Hid from Our Eyes

THE USA TODAY BESTSELLER New York Times bestseller Julia Spencer-Fleming returns to her beloved Clare Fergusson/Russ Van Alstyne mystery series with new crimes that span decades in Hid from Our Eyes. "New parents Clare Fergusson and police chief Russ Van Alstyne tackle three copycat murders and one testy baby in this riveting addition to an acclaimed series" —People magazine 1952. Millers Kill Police Chief Harry McNeil is called to a crime scene where a woman in a party dress has been murdered with no obvious cause of death. 1972. Millers Kill Police Chief Jack Liddle is called to a murder scene of a woman that's very similar to one he worked as a trooper in the 50s. The only difference is this time, they have a suspect. Young Vietnam War veteran Russ van Alstyne found the body while riding his motorcycle and is quickly pegged as the prime focus of the investigation. Present-day. Millers Kill Police Chief Russ van Alstyne gets a 911 call that a young woman has been found dead in a party dress, the same MO as the crime he was accused of in the 70s. The pressure is on for Russ to solve the murder before he's removed from the case. Russ will enlist the help of his police squad and Reverend Clare Fergusson, who is already juggling the tasks of being a new mother to her and Russ's baby and running St. Alban's Church, to finally solve these crimes. Readers have waited years for this newest book and Julia Spencer-Fleming delivers with the exquisite skill and craftsmanship that have made her such a success.

THE USA TODAY BESTSELLER New York Times bestseller Julia Spencer-Fleming returns to her beloved Clare Fergusson/Russ Van Alstyne mystery series with new crimes that span decades in Hid from Our Eyes. "New parents Clare Fergusson and police chief Russ Van Alstyne tackle three copycat murders and one testy baby in this riveting addition to an acclaimed series" —People magazine 1952. Millers Kill Police Chief Harry McNeil is called to a crime scene where a woman in a party dress has been murdered with no obvious cause of death. 1972. Millers Kill Police Chief Jack Liddle is called to a murder scene of a woman that's very similar to one he worked as a trooper in the 50s. The only difference is this time, they have a suspect. Young Vietnam War veteran Russ van Alstyne found the body while riding his motorcycle and is quickly pegged as the prime focus of the investigation. Present-day. Millers Kill Police Chief Russ van Alstyne gets a 911 call that a young woman has been found dead in a party dress, the same MO as the crime he was accused of in the 70s. The pressure is on for Russ to solve the murder before he's removed from the case. Russ will enlist the help of his police squad and Reverend Clare Fergusson, who is already juggling the tasks of being a new mother to her and Russ's baby and running St. Alban's Church, to finally solve these crimes. Readers have waited years for this newest book and Julia Spencer-Fleming delivers with the exquisite skill and craftsmanship that have made her such a success.

How do you find a killer who leaves no trace? New York Times bestseller Julia Spencer-Fleming returns to her gripping Clare Fergusson/Russ Van Alstyne mystery series with a compelling case that spans decades. 'Thrilling, chilling and the suspense is killing' Val McDermid Two murders, twenty years apart, with eerie similarities: a woman in a party dress murdered with no obvious cause of death. The last known suspect? Russ Van Alstyne, never convicted but never completely cleared either. Now, decades later, a third young woman is found under similar circumstances. It's a new case that opens old wounds for Russ, now a police chief himself. With three crimes spanning generations, and Russ himself under suspicion, the pressure is on for him to solve the murder or risk losing everything he loves. PRAISE FOR JULIA SPENCER-FLEMING: 'Julia Spencer-Fleming is one of mystery fiction's treasures' JOHN CONNELLY 'A superb murder mystery' LOUISE PENNY 'A powerful psychological thriller and a pulse-pounding action adventure that shows us once again why Julia Spencer-Fleming is one of our finest writers of suspense' JOSEPH FINDER

