Furia

A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB YA PICK Recipient of the 2021 Pura Belpré Young Adult Author Medal One of BuzzFeed's Must-Read YA Books of 2020 A Best Book of the Year: Cosmopolitan * Kirkus Reviews * SheReads * New York Public Library “An engrossing #OwnVoices novel.” —PopSugar “This book will set your dreams on fire . . . It’s fabulous.” — Reese Witherspoon A powerful contemporary YA for fans of The Poet X and I Am Not Your Perfect Mexican Daughter set in Argentina, about a rising soccer star who must put everything on the line—even her blooming love story—to follow her dreams. In Rosario, Argentina, Camila Hassan lives a double life. At home, she is a careful daughter, living within her mother’s narrow expectations, in her rising-soccer-star brother’s shadow, and under the abusive rule of her short-tempered father. On the field, she is La Furia, a powerhouse of skill and talent. When her team qualifies for the South American tournament, Camila gets the chance to see just how far those talents can take her. In her wildest dreams, she’d get an athletic scholarship to a North American university. But the path ahead isn’t easy. Her parents don’t know about her passion. They wouldn’t allow a girl to play fútbol—and she needs their permission to go any farther. And the boy she once loved is back in town. Since he left, Diego has become an international star, playing in Italy for the renowned team Juventus. Camila doesn’t have time to be distracted by her feelings for him. Things aren’t the same as when he left: she has her own passions and ambitions now, and La Furia cannot be denied. As her life becomes more complicated, Camila is forced to face her secrets and make her way in a world with no place for the dreams and ambition of a girl like her. Filled with authentic details and the textures of day-to-day life in Argentina, heart-soaring romance, and breathless action on the pitch, Furia is the story of a girl’s journey to make her life her own.

A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB YA PICK Recipient of the 2021 Pura Belpré Young Adult Author Medal One of BuzzFeed's Must-Read YA Books of 2020 A Best Book of the Year: Cosmopolitan * Kirkus Reviews * SheReads * New York Public Library “An engrossing #OwnVoices novel.” —PopSugar “This book will set your dreams on fire . . . It’s fabulous.” — Reese Witherspoon A powerful contemporary YA for fans of The Poet X and I Am Not Your Perfect Mexican Daughter set in Argentina, about a rising soccer star who must put everything on the line—even her blooming love story—to follow her dreams. In Rosario, Argentina, Camila Hassan lives a double life. At home, she is a careful daughter, living within her mother’s narrow expectations, in her rising-soccer-star brother’s shadow, and under the abusive rule of her short-tempered father. On the field, she is La Furia, a powerhouse of skill and talent. When her team qualifies for the South American tournament, Camila gets the chance to see just how far those talents can take her. In her wildest dreams, she’d get an athletic scholarship to a North American university. But the path ahead isn’t easy. Her parents don’t know about her passion. They wouldn’t allow a girl to play fútbol—and she needs their permission to go any farther. And the boy she once loved is back in town. Since he left, Diego has become an international star, playing in Italy for the renowned team Juventus. Camila doesn’t have time to be distracted by her feelings for him. Things aren’t the same as when he left: she has her own passions and ambitions now, and La Furia cannot be denied. As her life becomes more complicated, Camila is forced to face her secrets and make her way in a world with no place for the dreams and ambition of a girl like her. Filled with authentic details and the textures of day-to-day life in Argentina, heart-soaring romance, and breathless action on the pitch, Furia is the story of a girl’s journey to make her life her own.

"Drawing from history, ethnography, and anthropology, Furia speaks to Afro-Cuban heritage, magic, syncretic religion, and legacies of displacement and assimilation. With a poetic style that centers on narrative, the lyric and dramatic monologue, Menes brings to life a distinct mesh of grit and beauty, sound and sight, in a sweep of symphonious measures that celebrates as it delights."--Jacket.

The American Song Book, Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music, including covers, of songs that constitute the enduring standards of Irving Berlin, Jerome Kern, the Gershwins, and other lyricists and composers of what has been called the "Golden Age" of American popular music. These songs have done what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year, generation after generation, by jazz artists such as Charlie Parker and Art Tatum, Ella Fitzgerald and Louis Armstrong. In the 1950s, Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet, Doris Day, Willie Nelson, and Linda Ronstadt. In more recent years, these songs have been reinterpreted by Rod Stewart, Harry Connick, Jr., Carly Simon, Lady GaGa, K.D. Laing, Paul McCartney, and, most recently, Bob Dylan. As such, these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs, authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley, the emergence of American musical comedy on Broadway, and the "talkie" revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters, performers, and impresarios such as Florenz Ziegfeld. In addition, they analyze the lyrical and musical artistry of each song and relate anecdotes, sometimes amusing, sometimes poignant, about how the songs were created. The American Songbook is a book that can be read for enjoyment on its own or be propped on the piano to be played and sung.

