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Winner of the Cundill History Prize The House of the Dead tells the incredible hundred-year-long story of “the vast prison without a roof” that was Russia’s Siberian penal colony. From the beginning of the nineteenth century until the Russian Revolution, the tsars exiled more than a million prisoners and their families east. Here Daniel Beer illuminates both the brutal realities of this inhuman system and the tragic and inspiring fates of those who endured it. Siberia was intended to serve not only as a dumping ground for criminals and political dissidents, but also as new settlements. The system failed on both fronts: it peopled Siberia with an army of destitute and desperate vagabonds who visited a plague of crime on the indigenous population, and transformed the region into a virtual laboratory of revolution. A masterly and original work of nonfiction, The House of the Dead is the history of a failed social experiment and an examination of Siberia’s decisive influence on the political forces of the modern world.

In this almost documentary account of his own experiences of penal servitude in Serbia, Dostoevsky describes the physical and mental suffering of the convicts, the squalor and the degradation, in relentless detail. The inticate procedure whereby the men strip for the bath without removing their ten-pound leg-fetters is an extraordinary tour de force, compared by Turgenev to passages from Dante's Inferno. Terror and resignation - the rampages of a pyschopath, the brief serence interlude of Christmas Day - are evoked by Dostoevsky, writing several years after his release, with a strikingly uncharacteristic detachment. For this reason, House of the Dead is certainly the least Dostoevskian of his works, yet, paradoxically, it ranks among his great masterpieces.

Welcome to the Dead House. Three students: dead. Carly Johnson: vanished without a trace. Two decades have passed since an inferno swept through Elmbridge High, claiming the lives of three teenagers and causing one student, Carly Johnson, to disappear. The main suspect: Kaitlyn, "the girl of nowhere." Kaitlyn's diary, discovered in the ruins of Elmbridge High, reveals the thoughts of a disturbed mind. Its charred pages tell a sinister version of events that took place that tragic night, and the girl of nowhere is caught in the center of it all. But many claim Kaitlyn doesn't exist, and in a way, she doesn't - because she is the alter ego of Carly Johnson. Carly gets the day. Kaitlyn has the night. It's during the night that a mystery surrounding the Dead House unravels and a dark, twisted magic ruins the lives of each student that dares touch it. Debut author Dawn Kurtagich masterfully weaves together a thrilling and terrifying story using psychiatric reports, witness testimonials, video footage, and the discovered diary - and as the mystery grows, the horrifying truth about what happened that night unfolds.

The harrowing, fictional memoir of a condemned murderer, this haunting and remarkable novel recounts, in part, the years Dostoyevsky spent in prison for suspected subversive activities.

A novel view of the twentieth century, as seen through the eyes of the dead.

The Mansion. A home for the grieving and traumatized of elite society. People are dying to get in, but shes dying to remember how she arrived and what happened before she got there. She spent her days confused and disoriented, wandering between dank rooms and dark hallways. The other inhabitants seemed to be even more confused than she was. They said the strangest things. She believed they were all there for the same reason, until they

This eBook features the unabridged text of ‘The House of the Dead’ from the bestselling edition of ‘The Complete Works of Fyodor Dostoyevsky’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Dostoyevsky includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The House of the Dead’ * Beautifully illustrated with images related to Dostoyevsky’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

The chronological disjuncture, LBK longhouses have widely been considered to provide ancestral influence for both rectangular and trapezoidal long barrows and cairns, but with the discovery and excavation of more houses in recent times is it possible to observe evidence of more contemporary inspiration. What do the features found beneath long mounds tell us about this and to what extent do they represent domestic structures. Indeed, how can we distinguish between domestic houses or halls and those that may have been constructed for ritual purposes or ended up beneath mounds? Do so called 'mortuary enclosures' reflect ritual or domestic architecture and did side ditches always provide material for a mound or for building construction? This collection of papers seeks to explore the interface between structures often considered to be those of the living with those for the dead.

Young Tabby Aykroyd has been brought to the dusty mansion of Seldom House to be nursemaid to a foundling boy. He is a savage little creature, but the Yorkshire moors harbor far worse, as Tabby soon discovers. Why do scores of dead maids and masters haunt Seldom House with a jealous devotion that extends beyond the grave? As Tabby struggles to escape the evil forces rising out of the land, she watches her young charge choose a different path. Long before he reaches the old farmhouse of Wuthering Heights, the boy who will become Heathcliff has doomed himself and any who try to befriend him.