Can we trust our senses to tell us the truth? Challenging leading scientific theories that claim that our senses report back objective reality, cognitive scientist Donald Hoffman argues that while we should take our perceptions seriously, we should not take them literally. How can it be possible that the world we see is not objective reality? And how can our senses be useful if they are not communicating the truth? Hoffman grapples with these questions and more over the course of this eye-opening work. Ever since Homo sapiens has walked the earth, natural selection has favored perception that hides the truth and guides us toward useful action, shaping our senses to keep us alive and reproducing. We observe a speeding car and do not walk in front of it; we see mold growing on bread and do not eat it. These impressions, though, are not objective reality. Just like a file icon on a desktop screen is a useful symbol rather than a genuine representation of what a computer file looks like, the objects we see every day are merely icons, allowing us to navigate the world safely and with ease. The real-world implications for this discovery are huge. From examining why fashion designers create clothes that give the illusion of a more “attractive” body shape to studying how companies use color to elicit specific emotions in consumers, and even dismantling the very notion that spacetime is objective reality, The Case Against Reality dares us to question everything we thought we knew about the world we see.

In Through the Evil Days, New York Times bestselling author Julia Spencer-Fleming raises the stakes for Russ and Clare, putting their new marriage, their unborn child, a missing teen, and their very own lives on the line. On a frigid January night, Chief of Police Russ Van Alstyne and Reverend Clare Fergusson are called to the scene of a raging fire. The extent of the tragedy isn't known until the next day, when the charred remains of a man and woman are recovered—along with evidence showing they were shot execution style. The last thing Russ needs are two potential homicides. He's struggling with the prospect of impending fatherhood, and his new wife is not at all happy with his proposal for their long-delayed honeymoon: a week ice-fishing at a remote Adirondack lake. St. Alban's Church is still in turmoil over the Reverend Clare Fergusson's news that she's five and a half months pregnant—but only two and a half months married. Worried her post-deployment drinking and drug use may have damaged the baby, she awaits the outcome of the bishop's investigation into her "unpriestly" behavior: a scolding, censure, or permanent suspension. Officer Hadley Knox is having a miserable January as well. Her on-again, off-again lover, Kevin Flynn, has seven days to weigh an offer from the Syracuse Police Department that might take him half a state away. And her ex-husband's in town—threatening to take custody of their kids unless Hadley pays him off with money she doesn't have. When Hadley discovers that the dead couple fostered an eight-year-old girl who was a recent liver donee, the search for the killer takes on a new and terrible urgency. With no access to immunosuppressant drugs, transplant rejection will kill the girl in a matter of days. As a deadly ice storm downs power lines and immobilizes roads, Russ and Clare search desperately for the truth about the missing child, but the hunters will become the hunted when they are trapped in the cabin beside the frozen lake and stalked through the snowbound woods by a killer.

Given the chance to train as a squire, kitchen servant Achan Cham hopes to pull himself out of his pitiful life and become a Kingsguard Knight. When Achan's owner learns of his training, he forces Achan to spar with the Crown Prince--more of a death sentence than an honor. Meanwhile, strange voices in Achan's head cause him to fear he's going mad. While escorting the prince to a council presentation, their convoy is attacked. Achan is wounded and arrested, but escapes from prison--only to discover a secret about himself he never believed possible.

I Shall Not Want is the sixth in Julia Spencer-Fleming's New York Times bestselling series—the strongest in the Russ Van Alstyne and Clare Fergusson novels—is a great entry into this beloved series. In the searing conclusion to All Mortal Flesh, Police Chief Russ Van Alstyne’s precarious balance between duty and desire was broken by his wife’s tragic death. Now, Russ and Episcopal priest Clare Fergusson are separated by a wall of guilt and grief. When a farmhand stumbles over a body, Clare is reluctantly drawn into the investigation through her involvement with the migrant community. The discovery of two more bodies could mean a serial killer is on the loose. As spring turns into summer, Russ is plagued by media hysteria, conflict within the police department, and a series of baffling assaults. Throughout the escalating tensions, emotions are fueled as Russ and Clare find themselves seeking each other out, even as they intend to keep distant. With new packaging, fans new and old will welcome this stunning edition as a refresher or an entry in this beloved series. *BONUS CONTENT: This edition of I Shall Not Want includes a new introduction from the author and a discussion guide

