Loving: A Photographic History of Men in Love 1850s-1950s

Loving: A Photographic Story of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public. Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love - impossible to manufacture or hide. They were also recognized by body language - evidence as subtle as one hand barely grazing another - and by inscriptions, often coded. Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots - over 100 years of social history and the development of photography. Loving will be produced to the highest standards in illustrated book publishing, The photographs - many fragile from age or handling - have been digitized using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world's elite printers. Loving, the book, will be up to the measure of its message in every way. In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope - indeed human connectivity - are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.

Dozens of period photographs--including daguerreotypes, tintypes, cabinet cards, and more--celebrate the affectionate relationships and friendships between men, both gay and straight, from the earliest days of photography through the 1950s. Reprint. 10,000 first printing.

Rainbow Revolution is a collection of vibrant portraits that celebrate the expanding spectrum of queer identity and visibility. Starting with an empty white box, renowned photographer Magnus Hastings invites members of the LGBTQIA+ community to creatively envision the space. Funny, political, personal, racy, magical, and matter-of-fact—each individual presents themselves as they would like to be seen. Features more than 300 photographs Includes a number of short, moving statements by some of the subjects about who they are, and what that means A beautifully diverse celebration of queer identity and community Proud, playful, defiant, and diverse, the empowering images and individuals in this beautiful volume represent the strength of knowing and expressing who we are. Rainbow Revolution includes Kathy Griffin, Jade Thirlwall, Luke Evans, Boy George, Peppermint, Adore Delano, Eureka O'Hara, Alaska Thunderf*ck, Gigi Gorgeous, Nico Tortorella, and many more. A gorgeous book for the LGBTQIA+ audience and their friends, loved ones, and community around them Ideal for display on the coffee table Great for fans of Magnus Hastings' photography, Rupaul's Drag Race, and more Add it to the shelf with books like Queer: A Graphic History by Dr. Meg-John Barker, A Quick Easy Guide to They/Them Pronouns by Archie Bongiovanni, and We Are Everywhere: Protest, Power, and Pride in the History of Queer Liberation by Matthew Riemer and Leighton Brown.

Documents the history of homosexuality and its representation in art, using objects from the British Museum's collection that date from 9000 BC to the present to illustrate how same-sex love has always been a part of human history.

In this unique collection of black and white photography, acclaimed artist Gruenholtz has accomplished something very rare in male erotica. In the style of a classic fine-art photo documentarist, he captures the fascinating world of gay adult entertainment with virtuosity and sensitivity. His beautiful "behind-the-scenes" photographs, simultaneously frank and lyrical, constitute a compelling long-form portrait of Michael Lucas and his models over the course of an unprecedented year-long creative journey. Shot on location in New York, Fire Island, Puerto Vallarta and Barcelona.

A POWERFUL STORY OF SEXUAL AWAKENING DURING THE SECOND WORLD WAR FROM THE NOTED MEMORIST AND CRITIC In My Queer War, James Lord tells the story of a young man's exposure to the terrors, dislocations, and horrors of armed conflict. In 1942, a timid, inexperienced twenty-one-year-old Lord reports to Atlantic City, New Jersey, to enlist in the U.S. Army. His career in the armed forces takes him to Nevada and California, to Boston, to England, and eventually to France and Germany, where he witnesses firsthand the ravages of total war on Europe's land and on its people. Along the way he comes to terms with his own sexuality, experiences the thrill of first love and the chill of disillusionment with his fellow man, and in a moment of great rashness makes the acquaintance of the world's most renowned artist, who will show him the way to a new life. My Queer War is a rich and moving record of one man's maturation in the crucible of the greatest war the world has known. If his war is queer, it is because each man's experience is strange in its own way. His is a story of universal significance and appeal, told by a wry and eloquent observer of the world and of himself.

