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USA Today bestselling author and Agatha Award winner Amanda Flower turns the charm up to ten in her fourth Magical Bookshop mystery. With the help of Walt Whitman's works, magical bookshop owner Violet Waverly puts her pedal to the metal to sleuth a bicycle-race murder that tests her mettle. A bicycle race is not Charming Books proprietor Violet Waverly's idea of a pleasant pastime. But police chief David Rainwater wheelie wants them to enter the Tour de Cascade as a couple, so she reluctantly consents. The Tour de Cascade is the brainchild of Violet's Grandma Daisy. The race is a fundraiser to build the Cascade Springs Underground Railroad Museum. But not everyone in this Niagara Region village supports the race. As if the bike race weren't tiring enough, pesky private investigator Joel Redding is snooping around Charming Books. It takes all of Violet's and Grandma Daisy's ingenuity to keep Redding from discovering the shop's magical essence--which communicates with Violet through books. When Redding perishes in an accident during the race, David discovers that the brake line of the private eye's bike was cut. Worse, Violet tops his list of suspects. As Emerson the tuxedo cat and resident crow Faulkner look on, Charming Books steers Violet to the works of Walt Whitman to solve the crime. But no other names ring a bell as culprits, and as David's investigation picks up speed, Violet will have to get in gear to clear her name.

An exhilarating, clever, funny debut novel from a prize-winning talent, chronicling the misadventures of a lovelorn Victorian lexicographer and the young woman who decodes his trail of made-up words a century later. Will enthrall readers of CS Richardson, Helen Simonson's Major Pettigrew and Eleanor Oliphant Is Completely Fine. Mountweazel (n.), the phenomenon of false entries within dictionaries and works of reference. Often used as a safeguard against copyright infringement. In the final year of the nineteenth century, Peter Winceworth is toiling away at the letter S for Swansby’s multivolume Encyclopaedic Dictionary. Increasingly uneasy that his colleagues are attempting to corral language and regiment facts, Winceworth feels compelled to assert some sense of individual purpose and artistic freedom, and begins inserting unauthorized, fictitious entries into the dictionary. In the present day, Mallory, a young intern employed by the publisher, must uncover these mountweazels before the work is digitized for modern readers. Through the words and their definitions, she begins to sense their creator’s motivations, hopes and desires. More pressingly, she also has to contend with threatening phone calls from an anonymous caller. Is the change in the definition of marriage (n.) really that controversial? And does the caller truly intend for the Swansby’s staff to “burn in hell”? As these two narratives combine, Winceworth and Mallory, separated by one hundred years, must discover how to negotiate the complexities of the often untrustworthy, hoax-strewn and undefinable path we call life. An exhilarating and laugh-out-loud debut, The Liar’s Dictionary celebrates the rigidity, fragility, absurdity and joy of language while peering into questions of identity and finding one’s place in the world.

The books that we choose to keep -- let alone read -- can say a lot about who we are and how we see ourselves. In My Ideal Bookshelf, dozens of leading cultural figures share the books that matter to them most; books that define their dreams and ambitions and in many cases helped them find their way in the world. Contributors include Malcolm Gladwell, Thomas Keller, Michael Chabon, Alice Waters, James Patterson, Maira Kalman, Judd Apatow, Chuck Klosterman, Miranda July, Alex Ross, Nancy Pearl, David Chang, Patti Smith, Jennifer Egan, and Dave Eggers, among many others. With colorful and endearingly hand-rendered images of book spines by Jane Mount, and first-person commentary from all the contributors, this is a perfect gift for avid readers, writers, and all who have known the influence of a great book.

