Luster

NEW YORK TIMES BESTSELLER Winner of the 2020 Center for Fiction First Novel Prize Winner of the 2020 National Book Critics Circle's John Leonard Prize for Best First Book Winner of the 2020 Kirkus Prize for Fiction Winner of the 2021 Dylan Thomas Prize Finalist for the 2021 PEN/Hemingway Award for Best First Novel Longlisted for the 2021 Andrew Carnegie Medal for Excellence in Fiction Longlisted for the 2021 PEN/Jean Stein Book Award Longlisted for the 2021 Women's Prize for Fiction A New York Times Notable Book of the Year Named Best Book of the Year by O: the Oprah Magazine, Vanity Fair, Los Angeles Times, Town and Country, Amazon, Indigo, NPR, Harper’s Bazaar, Kirkus Reviews, Marie Claire, Good Housekeeping Sharp, comic, disruptive, and tender, Luster sees a young Black woman fall into art and someone else's open marriage. Edie is stumbling her way through her twenties—sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She's also, secretly, haltingly, figuring her way into life as an artist. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules. As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren't hard enough, Edie finds herself unemployed and falling into Eric's family life, his home. She becomes a hesitant friend to his wife and a de facto role model to his adopted daughter. Edie is the only Black woman who young Akila knows. Razor-sharp, darkly comic, sexually charged, socially disruptive, Luster is a portrait of a young woman trying to make sense of her life in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent and the unexpected influences that bring us into ourselves along the way.

A NEW YORK TIMES NOTABLE BOOK OF THE YEAR A BEST BOOK OF THE YEAR: NPR, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, The New York Times Book Review, Boston Globe, Buzzfeed, Kirkus, Time, Good Housekeeping, InStyle, The Guardian, Literary Hub, Electric Literature, Self, The New York Public Library, Town & Country, Wired, Boston.com, Happy Mag, New Statesman, Vox, Shelf Awareness, Chatelaine, The Undefeated, Apartment Therapy, Brooklyn Based, The End of the World Review, Exile in Bookville, Lit Reactor, BookPage, i-D A FAVORITE BOOK OF THE YEAR: The New Yorker, Barack Obama A BEST BOOK FOR HOLIDAY GIFTS: AV Club, Chicago Tribune, New York Magazine/The Strategist, The Rumpus WINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, and the Dylan Thomas Prize AN INSTANT NEW YORK TIMES BESTSELLER NATIONAL INDIE BESTSELLER * LOS ANGELES TIMES BESTSELLER * WASHINGTON POST BESTSELLER "So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or melt into a languorous drip; plot suddenly, wildly flying forward like a bike down a hill." —Jazmine Hughes, The New York Times Book Review “An irreverent intergenerational tale of race and class that’s blisteringly smart and fan-yourself sexy.” —Michelle Hart, O: The Oprah Magazine No one wants what no one wants. And how do we even know what we want? How do we know we’re ready to take it? Edie is stumbling her way through her twenties—sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules. As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home—though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows. Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life—her hunger, her anger—in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.

‘A book of pure fineness, exceptional.’ – Diana Evans, Guardian 'A taut, sharp, funny book about being young now. It's brutal—and brilliant.' - Zadie Smith Winner of the Dylan Thomas Prize 2021 Longlisted for the Women's Prize For Fiction 2021 Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, is sleeping with all the wrong men, and has failed at the only thing that meant anything to her, painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted black daughter who doesn’t have a single person in her life who can show her how to do her hair. As if navigating the constantly shifting landscape of sexual and racial politics as a young black woman wasn’t already hard enough, with nowhere else left to go, Edie finds herself falling head-first into Eric’s home and family. Razor-sharp, provocatively page-turning and surprisingly tender, Luster by Raven Leilani is a painfully funny debut about what it means to be young now. A BEST BOOK OF THE YEAR: Guardian, New York Times, New Yorker, Boston Globe, Literary Hub, Vanity Fair, Los Angeles Times, Glamour, Time, Good Housekeeping, InStyle, NPR, O Magazine, Buzzfeed, Electric Literature, Town & Country, Wired, New Statesman, Vox, Shelf Awareness, i-D, BookPage and more. One of Barack Obama’s Favourite Books of 2020

Sharp, comic, disruptive, tender, Raven Leilani's debut novel, Luster, sees a young black woman fall into art and someone else's open marriage Edie is stumbling her way through her twenties—sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She's also, secretly, haltingly figuring her way into life as an artist. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage—with rules. As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren't hard enough, Edie finds herself unemployed and falling into Eric's family life, his home. She becomes hesitant friend to his wife and a de facto role model to his adopted daughter. Edie is the only black woman young Akila may know. Razor sharp, darkly comic, sexually charged, socially disruptive, Luster is a portrait of a young woman trying to make her sense of her life in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent and the unexpected influences that bring us into ourselves along the way.