A comprehensive biographical survey from ancient Chinese courtiers to pioneers of gay liberation in the twenty-first century, from the unknowable relationships of the distant past to the frankest affirmations of modern sexual identity. The exploits of the famous never cease to captivate our imaginations—rulers, artists, explorers, and all the great personalities of history. Yet many quieter lives also have the ability to impress, to teach us something about the remarkable qualities of human nature. In this book, Robert Aldrich presents a fascinating portrait of gay men and women throughout history that reveals the full diversity of gay lives as lived in their times. He gives a voice to more than seventy people from around the world and all walks of life, from poets, philosophers, and artists to radicals and activists. Along with celebrated names such as Michelangelo, Frederick the Great, and Harvey Milk are lesser-known but no less inspiring individuals: two men of ancient Egypt whose lives were closely linked over four thousand years ago; a Renaissance nun who blurred the boundaries between spiritual and physical love; and “Aimée” and “Jaguar,” whose love defied the death camps of wartime Germany. Often colorful, occasionally tragic, but all in some way extraordinary, these life stories reflect—and have sometimes helped to shape—contemporary attitudes toward same-sex intimacy.

Why some straight men have sex with other men Why do some straight men in rural America have sex with other men? In Still Straight, Tony Silva convincingly argues that these men—many of whom enjoy hunting, fishing, and shooting guns—are not gay, bisexual, or “just experimenting.” As he shows, these men can enjoy a range of relationships with other men, from hookups to sexual friendships to secretive loving partnerships, all while strongly identifying with straight culture. Drawing on riveting interviews with straight white men who live in rural America, Silva explores the fascinating, and unexpected, disconnect between sexual behavior and identity. Some use sex with men to bond with other men in an acceptably masculine way; some are not particularly attracted to men, but are wary of emotional attachment with women; and others view sex with men—as opposed to women—as a more acceptable form of extramarital sexual behavior. Taking us inside the lives of straight white men who have sex with other men, Still Straight shows us that heterosexuality in rural America is not always, in fact, what it seems.

Have pride in history. A rich and sweeping photographic history of the Queer Liberation Movement, from the creators and curators of the massively popular Instagram account @lgbt_history, released in time for the 50th anniversary of the Stonewall Riots. Through the lenses of protest, power, and pride, We Are Everywhere is an essential and empowering introduction to the history of the fight for queer liberation. Combining exhaustively researched narrative with meticulously curated photographs, the book traces queer activism from its roots in late-nineteenth-century Europe--long before the pivotal Stonewall Riots of 1969--to the gender warriors leading the charge today. Featuring more than 300 images from more than seventy photographers and twenty archives, this inclusive and intersectional book enables us to truly see queer history unlike anything before, with glimpses of activism in the decades preceding and following Stonewall, family life, marches, protests, celebrations, mourning, and Pride. By challenging many of the assumptions that dominate mainstream LGBTQ+ history, We Are Everywhere shows readers how they can--and must--honor the queer past in order to shape our liberated future.

“A vivid exploration of one man's lifelong obsession with an idea . . . Egan’s spirited biography might just bring [Curtis] the recognition that eluded him in life.” —Washington Post Edward Curtis was charismatic, handsome, a passionate mountaineer, and a famous portrait photographer, the Annie Leibovitz of his time. He moved in rarefied circles, a friend to presidents, vaudeville stars, leading thinkers. But when he was thirty-two years old, in 1900, he gave it all up to pursue his Great Idea: to capture on film the continent’s original inhabitants before the old ways disappeared. Curtis spent the next three decades documenting the stories and rituals of more than eighty North American tribes. It took tremendous perseverance—ten years alone to persuade the Hopi to allow him to observe their Snake Dance ceremony. And the undertaking changed him profoundly, from detached observer to outraged advocate. Curtis would amass more than 40,000 photographs and 10,000 audio recordings, and he is credited with making the first narrative documentary film. In the process, the charming rogue with the grade school education created the most definitive archive of the American Indian. “A darn good yarn. Egan is a muscular storyteller and his book is a rollicking page-turner with a colorfully drawn hero.” —San Francisco Chronicle “A riveting biography of an American original.” —Boston Globe