"Cuenta con ilustraciones cortos y biografías de chicanos "bandidos sociales" históricos como Gregorio Cortez y Tiburcio Vásquez para nombrar unos pocos."--Tíachucha.

Vols. 1-8, 1880-87, plates published separately and numbered I-LXXXIII.

The forest tent caterpillar (FTC), Malacosoma disstria Hubner (Lepidoptera: Lasiocampidae), is a cyclic defoliator of North American forests. The entomophthoralean fungus Furia gastropachae (Raciborski) comb. nov. has long been associated with FTC population decline, but its importance as a pathogen of this hardwood pest has never been assessed. The goal of this dissertation was to quantify the impact of F. gastropachae on FTC and investigate the influence of the abiotic environment on fungal activity. Levels of infection in field populations were as high or higher than that of nuclear polyhedrosis virus (NPV), the other major FTC pathogen, ranging from 14.5 +/- 7.3 to 25.6 +/- 7.8%. Prevalence of F. gastropachae may have been underestimated in the past because cadavers killed by this fungus are easily misdiagnosed as having died of NPV. F. gastropachae can be highly virulent to FTC larvae, with LC50s as low as 0.7 conidia/mm2, but rarely infects species outside the genus Malacosoma. Older larvae were more susceptible to infection than younger ones in laboratory bioassays, while in the field F. gastropachae was observed only in fourth and fifth instars, supporting previous hypotheses that the infection cycle is restricted to a narrow period late in the larval life cycle. F. gastropachae showed a pronounced tendency towards production of long-lived resting spores in all experiments. Resting spores were observed even within cadavers infected by other resting spores, a phenomenon not previously observed among the Entomophthorales. This may be an adaptation allowing this fungus, which has limited opportunities to initiate cycles of secondary infection via conidia, to ensure its long-term survival. Fungal activity was significantly affected by abiotic environmental variables. Host infection by resting spores was highest at intermediate levels of soil moisture. Infection of fourth instar larvae by resting spores and conidia was maximized at cooler temperatures (10 to 20°C), while in vitro growth and conidial germination tended to be optimized at slightly higher temperatures (ca. 20 to 27°C). The effect of temperature varied significantly among isolates, with some indication that the relationship may be a function of the geoclimatic origin of the isolate.

Despite the common perception of a "fitness craze," the truth is that many college students are not happy with their fitness and appearance. In this time of intellectual and personal exploration, students are finding out that their bodies are being neglected.

America's Songs tells the stories behind the greatest songs ever to emerge from the Broadway musical, Hollywood movies, and the music industry of Tin Pan Alley. Heard in stage revivals, film soundtracks, jazz and cabaret, and recorded by performers as diverse as Frank Sinatra, Ella Fitzgerald, Linda Ronstadt, Willie Nelson, and Rod Stewart, these songs are the closest thing America has to a classical repertoire of song. In addition to recounting each song's inspiration, creation, and enduring popularity, America's Songs shows how these "standards" mirror American life from the years before World War I through the years after Vietnam.

By using his Cantos for storing, "making new," and transmitting historical documents, Pound was returning the epic to its ancient function as a tribal archive for the "luminous details" of history that define a culture's past and shape its future. So argues this book, which does not overlook the poem's brilliant lyrical passages but for the first time focuses on those vast stretches of Pound's epic composed not of literary touchstones but of that most unpoetic of literary forms, historical documents. Pound's task as epic poet was complicated by the fact that the documents he wished to renew and transmit to his culture were largely unknown, often because in his mind they had been suppressed by a widespread conspiracy throughout the ages which he termed the "historical black-out." His Cantos therefore, he believed, must be a counter-conspiracy to rescue vital documents from that black-out, renew them, and then recirculate them to combat the economic and political forces behind the black-out. Drawing on recent research by numerous scholars, Furia traces the arcane documents Pound unearthed from libraries around the world and shows how he transmuted this documentary mass into poetry, first by framing passages of prose to highlight their poetic texture and then by weaving these shards and fragments into a collage of intricate structure. Among the documents Furia "declassifies" are Chinese edicts, Italian bank charters, British factory commission reports, Byzantine guild regulations, American Presidential papers, municipal records, judicial writs, parliamentary statutes, legislative codes, contracts, deeds, mandates, treaties, diary entries, and correspondence by such diverse figures as Lorenzo de' Medici, Martin Van Buren, Napoleon, Eleanor of Aquitaine, Mustapha Kemal, and Kubla Khan. Pound's Cantos Declassified traces the poet's struggle to shape the content of the epic poem that absorbed most of his creative life.