INSTANT NEW YORK TIMES BESTSELLER As Europe buckles under Nazi occupation, Maisie Dobbs investigates a possible murder that threatens devastating repercussions for Britain's war efforts in this latest installment in the New York Times bestselling mystery series. October 1941. While on a delivery, young Freddie Hackett, a message runner for a government office, witnesses an argument that ends in murder. Crouching in the doorway of a bombed-out house, Freddie waits until the coast is clear. But when he arrives at the delivery address, he’s shocked to come face to face with the killer. Dismissed by the police when he attempts to report the crime, Freddie goes in search of a woman he once met when delivering a message: Maisie Dobbs. While Maisie believes the boy and wants to help, she must maintain extreme caution: she’s working secretly for the Special Operations Executive, assessing candidates for crucial work with the French resistance. Her two worlds collide when she spots the killer in a place she least expects. She soon realizes she’s been pulled into the orbit of a man who has his own reasons to kill—reasons that go back to the last war. As Maisie becomes entangled in a power struggle between Britain’s intelligence efforts in France and the work of Free French agents operating across Europe, she must also contend with the lingering question of Freddie Hackett’s state of mind. What she uncovers could hold disastrous consequences for all involved in this compelling chapter of the “series that seems to get better with every entry” (Wall Street Journal).

Dad and Dad had been happy together for a good 10 years, but Dad and Dad were not married. Dad and Dad couldn't remember when the stork visited a couple before they got married. Dad and Dad had a GREAT IDEA - We are going to invite the stork BEFORE we get married! - but where does the stork live? Join Dad and Dad in this fun adventure as they search for the stork EVERYWHERE!

Introduction to Contemporary Print Culture examines the role of the book in the modern world. It considers the book’s deeply intertwined relationships with other media through ownership structures, copyright and adaptation, the constantly shifting roles of authors, publishers and readers in the digital ecosystem and the merging of print and digital technologies in contemporary understandings of the book object. Divided into three parts, the book first introduces students to various theories and methods for understanding print culture, demonstrating how the study of the book has grown out of longstanding academic disciplines. The second part surveys key sectors of the contemporary book world – from independent and alternative publishers to editors, booksellers, readers and libraries – focusing on topical debates. In the final part, digital technologies take centre stage as eBook regimes and mass-digitisation projects are examined for what they reveal about information power and access in the twenty-first century. This book provides a fascinating and informative introduction for students of all levels in publishing studies, book history, literature and English, media, communication and cultural studies, cultural sociology, librarianship and archival studies and digital humanities.

This book contributes significantly to book, image and media studies from an interdisciplinary, comparative point of view. Its broad perspective spans medieval manuscripts to e-readers. Inventive methodology offers numerous insights into visual, manuscript and print culture: material objects relate to meaning and reading processes; images and texts are examined in varied associations; the symbolic, representational and cultural agency of books and prints is brought forward. An introduction substantiates methods and approaches, ten chapters follow along media lines: from manuscripts to prints, printed books, and e-readers. Eleven contributors from six countries challenge the idea of a unified field, revealing the role of books and prints in transformation and circulation between varying cultural trends, ‘high’ and ‘low’. Mostly Europe-based, the collection offers book and print professionals, academics and graduates, models for future research, imaginatively combining material culture with archival data, cultural and reading theories with historical patterns.

The convergence of online book selling, digital printing, digital document workflow management and the computerization of small parcel logistics created a unique opportunity to create a viable commercial model for printing and supplying books on demand. This innovation was swiftly embraced by the academic publishing community heralding the rescue of the languishing academic monograph. The possibilities captured the imagination of creative academic and niche publishers enabling custom publishing, student editions of monographs, self-compiled wiki books and even the establishment of new university presses and open access publishers. The Impact of Print on-Demand on Academic Books takes an in-depth look at this phenomenon by looking back on two decades of innovation, reviewing the present state of academic publishing with respect to works being printed on demand and compiling the current forecasts and speculation about the future of academic and niche publishing given the impact of print on-demand. Presents knowledge on the print-on-demand industry and chronicles developments and their impact on publishing Provides a useful guide for practitioners and students of publishing, and is ideal for academic publishing historians and business academics interested in innovation and digital developments Includes an international perspective, with information from Europe, North America, Australia, and Singapore/China Chronicles business case studies collected from interviews with key individuals from companies who have shaped, or are shaping, the academic POD landscape

This beautifully illustrated book provides an accessible introduction to the medieval manuscript and what it can tell us about the world in which it was made and used. Books Before Print explores how manuscripts can act as a vibrant and versatile tool to understand the deep historical roots of human interaction with written information. It highlights extraordinary continuities between medieval book culture and modern-world communication, as witnessed in medieval pop-up books, posters, speech bubbles, book advertisements, and even sticky notes.