When I Knew is a collection of smart, hilarious, and often poignant stories about that revelation for all gay men and women: when they first knew. In this gorgeously illustrated, cleverly designed, and colorful book, acclaimed fashion and celeb-rity photographer Robert Trachtenberg brings humor and style to the EUREKA! moments of more than eighty contributors, including B. D. Wong, Arthur Laurents, Simon Doonan, Stephen Fry, Marc Shaiman, Michael Musto, and more. Also mixed in are tales about when parents knew and when everyone else knew, as well as laugh-out-loud coming-out stories. Readers will fall in love with these anecdotes, from the seven-year-old who looked under the television set to sneak a peek under Tarzan's loincloth, to the inquisitive grandmother who asked her grandson, "You don't like a girl to get married? You prefer a boy?", to the courageous field trip participant who passed up the universal favorite burger-and-fry combo in favor of the fruit plate with cottage cheese. Filled with original art by New Yorker illustrator Tom Bachtell, historical images, and personal photographs from the contributors, When I Knew is a vibrant and witty celebration of that sometimes glorious, sometimes painful, but always captivating moment when everything suddenly makes sense.

The author uses diaries, letters, newspapers, and poems to explore intimacy between men before the words "gay" and "homosexual" dominated the landscape. Reprint.

Sensuous, stylish, decadent, Gianni Versace's kaleidoscopic vision of male beauty and men's fashion is available for the first time in this miniature edition--a burst of color, clothing, and artful design. Featuring contributions by Richard Martin, Barry Hannah, and others, "Men Without Ties" also includes 686 full-color photographs by Herb Ritts, Richard Avedon, and Bruce Weber.

A pictorial record of the Navy during World War II forgoes the common depictions of battle in favor of showing the sailors themselves, as they trained, prepared, and found time to relax in the shadow of war.

More than 600 pictures ? portraits and pornography, postcards and cuttings and snapshots from private albums ? go to make up one man's personal and highly idiosyncratic view of gay history since the invention of the camera. Gay people, their friends, lovers, idols and enemies in all their glory, divas, bodybuilders and drag queens, heroes and villains, from Marie Lloyd to Madonna, Sandow to Schwarzenegger, Boulton to Savage, Labouchere to Mary Whitehouse. And alongside the famous and infamous, are the images of ?ordinary? gay men taken at moments that only friends and lovers would bother to record.

A collection of gay erotic writings tracing the development of a gay identity from the late 19th century to just before the Stonewall Inn riots Long before the rise of the modern gay movement, an unnoticed literary revolution was occurring, mostly between the covers of the cheaply produced pulp paperbacks of the post-World War II era. Cultural critic Michael Bronski collects a sampling of these now little-known gay erotic writings—some by writers long forgotten, some never known and a few now famous. Through them, Bronski challenges many long-held views of American postwar fiction and the rise of gay literature, as well as of the culture at large.

Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop documented this scene, unflinchingly and obsessively capturing everything from fleeting naked figures in mangled architectural environments to scenes of explicit sex and police raids on the piers. His work is little known and underpublished--mainly due to its unflinching subject matter--but while often explicit, his photographs are on a par with those of Nan Goldin, Peter Hujar and Enrique Metenides. While the outside world saw New York as the glamorous playground of Studio 54, Warhol's gang and the disco era, Baltrop photographed the city's gritty flipside; his work is an important part of both gay culture and the history of New York itself. This clothbound volume compiles the Piers series in one definitive monograph, a powerful tribute to a long-forgotten world at the city's dilapidated margins. Alvin Baltrop (1948-2004) was born in the Bronx, New York, and spent most of his life living and working in New York City. From 1969 to 1972, he served in the Vietnam War and began photographing his comrades. Upon his return, he enrolled in the School of the Visual Arts in New York, where he studied from 1973 to 1975. After working various jobs--vendor, jewelry designer, printer--he settled on the banks of Manhattan's West Side, where he would produce the bulk of his photographic output.

This comprehensive study of homoeroticism and male homosexuality surveys the homoerotic urge in fashion photography, including layouts in Vogue and reprints rare and unpublished work by such photographers as Horst, Mapplethorpe, and Herb Ritts.

A treasury of vintage photos of gay couples privately or secretly honoring their relationships spans the first six decades of the 20th century and is comprised of anonymous images found by the author at flea markets and garage sales, in a volume that inspired his award-winning 2013 documentary. Movie tie-in.