Private detective Albert Campion hunts a serial killer in London’s theatre district, in this crime novel from “the best of mystery writers” (The New Yorker). A spate of murders leaves Campion with only two baffling clues: a left-hand glove and a lizard-skin letter-case. These minimal leads, and a series of peculiar events, set the gentleman sleuth on a race against time that takes him from an odd museum of curiosities hidden in a quiet corner of London to a scrapyard in the East End. Margery Allingham shows her dark edge in Hide My Eyes and evokes the sights, sounds, and inimitable atmosphere of 1950s London, once again proving herself “one of the finest ‘golden age’ crime novelists” (Sunday Telegraph). “Allingham has that rare gift in a novelist, the creation of characters so rich and so real that they stay with the reader forever.” —Sara Paretsky “Allingham’s characters are three-dimensional flesh and blood, especially her villains.” —Times Literary Supplement

It's a cold, snowy December in the upstate New York town of Millers Kill, and newly ordained Clare Fergusson is on thin ice as the first female priest of its small Episcopal church. The ancient regime running the parish covertly demands that she prove herself as a leader. However, her blunt manner, honed by years as an army pilot, is meeting with a chilly reception from some members of her congregation and Chief of Police Russ Van Alystyne, in particular, doesn't know what to make of her, or how to address "a lady priest" for that matter. The last thing she needs is trouble, but that is exactly what she finds. When a newborn baby is abandoned on the church stairs and a young mother is brutally murdered, Clare has to pick her way through the secrets and silence that shadow that town like the ever-present Adirondack mountains. As the days dwindle down and the attraction between the avowed priest and the married police chief grows, Clare will need all her faith, tenacity, and courage to stand fast against a killer's icy heart. In the Bleak Midwinter is one of the most outstanding Malice Domestic winners the contest has seen. The compelling atmosphere-the kind of very cold and snowy winter that is typical of upstate New York-will make you reach for another sweater. The characters are fully and believably drawn and you will feel like they are your old friends and find yourself rooting for them every step of the way.

Celebrate the fortieth anniversary of the enduring gothic masterpiece Flowers in the Attic—the unforgettable forbidden love story that earned V.C. Andrews a fiercely devoted fan base and became an international cult classic. At the top of the stairs there are four secrets hidden—blond, innocent, and fighting for their lives… They were a perfect and beautiful family—until a heartbreaking tragedy shattered their happiness. Now, for the sake of an inheritance that will ensure their future, the children must be hidden away out of sight, as if they never existed. They are kept in the attic of their grandmother’s labyrinthine mansion, isolated and alone. As the visits from their seemingly unconcerned mother slowly dwindle, the four children grow ever closer and depend upon one another to survive both this cramped world and their cruel grandmother. A suspenseful and thrilling tale of family, greed, murder, and forbidden love, Flowers in the Attic is the unputdownable first novel of the epic Dollanganger family saga. The Dollanganger series includes: Flowers in the Attic, Petals in the Wind, If There Be Thorns, Seeds of Yesterday, Garden of Shadows, Beneath the Attic, and Out of the Attic.

The international and Sunday Times bestseller 'A novel of breathtaking scope' Guardian 1939. Nazi Germany. The country is holding its breath. Death has never been busier. Liesel, a nine-year-old girl, is living with a foster family on Himmel Street. Her parents have been taken away to a concentration camp. Liesel steals books. This is her story and the story of the inhabitants of her street when the bombs begin to fall. SOME IMPORTANT INFORMATION - THIS NOVEL IS NARRATED BY DEATH This new edition features exclusive first chapter from Markus Zusak's brand new literary novel BRIDGE OF CLAY, out in autumn 2018.

The story of Pecola Breedlove profiles an eleven-year-old African-American girl growing up in an America that values blue-eyed blondes and the tragedy that results from her longing to be accepted.