“With Deluxe: How Luxury Lost Its Luster, [Dana] Thomas—who has been the cultural and fashion writer for Newsweek in Paris for 12 years—has written a crisp, witty social history that’s as entertaining as it is informative.” —New York Times From the author of Fashionopolis: The Price of Fast Fashion and the Future of Clothes Once luxury was available only to the rarefied and aristocratic world of old money and royalty. It offered a history of tradition, superior quality, and a pampered buying experience. Today, however, luxury is simply a product packaged and sold by multibillion-dollar global corporations focused on growth, visibility, brand awareness, advertising, and, above all, profits. Award-winning journalist Dana Thomas digs deep into the dark side of the luxury industry to uncover all the secrets that Prada, Gucci, and Burberry don't want us to know. Deluxe is an uncompromising look behind the glossy façade that will enthrall anyone interested in fashion, finance, or culture.

In this story for readers of The Curious Incident of the Dog in the Night-Time and A Man Called Ove, when all seems lost, he finds what matters most. Walter Lavender Jr. is a master of finding. A wearer of high-tops. A maker of croissants. A son keeping vigil, twelve years counting. But he wouldn’t be able to tell you. Silenced by his motor speech disorder, Walter’s life gets lonely. Fortunately, he has The Lavenders—his mother’s enchanted dessert shop, where marzipan dragons breathe actual fire. He also has a knack for tracking down any missing thing—except for his lost father. So when the Book at the root of the bakery’s magic vanishes, Walter, accompanied by his overweight golden retriever, journeys through New York City to find it—along the way encountering an unforgettable cast of lost souls. Steeped in nostalgic wonder, The Luster of Lost Things explores the depths of our capacity for kindness and our ability to heal. A lyrical meditation on why we become lost and how we are found, from the bright, broken heart of a boy who knows where to look for everyone but himself.

Don Bogen’s latest volume, Luster, takes on everything from bullhorns to the cultivation of olive trees in poems that are sharp-edged and open to surprise. They capture not just things themselves but the essential contexts—history, power, the personal and the social—that give them meaning. The stylistic dexterity and range of approaches here make the book as rich as the world it engages. Luster includes evocations of place and memory, character studies of figures from Coleridge to Tarzan, a verse epistle, and an extended meditation on machines in our daily lives, all within an overarching vision. From racehorses to waterwheels to great cities, Bogen illuminates “things that go,” in both their dynamism and their inevitable decay. Luster traces the sheen of human activity that clings to the world around us: imperfect, irrevocably marred by time, but always gleaming.

There is no shortcut to success. To achieve anything in life, the first and essential thing is your patience. If you have lost your patience then you cannot kiss the steps of success. The difference between victory and defeat, you yourself can give the exact form. The choice is yours, win or lose. In the book Luster, 20 different authors have made their own beautiful contribution, in which every word inspires to learn something. The present book has been dedicated to Pragya Verma whose writings have inspired me and I have got to learn a lot from her. I am sure readers will like the book.

Sure, the little town of Luster, Idaho is isolated, and most of its inhabitants go back for generations, but does that fully explain the unusual camaraderie among its citizens, their high instance of financial success, or, most notably, their acceptance of events that happened years before as current? When an investment deal brings Glenda Prince to Luster, she's quickly engulfed in the generosity of everyone from an elderly farm couple to a cherubic hayseed of a physician and the friendly one-eyed waitress at the Pancake Chalet, but trouble awaits. The young man who had obsessively stalked Glenda years before and she thought she'd left far behind…is now a member of the New Age commune in town, an organization that drives the less spiritual folks in Luster nuts. Glenda has trouble making connections with her local business partner, which forces her to stay in town longer than anticipated long enough to be once again picked up on her stalker's radar, long enough to be caught up in a disaster that affects the whole town, and long enough to meet the reclusive Wanda, an encounter that will change her life and the lives of others.

