Ellen has returned to Pacific City, and she's ready to do whatever it takes to get Brown back. Even if it means exposing his deepest secret ... a painful truth Brown would do anything to stop from coming to light. He'd kill a whole lot of people just to keep this one thing quiet--and soon enough, the bodies just happen to start piling up around him... THE NOTHING MAN is Thompson at his most psychologically astute, in a deeply suspenseful and tragic portrait of one man's journey through the dark side of the Postwar Boom.

'This book is so good you won't blunking believe it!' Tom Fletcher 'Hilariously funny and inventive, and I love the extraordinary creatures and the one thirty-sixth troll protagonist...' Cressida Cowell 'A rip-roaring, swashbuckling, amazerous magical adventure. Comedy Gold.' Francesca Simon ‘This hotel gets five stars from me’ Liz Pichon 'A splundishly swashbungling tale of trolls, goblins and other bonejangling creatures. Put on your wellies and plunge into the strangest hotel you will ever encounter. This is a hotel I hope I never find! Wonderfully, disgustingly funny.' Jeremy Strong ‘What a fun hotel! Book me in immediately!’ Kaye Umansky Welcome to The Nothing to See Here Hotel! A hotel for magical creatures, where weird is normal for Frankie Banister and his parents who run the hotel. When a goblin messenger arrives at The Nothing to See Here Hotel, announcing the imminent arrival of the goblin prince Grogbah, Frankie and his family rush into action to get ready for their important guest. But it soon becomes obvious that the Banister family are going to have their work cut out with the demanding prince and his never-ending entourage, especially when it turns out the rude little prince is hiding a secret... The first book in a fabulously funny series by bestselling author Steven Butler, with a host of whacky characters brought to life with illustration from the wonderful Steven Lenton!

The Nothing That Is and the Nothing That Is Not is the final volume in a trilogy on interpretations of otherness in the postmodern era. The first two volumes are A Do-It-Yourself Dystopia: The Americanization of Big Brother (University Press of America, 2002) and Leopards in the Temple: Selected Essays 1990-2000 (University Press of America, 2001).

One night, when I am old, sick, right out of semen, and don't need things to get any worse, I hear the noises growing louder. I am sure they are making love in Zenab's bedroom which is next to mine. Waldo, a fêted filmmaker, is confined by old age and ill health to his London apartment. Frail and frustrated, he is cared for by his lovely younger wife, Zee. But when he suspects that Zee is beginning an affair with Eddie, 'more than an acquaintance and less than a friend for over thirty years,' Waldo is pressed to action: determined to expose the couple, he sets himself first to prove his suspicions correct - and then to enact his revenge. Written with characteristic black humour and with an acute eye for detail, Kureishi's eagerly awaited novella will have his readers dazzled once again by a brilliant mind at work.

This book questions what sovereignty looks like when it is de-ontologised; when the nothingness at the heart of claims to sovereignty is unmasked and laid bare. Drawing on critical thinkers in political theology, such as Schmitt, Agamben, Nancy, Blanchot, Paulhan, The Politics of Nothing asks what happens to the political when considered in the frame of the productive potential of the nothing? The answers are framed in terms of the deep intellectual histories at our disposal for considering these fundamental questions, carving out trajectories inspired by, for example, Peter Lombard, Shakespeare and Spinoza. This book offers a series of sensitive and creative reflections that suggest the possibilities offered by thinking through sovereignty via the frame of nihilism. This book was originally published as a special issue of Culture, Theory and Critique.

The Globalization of Nothing is back in a revised and completely updated Second Edition. In this reconceptualized volume, author George Ritzer focuses his attention squarely on the processes of globalization and how they relate to McDonaldization. This revision is shorter, more concise, and spends much less space on the Nothing-Something continuum that he introduced in the First Edition.

Digital and electronic technologies that act as extensions of our bodies and minds are changing how we live, think, act, and write. Some welcome these developments as bringing humans closer to unified consciousness and eternal life. Others worry that invasive globalized technologies threaten to destroy the self and the world. Whether feared or desired, these innovations provoke emotions that have long fueled the religious imagination, suggesting the presence of a latent spirituality in an era mistakenly deemed secular and posthuman. William Gaddis, Richard Powers, Mark Danielewski, and Don DeLillo are American authors who explore this phenomenon thoroughly in their work. Engaging the works of each in conversation, Mark C. Taylor discusses their sophisticated representations of new media, communications, information, and virtual technologies and their transformative effects on the self and society. He focuses on Gaddis's The Recognitions, Powers's Plowing the Dark, Danielewski's House of Leaves, and DeLillo's Underworld, following the interplay of technology and religion in their narratives and their imagining of the transition from human to posthuman states. Their challenging ideas and inventive styles reveal the fascinating ways religious interests affect emerging technologies and how, in turn, these technologies guide spiritual aspirations. To read these novels from this perspective is to see them and the world anew.

For one young boy, a box full of nothing is a ticket to adventure While skipping school, James sees his mother on the street. He ducks inside an abandoned store, where an aged shopkeeper asks what he wants to buy. When James says “nothing,” the old man sells it to him: a heavy cardboard box stuffed full of top-quality nothing. James tries to explain this to his mother, but she doesn’t believe him and throws the box over the fence and into the dump. He sneaks in to retrieve his new possession—and finds himself trapped in another world. The dump is an eerie place populated by hyperintelligent rats, monstrous seagulls, and a very clever pile of garbage called the Burra. Once it was a thriving community, but something strange has happened, and the dump has become stuck in time. To get back home, James must help the Burra save the dump—using all the nothing he can find. This ebook features an illustrated personal history of Peter Dickinson including rare images from the author’s collection.

A billionaire stock investor with a dragon-sized ego finds himself in an outrageous pickle when an eccentric entrepreneur approaches him to invest in his company which makes a revolutionary new product–NOTHING. While the billionaire dismisses him with 1 lakh rupees to seek psychiatric help, the entrepreneur instead uses the money to start manufacturing NOTHING, assigning him a stake in the company as a sign of gratefulness. Caught in a precarious situation, the billionaire must now debate the validity of the stake he has unintentionally picked up in the company as it becomes more and more valuable each day with everyone from politicians to filmstars to aam aadmis parading the power of Nothing. Things escalate into a circus when another company sues for what they believe is a blatant patent plagiarism of their original idea. Rambunctious, packed with tons of sarcasm, spoofs, and sketches, How to Become a Billionaire by Selling Nothing looks at the inherent madness of human nature and the ridiculous lengths people go to while doing business.