During a chance encounter, an unsuspecting woman with a taste for adventure meets a captivating man. She becomes hopelessly intrigued and pursues him relentlessly. Unbeknownst to her, his cultivated persona melts away to reveal something entirely different when they are apart. This is a story of the secrets that can hide behind an elegant mask and the flaws that people ignore in the haze of infatuation."She released his lapels and backed away again. Even though he had just told her to go, he followed her. His wanton and serpentine eyes tracked her as she backed out the glass doors. He slithered to the exit after her and still she felt the watching as she neared the car. Even when they drove away, she felt eyes on her through the snow as she rode in the passenger's side. He loomed in the glass doorway, partially obscured by an advert for chewing gum, with his black coat and unwholesome too-blue eyes, fixed there, fixated on her with a stare that longed for things even she blushed to dream of. She felt him for miles. She heard the Russian words in her mind and told herself they meant everything she'd ever wanted to hear."

The moment I saw her walk through the door of Forbidden Ink, I knew she was the one. With her wide hips, thick thighs, and perfect breasts, she's every man's wet dream. Add to that her dark, soulful eyes, pouty lips, and a body covered in gorgeous art, and I knew I needed to make her mine. She's a walking contradiction of sass and strength and determination, hidden by insecurity and self-doubt. She's everything I could ever want or need, but she doesn't see what I see. I want to take away her pain. To be the one to make her laugh, to make all her dreams come true. I need to prove to her that I'm not him, that no matter what, I'll be right there beside her. Loving her.If only she could see herself through my eyes, she would understand we were made for each other.

NEW YORK TIMES BESTSELLER Inspired by the incredible true story of one Jewish family separated at the start of World War II, determined to survive—and to reunite—We Were the Lucky Ones is a tribute to the triumph of hope and love against all odds. “Love in the face of global adversity? It couldn't be more timely.” —Glamour It is the spring of 1939 and three generations of the Kurc family are doing their best to live normal lives, even as the shadow of war grows closer. The talk around the family Seder table is of new babies and budding romance, not of the increasing hardships threatening Jews in their hometown of Radom, Poland. But soon the horrors overtaking Europe will become inescapable and the Kurcs will be flung to the far corners of the world, each desperately trying to navigate his or her own path to safety. As one sibling is forced into exile, another attempts to flee the continent, while others struggle to escape certain death, either by working grueling hours on empty stomachs in the factories of the ghetto or by hiding as gentiles in plain sight. Driven by an unwavering will to survive and by the fear that they may never see one another again, the Kurcs must rely on hope, ingenuity, and inner strength to persevere. An extraordinary, propulsive novel, We Were the Lucky Ones demonstrates how in the face of the twentieth century’s darkest moment, the human spirit can endure and even thrive.

Look out for Mary Kubica’s new twisty psychological thriller, The Other Mrs. perfect for fans of “You”. Over a million copies sold. “A twisty, roller coaster ride of a debut. Fans of Gone Girl will embrace this equally evocative tale.” —Lisa Gardner, #1 New York Times bestselling author “I’ve been following her for the past few days. I know where she buys her groceries, where she has her dry cleaning done, where she works. I don’t know the color of her eyes or what they look like when she’s scared. But I will.” One night, Mia Dennett enters a bar to meet her on-again, off-again boyfriend. But when he doesn’t show, she unwisely leaves with an enigmatic stranger. At first Colin Thatcher seems like a safe one-night stand. But following Colin home will turn out to be the worst mistake of Mia’s life. When Colin decides to hide Mia in a secluded cabin in rural Minnesota instead of delivering her to his employers, Mia’s mother, Eve, and detective Gabe Hoffman will stop at nothing to find them. But no one could have predicted the emotional entanglements that eventually cause this family’s world to shatter. An addictively suspenseful and tautly written thriller, The Good Girl is a propulsive debut that reveals how even in the perfect family, nothing is as it seems. Look for these other pulse-pounding thrillers by New York Times bestselling author Mary Kubica: Pretty Baby Don’t You Cry Every Last Lie When the Lights Go Out The Other Mrs.

Erin, January and Mouse live in a children's home, Whitegates. They often dream of escape, and frequently journey into the outside world. Running away is something they know all about. But this time January builds a raft, and the three of them head precariously down river. Towards the Black Middens. This time they might never come back. When they stumble across a disused factory and its strange inhabitants - Grampa and Heaven Eyes - they wonder if they'll even have the choice. Heaven Eyes is the girl who should have drowned at sea. The mysterious girl desperately searching for her family, hoping that these three might be the family she has lost. She has a secret history only Grampa knows. And does he trust these three invaders enough to tell them? Erin feels a sisterly responsibility for Heaven Eyes, Mouse longs to belong anywhere and anyhow, but January thinks Grampa's a murderer. Whatever happens, all three have a part to play. . . A stunning novel from the author of the modern children's classic Skellig - winner of the Carnegie Medal and the Whitbread Children's Book Award. David Almond is also winner of the 2010 Hans Christian Andersen award.