As an undercover operative for the Constellation League, Marcos Starlaw’s current assignment is a dangerous mission. Posing as a low-end gem merchant, he must infiltrate the Delta Seven mining colony to discern whether pirates have overrun the planet as his superiors suspect. Still, he expects to return home soon, back into the arms of the many women who eagerly await his return. Burned and scarred by torture, Nova Drayton has lived the past two years in a cave, waiting for someone to help her people. The governor of her home world is a lying, thieving traitor who has taken up with the Limaxian pirates that have overrun her society. They’ve killed many innocents, including her parents and fiancé. Realizing law enforcers may never come—that they’ve likely forgotten their promise to so much as patrol her beleaguered colony—Nova now hates everything having to do with the vaunted Constellation League and its pretentious officers. When Marcos comes face to face with the pirates and a weapon of mass destruction, he makes a critical mistake, blowing his cover. If Nova doesn’t help Marcos escape the pirates … well, he’s already one heartbeat away from taking his last breath. How can he convince a girl who’s lived through hell that he’s the one she’s been waiting for? With nothing left but their own ingenuity, the pair must find a way to ally or die at the hands of cutthroats. Sensuality Level: Sensual

Photographer Mirjam Bleeker and interior designer Frank Visser have enjoyed a friendship and creative partnership for over eighteen years. During this time, they have traveled the world together, often with no particular itinerary, seeking out the people and places that inspire a sense of adventure. During their travels, they have stayed in a range of settings, private homes and 'retreats, ' meeting an eclectic mix of people choosing to make their lives by the sea. The photographs in this collection are beautiful, capturing the imagination, they reflect the colors of water and sky, filled with the bleached driftwood, shells and pebbles found on the shoreline, the 'music' of the ocean, the seabirds and the waves re-created in the internal fabric of the buildings, on porches, under canvas, framed in the windows and through the open doors. This book brings these far-flung places to life, with images of white-washed walls, rusted corrugated iron roofs, strings of faded flags fluttering in the breeze, lazy hammocks, footprints in the sand from Bali to Senegal, Costa Rica, Chile, India and Italy; pure escapism.

Do you really value the objects around you or are they just "things" to you? The premise of this book is that part of the pleasure of life-contentment that we can cultivate no matter how much or how little we have-comes from the conscious appreciation of the beauty and the significance of everyday things. Through photographs and poems, the author takes you on a voyage of discovery through the world around you. You are shown, sometimes playfully and sometimes profoundly, that even the simplest of things-a shirt and tie, a kitchen colander, a closed door, or a blue butterfly-can have a shining beauty, secret story, and surprising meaning. Along the way, you are gently reminded that such objects deserve to be "warmed with much handling" and gazed upon with pleasure and gratitude as the tiny treasures they are.

LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION “Bold, virtuosic, addictive, erotic – there is nothing like The Pisces. I have no idea how Broder does it, but I loved every dark and sublime page of it.” —Stephanie Danler, author of Sweetbitter Lucy has been writing her dissertation on Sappho for nine years when she and her boyfriend break up in a dramatic flameout. After she bottoms out in Phoenix, her sister in Los Angeles insists Lucy dog-sit for the summer. Annika's home is a gorgeous glass cube on Venice Beach, but Lucy can find little relief from her anxiety — not in the Greek chorus of women in her love addiction therapy group, not in her frequent Tinder excursions, not even in Dominic the foxhound's easy affection. Everything changes when Lucy becomes entranced by an eerily attractive swimmer while sitting alone on the beach rocks one night. But when Lucy learns the truth about his identity, their relationship, and Lucy’s understanding of what love should look like, take a very unexpected turn. A masterful blend of vivid realism and giddy fantasy, pairing hilarious frankness with pulse-racing eroticism, THE PISCES is a story about falling in obsessive love with a merman: a figure of Sirenic fantasy whose very existence pushes Lucy to question everything she thought she knew about love, lust, and meaning in the one life we have.

