Furia

A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB YA PICK Recipient of the 2021 Pura Belpré Young Adult Author Medal One of BuzzFeed's Must-Read YA Books of 2020 A Best Book of the Year: Cosmopolitan * Kirkus Reviews * SheReads * New York Public Library “An engrossing #OwnVoices novel.” —PopSugar “This book will set your dreams on fire . . . It’s fabulous.” — Reese Witherspoon A powerful contemporary YA for fans of The Poet X and I Am Not Your Perfect Mexican Daughter set in Argentina, about a rising soccer star who must put everything on the line—even her blooming love story—to follow her dreams. In Rosario, Argentina, Camila Hassan lives a double life. At home, she is a careful daughter, living within her mother’s narrow expectations, in her rising-soccer-star brother’s shadow, and under the abusive rule of her short-tempered father. On the field, she is La Furia, a powerhouse of skill and talent. When her team qualifies for the South American tournament, Camila gets the chance to see just how far those talents can take her. In her wildest dreams, she’d get an athletic scholarship to a North American university. But the path ahead isn’t easy. Her parents don’t know about her passion. They wouldn’t allow a girl to play fútbol—and she needs their permission to go any farther. And the boy she once loved is back in town. Since he left, Diego has become an international star, playing in Italy for the renowned team Juventus. Camila doesn’t have time to be distracted by her feelings for him. Things aren’t the same as when he left: she has her own passions and ambitions now, and La Furia cannot be denied. As her life becomes more complicated, Camila is forced to face her secrets and make her way in a world with no place for the dreams and ambition of a girl like her. Filled with authentic details and the textures of day-to-day life in Argentina, heart-soaring romance, and breathless action on the pitch, Furia is the story of a girl’s journey to make her life her own.

"In Rosario, Argentina, Camila Hassan lives a double life. At home, she is a careful daughter, living within her mother's narrow expectations, in her rising-soccer-star brother's shadow, and under the abusive rule of her short-tempered father. On the field, she is La Furia, a powerhouse of skill and talent. When her team qualifies for the South American tournament, Camila gets the chance to see just how far those talents can take her. In her wildest dreams, she'd get an athletic scholarship to a North American university. But the path ahead isn't easy. Her parents don't know about her passion. They wouldn't allow a girl to play fútbol - and she needs their permission to go any farther. And the boy she once loved is back in town. Since he left, Diego has become an international star, playing in Italy for the renowned team Juventus. Camila doesn't have time to be distracted by her feelings for him. Things aren't the same as when he left: she has her own passions and ambitions now, and La Furia cannot be denied. As her life becomes more complicated, Camila is forced to face her secrets and make her way in a world with no place for the dreams and ambition of a girl like her. Filled with authentic details and the textures of day-to-day life in Argentina, heart-soaring romance, and breathless action on the pitch, Furia is the story of a girl's journey to make her life her own"--

A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB YA PICK Recipient of the 2021 Pura Belpré Young Adult Author Medal One of BuzzFeed's Must-Read YA Books of 2020 A Best Book of the Year: Cosmopolitan * Kirkus Reviews * SheReads * New York Public Library “An engrossing #OwnVoices novel.” —PopSugar “This book will set your dreams on fire . . . It’s fabulous.” — Reese Witherspoon A powerful contemporary YA for fans of The Poet X and I Am Not Your Perfect Mexican Daughter set in Argentina, about a rising soccer star who must put everything on the line—even her blooming love story—to follow her dreams. In Rosario, Argentina, Camila Hassan lives a double life. At home, she is a careful daughter, living within her mother’s narrow expectations, in her rising-soccer-star brother’s shadow, and under the abusive rule of her short-tempered father. On the field, she is La Furia, a powerhouse of skill and talent. When her team qualifies for the South American tournament, Camila gets the chance to see just how far those talents can take her. In her wildest dreams, she’d get an athletic scholarship to a North American university. But the path ahead isn’t easy. Her parents don’t know about her passion. They wouldn’t allow a girl to play fútbol—and she needs their permission to go any farther. And the boy she once loved is back in town. Since he left, Diego has become an international star, playing in Italy for the renowned team Juventus. Camila doesn’t have time to be distracted by her feelings for him. Things aren’t the same as when he left: she has her own passions and ambitions now, and La Furia cannot be denied. As her life becomes more complicated, Camila is forced to face her secrets and make her way in a world with no place for the dreams and ambition of a girl like her. Filled with authentic details and the textures of day-to-day life in Argentina, heart-soaring romance, and breathless action on the pitch, Furia is the story of a girl’s journey to make her life her own.

"Drawing from history, ethnography, and anthropology, Furia speaks to Afro-Cuban heritage, magic, syncretic religion, and legacies of displacement and assimilation. With a poetic style that centers on narrative, the lyric and dramatic monologue, Menes brings to life a distinct mesh of grit and beauty, sound and sight, in a sweep of symphonious measures that celebrates as it delights."--Jacket.