On a warm September evening in the Millers Kill community center, five veterans sit down in rickety chairs to try to make sense of their experiences in Iraq. What they will find is murder, conspiracy, and the unbreakable ties that bind them to one another and their small Adirondack town. The Rev. Clare Fergusson wants to forget the things she saw as a combat helicopter pilot and concentrate on her relationship with Chief of Police Russ Van Alstyne. MP Eric McCrea needs to control the explosive anger threatening his job as a police officer. Will Ellis, high school track star, faces the reality of life as a double amputee. Orthopedist Trip Stillman is denying the extent of his traumatic brain injury. And bookkeeper Tally McNabb wrestles with guilt over the in-country affair that may derail her marriage. But coming home is harder than it looks. One vet will struggle with drugs and alcohol. One will lose his family and friends. One will die. Since their first meeting, Russ and Clare's bond has been tried, torn, and forged by adversity. But when he rules the veteran's death a suicide, she violently rejects his verdict, drawing the surviving vets into an unorthodox investigation that threatens jobs, relationships, and her own future with Russ. As the days cool and the nights grow longer, they will uncover a trail of deceit that runs from their tiny town to the upper ranks of the U.S. Army, and from the waters of the Millers Kill to the unforgiving streets of Baghdad. One Was a Soldier is "a surefire winner" (Booklist) and "Outstanding" (Library Journal)--Julia Spencer-Fleming at her best.

Does the real world, defined as a world of objects that exist independent of human interests, concerns, and cognitive activities, really exist? Jan Westerhoff argues that we have good reason to believe it does not. His discussion considers four main facets of the idea of the real world, ranging from the existence of a separate external and internal world (comprising various mental states congregated around a self), to the existence of an ontological foundation that grounds the existence of all the entities in the world, and the existence of an ultimately true theory that provides a final account of all there is. As Westerhoff discusses the reasons for rejecting the postulation of an external world behind our representations, he asserts that the internal world is not as epistemically transparent as is usually assumed, and that there are good reasons for adopting an anti-foundational account of ontological dependence. Drawing on conclusions from the ancient Indian philosophical system of Madhyamaka Buddhism, Westerhoff defends his stance in a purely Western philosophical framework, and affirms that ontology, and philosophy more generally, need not be conceived as providing an ultimately true theory of the world.

Bestselling and award-winning author Lisa Scottoline reaches new heights with this riveting novel about how a single decision can undo a family, how our past can derail our present, and how not guilty doesn't always mean innocent. Allie Garvey is heading home to the funeral of a childhood friend. Allie is not only grief-stricken, she's full of dread. Because going home means seeing the other two people with whom she shares an unbearable secret. Twenty years earlier, a horrific incident shattered the lives of five teenagers, including Allie. Drinking and partying in the woods, they played a dangerous prank that went tragically wrong, turning deadly. The teenagers kept what happened a secret, believing that getting caught would be the worst thing that could happen. But time has taught Allie otherwise. Not getting caught was far worse. Allie has been haunted for two decades by what she and the others did, and by the fact that she never told a soul. The dark secret has eaten away at her, distancing her from everyone she loves, including her husband. Because she wasn't punished by the law, Allie has punished herself, and it's a life sentence. Now, Allie stands on the precipice of losing everything. She's ready for a reckoning, determined to learn how the prank went so horribly wrong. She digs to unearth the truth, but reaches a shocking conclusion that she never saw coming--and neither will the reader. A deeply emotional examination of family, marriage, and the true nature of justice, Someone Knows is Lisa Scottoline's most powerful novel to date. Startling, page-turning, and with an ending that's impossible to forget, this is a tour de force by a beloved author at the top of her game.