Highly Commended by the Sheffield Children's Book Award 2010. Lauren and her aunt and uncle are returning to London after years living away in Cornwall. For Lauren it is a return to the sight of a terrible family tragedy and a house full of ghosts. When she was six years old her mum and little sister were murdered in their home ... and Lauren's dad was put in prison for the crime. Now she is living a stone's throw from her old house, and despite her trepidation, Lauren is curious to know who lives there now, and how the house will make her feel. When she becomes friendly with Nathan, the son of the new owners, she finds herself back at the scene of so many nightmares...of memories, but also of things forgotten. Lauren blocked out a lot of that fateful day, but now that she's older, things are coming back to her...things that could mean her dad is innocent, not guilty of murder. After all these years of hating him Lauren now faces the prospect of loving her dad once again. But is it that easy?

"You know what souls are, don't you, my dear? In their purest form? They're stories." Would your life be a story that death would like to tell? Hopelessly curious, eleven-year-old Blake Callaghan is unable to resist the allure of the abandoned monolith of a house at the end of her street. Climbing the mossy stone wall, she finds herself in an impossible garden, where she is greeted by a kind and knowing old man who teaches her about the realm of fairies: a misunderstood world that offers new insights into death, life, and the power of story. These quiet evenings spent with Mr. Donn and his tales about the Otherworld inspire a new perspective on life that will follow Blake - and the reader - for the rest of her days. House of the Dead is a collection of stories that delves deeply into the rich and haunting domain of Irish mythology, where the mist never settles, things that should be right-side up are upside down, and life is a rare commodity. You, the reader, are invited to join Blake on a journey into a folklore that spans centuries and steps on eternity itself. In this book you will encounter the Dullahan, the headless horseman who heralds death; the cat sidhe, whose fascination with mortal life can have disastrous consequences; and a changeling who dares to defy legend. Filled with childlike wonder in the face of the unknown, these tales encompass a world of fantastic creatures and wild places brimming with magic and mystery, and readers will find themselves dancing with the dead alongside Blake in this heartfelt examination of death and myth.

In the last decades of the nineteenth century, two thousand women physicians formed a significant and lively scientific community in the United States. Many were active writers; they participated in the development of medical record-keeping and research, and they wrote self-help books, social and political essays, fiction, and poetry. Out of the Dead House rediscovers the contributions these women made to the developing practice of medicine and to a community of women in science. Susan Wells combines studies of medical genres, such as the patient history or the diagnostic conversation, with discussions of individual writers. The women she discusses include Ann Preston, the first woman dean of a medical college; Hannah Longshore, a successful practitioner who combined conventional and homeopathic medicine; Rebecca Crumpler, the first African American woman physician to publish a medical book; and Mary Putnam Jacobi, writer of more than 180 medical articles and several important books. Wells shows how these women learned to write, what they wrote, and how these texts were read. Out of the Dead House also documents the ways that women doctors influenced medical discourse during the formation of the modern profession. They invented forms and strategies for medical research and writing, including methods of using survey information, taking patient histories, and telling case histories. Out of the Dead House adds a critical episode to the developing story of women as producers and critics of culture, including scientific culture.

Enter at your own Risk: The first ever Goosebumps. Now with creepy bonus features! 11-year-old Josh and 12-year-old Amanda just moved into the oldest and weirdest house on the block--the two siblings think it might even be haunted! But of course, their parents don't believe them. You'll get used to it, they say. Go out and make some new friends. But the creepy kids are not like anyone Josh and Amanda have ever met before. And when they take a shortcut through the cemetery one night, Josh and Amanda learn why.

"Written in odd moments under extraordinary pressures and subject to regular interruptions, here is the journal kept by Daniel Berrigan during his eighteen months in Danbury Prison"--Jacket.

In "The House of the Dead, Dostoevsky give vent to his perceptions of prison life, writing from his grueling experience in a Siberian camp, and introduces a gallery of boastful and ridiculous convicts surrounding the narrator. The epistolary novel "Poor Folk was Dostoevsky''s first major literary success, and shows hte early sparks of his genius.