It has never been easy for new authors to find a publisher but in the last few years it has become significantly harder. In 2008, the average author earned less than £7000 per annum. According to The Times approximately 200,000 books were available for sale in the UK in 2007. Of that total, 190,000 titles sold fewer than 3,500 copies. The top 5% of titles by sales volume accounted for over 60% of total book sales. No wonder publishers are careful about signing new writers. But there is good news in amongst all the doom and gloom. Right now, it has never been easier to be published. Everyone who posts something on Facebook is in effect a published author. And some blogs are read by tens of thousands of people daily, many more than might pick up a physical book by the same author. Then there's self-publishing, vanity publishing, print on demand and so on. But how do you find your way round this minefield? Get published has been written by publishing insiders to help new authors understand the way publishers think and set about publishing if they can't get a commercial publisher interested.

This collection of essays illustrates various pressures and concerns—both practical and theoretical—related to the study of print culture. Procedural difficulties range from doubts about the reliability of digitized resources to concerns with the limiting parameters of 'national' book history.

For fans of cosy mysteries everywhere, Best Murder in Show, set in the Cotswold village of Wendlebury Barrow, will make you laugh out loud at the idiosyncrasies of English country life and rack your brains to discover the murderer before newcomer Sophie can.

Author of T̀he name of the Rose', collage and short story about war and harmony.

Here's a pinstriped large print book with spaces to list nearly 400 names with their addresses, phone numbers, email addresses and notes. The clear, big type makes it especially easy for seniors or the vision-impaired. A great gift! Bold letters on the side of all the entry pages make its easy to sort by name (4 entries/page), and there's a letter index in the front of the book. There are also two pages at the front of the book for important contacts and medical/emergency contacts. Bonus: A state postal abbreviation guide and phonetic alphabet. Please note: This is a paperback (softcover) book, and it does not have tabs. Instead, letters are clearly printed on the outer edges of each address page. This book is letter paper size (8-1/2 x 11") and features big text to make it very easy to read -- the ideal large print address book for seniors!

He was looking for bodies. He didn't expect to become one himself. Sergeant Frank Hardy is grinding out a living driving a Royal Mail Coach and playing rigged card games with a Chinese cook. Then he's asked to find two missing settlers. The job bores him, but his own past compels him to take the job. But when he rescues a young woman from an axe-wielding warrior his life gets interesting. Now all he's worried about is keeping his head. Live for a while in the wild and scenic landscape of nineteenth century New Zealand. "I read the whole thing in one sitting" "Great adventure story about New Zealand." "The characters are strong, compelling and interesting. I loved it." " Superb debut book!" Amazon Top 500 Reviewer "My forebears lived in the wider area throughout the period covered in the book (and one was killed in the NZ Wars) - so I could have been a very hard-sell, but instead I loved the whole exciting story. I'm very happy to recommend this book and the second in the series, and roll on the publication of the next one." Val Burr, Local Historian, Palmerston North, New Zealand

The basic business model of the book publishing industry remained largely unchanged between the Great Depression and the turn of the Millennium. Print a lot of books, try to get them reviewed so that stores would stock them on consignment, advertise, then hope that they don't come back as returns. Small imprints and self-publishers were reduced to begging distributors to accept their titles at discounts of 60% or more, and were expected to accept returns in any condition and quantity. Print-on-demand book publishing, combined with short-discount distribution and Internet marketing, is turning the publishing business on its head. For the first time, authors are finding that they can launch their own publishing businesses and earn more from their writing than they would with a major trade publisher. Small imprints can invest their scarce resources in acquiring, designing and promoting new titles, rather than gambling on tons of books that cost money to keep in inventory. This book details the new method with which authors and publishers alike can use POD to cut costs and increase profits, while reaching new readers through the magic of Internet marketing.