The forest tent caterpillar (FTC), Malacosoma disstria Hubner (Lepidoptera: Lasiocampidae), is a cyclic defoliator of North American forests. The entomophthoralean fungus Furia gastropachae (Raciborski) comb. nov. has long been associated with FTC population decline, but its importance as a pathogen of this hardwood pest has never been assessed. The goal of this dissertation was to quantify the impact of F. gastropachae on FTC and investigate the influence of the abiotic environment on fungal activity. Levels of infection in field populations were as high or higher than that of nuclear polyhedrosis virus (NPV), the other major FTC pathogen, ranging from 14.5 +/- 7.3 to 25.6 +/- 7.8%. Prevalence of F. gastropachae may have been underestimated in the past because cadavers killed by this fungus are easily misdiagnosed as having died of NPV. F. gastropachae can be highly virulent to FTC larvae, with LC50s as low as 0.7 conidia/mm2, but rarely infects species outside the genus Malacosoma. Older larvae were more susceptible to infection than younger ones in laboratory bioassays, while in the field F. gastropachae was observed only in fourth and fifth instars, supporting previous hypotheses that the infection cycle is restricted to a narrow period late in the larval life cycle. F. gastropachae showed a pronounced tendency towards production of long-lived resting spores in all experiments. Resting spores were observed even within cadavers infected by other resting spores, a phenomenon not previously observed among the Entomophthorales. This may be an adaptation allowing this fungus, which has limited opportunities to initiate cycles of secondary infection via conidia, to ensure its long-term survival. Fungal activity was significantly affected by abiotic environmental variables. Host infection by resting spores was highest at intermediate levels of soil moisture. Infection of fourth instar larvae by resting spores and conidia was maximized at cooler temperatures (10 to 20°C), while in vitro growth and conidial germination tended to be optimized at slightly higher temperatures (ca. 20 to 27°C). The effect of temperature varied significantly among isolates, with some indication that the relationship may be a function of the geoclimatic origin of the isolate.

Una obra maestra de la literatura que relata la degeneración progresiva de la familia Compson, sus secretos y las relaciones de amor y odio que la sostienen y la destruyen. Por primera vez, William Faulkner introduce el monólogo interior y revela los diferentes puntos de vista de sus personajes. El libro se cierra con un apéndice que descubrirá al lector los entresijos de esta saga familiar de Jefferson, Mississippi, conectándola con otros personajes de Yoknapatawpha, territorio creado por Faulkner como marco de muchas de sus novelas. English Description "I give you the mausoleum of all hope and desire. . . . I give it to you not that you may remember time, but that you might forget it now and then for a moment and not spend all of your breath trying to conquer it. Because no battle is ever won he said. They are not even fought. The field only reveals to man his own folly and despair, and victory is an illusion of philosophers and fools.” --from The Sound and the Fury The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.

To the perennial question "which comes first, the music or the words?" Ira Gershwin always responded, "the contract." The jest reveals both Ira's consummate professionalism and the self-effacing wit with which he ducked the spotlight whenever possible. Yet the ingeniously inventive melodies George Gershwin composed for such classic songs as "Someone to Watch Over Me," "Embraceable You," "Fascinating Rhythm," "It Ain't Necessarily So," and "Love is Here to Stay" live on in no small part because of the equally unforgettable lyrics of Ira Gershwin, lines crafted with a precision that earned him the sobriquet "The Jeweller" among his Broadway peers. In Ira Gershwin: The Art of the Lyricist, the older and less flamboyant of the Gershwin brothers at last steps out of the shadows to claim his due as one of American songwriting's most important and enduring innovators. Philip Furia traces the development of Ira Gershwin's lyrical art from his early love of light verse and Gilbert and Sullivan, through his apprentice work in Tin Pan Alley, to his emergence as a prominent writer for the Broadway musical theater in the 1920s. Furia illuminates his work in satirical operettas such as Of Thee I Sing and Strike Up the Band, the smart "little" revues of the 1930s, and his contributions to the opera Porgy and Bess. After describing the Gershwin brothers' brief but brilliant work in Hollywood before George's sudden death--work that produced such classics as "They Can't Take That Away From Me" and "Let's Call the Whole Thing Off"--Furia follows Ira's career through such triumphs as Lady in the Dark with Kurt Weill, Cover Girl with Jerome Kern, and A Star is Born, with Harold Arlen. Along the way, Furia provides much insight into the art of the lyricist and he captures the magic of a golden era when not only the Gershwins, but Irving Berlin, Cole Porter, Jerome Kern, Oscar Hammerstein II, Gertrude Lawrence, Fred Astaire, and other luminaries made the lights of Broadway and the Hollywood screen shine brighter than ever before. From his first major success, the now-classic "The Man I Love" (1924) to his last great hit, "The Man That Got Away" (1954), Ira Gershwin wrote the words to some of America's most loved standards. In Ira Gershwin: The Art of the Lyricist, Philip Furia illuminates the craft behind this remarkable achievement to reveal how Gershwin took the everyday speech of ordinary Americans and made it sing.

Wygląda jak gwóźdź. Za dużo włosów, za chuda, za wysoka. Do nikogo nie pasuje i dla nikogo nic nie znaczy. Dla matki jest wyłącznie darmową pomocą domową, chłopak traktuje ją jak kolejny numer w katalogu podbojów, a małżeństwo to tylko kontrakt. Coraz częściej czuje złość. Wie jednak, że nie może jej okazać. Nie wolno, zwłaszcza kobiecie, zwłaszcza obcej. Ale furia, raz obudzona, będzie krążyć w ciele. Pierwsza polska powieść o samotności we współczesnej Europie, napisana z perspektywy jej wielokulturowego centrum. Zaskakująca i odważna.

"Cuenta con ilustraciones cortos y biografías de chicanos "bandidos sociales" históricos como Gregorio Cortez y Tiburcio Vásquez para nombrar unos pocos."--Tíachucha.

Vols. 1-8, 1880-87, plates published separately and numbered I-LXXXIII.

Grounded in practicality, this book explains the procedures for running a successful project and highlights the finer points of managing and controlling the project. Written specifically for those responsible for the hands-on managing of projects, the book is also useful to overall program managers and senior executives. Project mana