WINNER OF THE SCOTIABANK GILLER PRIZE A hilarious, surprising and poignant love story about the way families are invented, told with the savvy of a Zadie Smith and with an inventiveness all Ian Williams' own, Reproduction explores unconventional connections and brilliantly redefines family. Felicia and Edgar meet as their mothers are dying. Felicia, a teen from an island nation, and Edgar, the lazy heir of a wealthy German family, come together only because their mothers share a hospital room. When Felicia's mother dies and Edgar's "Mutter" does not, Felicia drops out of high school and takes a job as Mutter's caregiver. While Felicia and Edgar don't quite understand each other, and Felicia recognizes that Edgar is selfish, arrogant, and often unkind, they form a bond built on grief (and proximity) that results in the birth of a son Felicia calls Armistice. Or Army, for short. Some years later, Felicia and Army (now 14) are living in the basement of a home owned by Oliver, a divorced man of Portuguese descent who has two kids--the teenaged Heather and the odd little Hendrix. Along with Felicia and Army, they form an unconventional family, except that Army wants to sleep with Heather, and Oliver wants to kill Army. Then Army's fascination with his absent father--and his absent father's money--begins to grow as odd gifts from Edgar begin to show up. And Felicia feels Edgar's unwelcome shadow looming over them. A brutal assault, a mortal disease, a death, and a birth reshuffle this group of people again to form another version of the family. Reproduction is a profoundly insightful exploration of the bizarre ways people become bonded that insists that family isn't a matter of blood.

"Blazingly original, wry, and perfectly attuned to the oddness—and the profundity—of life” (Cristina Henríquez), Claire Luchette's debut, Agatha of Little Neon, is a novel about yearning and sisterhood, figuring out how you fit in (or don’t), and the unexpected friends who help you find your truest self Agatha has lived every day of the last nine years with her sisters: they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a former mill town now dotted with wind turbines. They take over the care of a halfway house, where they live alongside their charges, such as the jawless Tim Gary and the headstrong Lawnmower Jill. Agatha is forced to venture out into the world alone to teach math at a local all-girls high school, where for the first time in years she has to reckon all on her own with what she sees and feels. Who will she be if she isn’t with her sisters? These women, the church, have been her home. Or has she just been hiding? Disarming, delightfully deadpan, and full of searching, Claire Luchette’s Agatha of Little Neon offers a view into the lives of women and the choices they make.

An intimately charged novel of desire and disaster from the National Book Award-winning author of Trust Exercise and A Person of Interest Regina Gottlieb had been warned about Professor Nicholas Brodeur long before arriving as a graduate student at his prestigious university high on a pastoral hill. He’s said to lie in the dark in his office while undergraduate women read couplets to him. He’s condemned on the walls of the women’s restroom, and enjoys films by Roman Polanski. But no one has warned Regina about his exceptional physical beauty—or his charismatic, volatile wife. My Education is the story of Regina’s mistakes, which only begin in the bedroom, and end—if they do—fifteen years in the future and thousands of miles away. By turns erotic and completely catastrophic, Regina’s misadventures demonstrate what can happen when the chasm between desire and duty is too wide to bridge.

Starting with Bad Behavior in the 1980s, Mary Gaitskill has been writing about gender relations with searing, even prophetic honesty. In This Is Pleasure, she considers our present moment through the lens of a particular #MeToo incident. The effervescent, well-dressed Quin, a successful book editor and fixture on the New York arts scene, has been accused of repeated unforgivable transgressions toward women in his orbit. But are they unforgivable? And who has the right to forgive him? To Quin’s friend Margot, the wrongdoing is less clear. Alternating Quin’s and Margot’s voices and perspectives, Gaitskill creates a nuanced tragicomedy, one that reveals her characters as whole persons—hurtful and hurting, infuriating and touching, and always deeply recognizable. Gaitskill has said that fiction is the only way that she could approach this subject because it is too emotionally faceted to treat in the more rational essay form. Her compliment to her characters—and to her readers—is that they are unvarnished and real. Her belief in our ability to understand them, even when we don’t always admire them, is a gesture of humanity from one of our greatest contemporary writers.

Parenting: An Ecological Perspective was originally created in 1993 to answer questions such as: Why do parents differ markedly in the ways in which they care for their children? What factors contribute to individual differences in parenting behavior? The framework used for addressing these questions is the ecological perspective developed by Urie Bronfenbrenner, who recognized that children's development is influenced by the interactions that they have over time with the people, objects, and symbols in their immediate environment. Luster and Okagaki have updated the original text focusing on parental behavior and also included 6 new chapters covering topics such as: *fathers/gender of parent; *children with special needs; *ethnicity and socioeconomic status; and *parent education. The text summarizes the latest research on factors that influence parenting, with each chapter providing a look at one important influence and the linkages among these various factors. An ecological perspective draws attention to the fact that the lives of parents and children are intertwined, and that understanding factors that influence parents is important for understanding the experiences of children.