Furia

A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB YA PICK Recipient of the 2021 Pura Belpré Young Adult Author Medal One of BuzzFeed's Must-Read YA Books of 2020 A Best Book of the Year: Cosmopolitan * Kirkus Reviews * SheReads * New York Public Library “An engrossing #OwnVoices novel.” —PopSugar “This book will set your dreams on fire . . . It’s fabulous.” — Reese Witherspoon A powerful contemporary YA for fans of The Poet X and I Am Not Your Perfect Mexican Daughter set in Argentina, about a rising soccer star who must put everything on the line—even her blooming love story—to follow her dreams. In Rosario, Argentina, Camila Hassan lives a double life. At home, she is a careful daughter, living within her mother’s narrow expectations, in her rising-soccer-star brother’s shadow, and under the abusive rule of her short-tempered father. On the field, she is La Furia, a powerhouse of skill and talent. When her team qualifies for the South American tournament, Camila gets the chance to see just how far those talents can take her. In her wildest dreams, she’d get an athletic scholarship to a North American university. But the path ahead isn’t easy. Her parents don’t know about her passion. They wouldn’t allow a girl to play fútbol—and she needs their permission to go any farther. And the boy she once loved is back in town. Since he left, Diego has become an international star, playing in Italy for the renowned team Juventus. Camila doesn’t have time to be distracted by her feelings for him. Things aren’t the same as when he left: she has her own passions and ambitions now, and La Furia cannot be denied. As her life becomes more complicated, Camila is forced to face her secrets and make her way in a world with no place for the dreams and ambition of a girl like her. Filled with authentic details and the textures of day-to-day life in Argentina, heart-soaring romance, and breathless action on the pitch, Furia is the story of a girl’s journey to make her life her own.

"Drawing from history, ethnography, and anthropology, Furia speaks to Afro-Cuban heritage, magic, syncretic religion, and legacies of displacement and assimilation. With a poetic style that centers on narrative, the lyric and dramatic monologue, Menes brings to life a distinct mesh of grit and beauty, sound and sight, in a sweep of symphonious measures that celebrates as it delights."--Jacket.

"Cuenta con ilustraciones cortos y biografías de chicanos "bandidos sociales" históricos como Gregorio Cortez y Tiburcio Vásquez para nombrar unos pocos."--Tíachucha.

The forest tent caterpillar (FTC), Malacosoma disstria Hubner (Lepidoptera: Lasiocampidae), is a cyclic defoliator of North American forests. The entomophthoralean fungus Furia gastropachae (Raciborski) comb. nov. has long been associated with FTC population decline, but its importance as a pathogen of this hardwood pest has never been assessed. The goal of this dissertation was to quantify the impact of F. gastropachae on FTC and investigate the influence of the abiotic environment on fungal activity. Levels of infection in field populations were as high or higher than that of nuclear polyhedrosis virus (NPV), the other major FTC pathogen, ranging from 14.5 +/- 7.3 to 25.6 +/- 7.8%. Prevalence of F. gastropachae may have been underestimated in the past because cadavers killed by this fungus are easily misdiagnosed as having died of NPV. F. gastropachae can be highly virulent to FTC larvae, with LC50s as low as 0.7 conidia/mm2, but rarely infects species outside the genus Malacosoma. Older larvae were more susceptible to infection than younger ones in laboratory bioassays, while in the field F. gastropachae was observed only in fourth and fifth instars, supporting previous hypotheses that the infection cycle is restricted to a narrow period late in the larval life cycle. F. gastropachae showed a pronounced tendency towards production of long-lived resting spores in all experiments. Resting spores were observed even within cadavers infected by other resting spores, a phenomenon not previously observed among the Entomophthorales. This may be an adaptation allowing this fungus, which has limited opportunities to initiate cycles of secondary infection via conidia, to ensure its long-term survival. Fungal activity was significantly affected by abiotic environmental variables. Host infection by resting spores was highest at intermediate levels of soil moisture. Infection of fourth instar larvae by resting spores and conidia was maximized at cooler temperatures (10 to 20°C), while in vitro growth and conidial germination tended to be optimized at slightly higher temperatures (ca. 20 to 27°C). The effect of temperature varied significantly among isolates, with some indication that the relationship may be a function of the geoclimatic origin of the isolate.

The author develops an original interpretation of foreign aid by analysing it as a particular domain of international government. She demonstrates how foreign aid practices are contemporary forms of gift-giving that have made recipient countries and populations governable due to a continuously renovated and expanded debt of development.

Grounded in practicality, this book explains the procedures for running a successful project and highlights the finer points of managing and controlling the project. Written specifically for those responsible for the hands-on managing of projects, the book is also useful to overall program managers and senior executives. Project mana

A REESE WITHERSPOON x HELLO SUNSHINE BOOK CLUB YA PICK Recipient of the 2021 Pura Belpré Young Adult Author Medal One of BuzzFeed's Must-Read YA Books of 2020 A Best Book of the Year: Cosmopolitan * Kirkus Reviews * SheReads * New York Public Library “An engrossing #OwnVoices novel.” —PopSugar “This book will set your dreams on fire . . . It’s fabulous.” — Reese Witherspoon A powerful contemporary YA for fans of The Poet X and I Am Not Your Perfect Mexican Daughter set in Argentina, about a rising soccer star who must put everything on the line—even her blooming love story—to follow her dreams. In Rosario, Argentina, Camila Hassan lives a double life. At home, she is a careful daughter, living within her mother’s narrow expectations, in her rising-soccer-star brother’s shadow, and under the abusive rule of her short-tempered father. On the field, she is La Furia, a powerhouse of skill and talent. When her team qualifies for the South American tournament, Camila gets the chance to see just how far those talents can take her. In her wildest dreams, she’d get an athletic scholarship to a North American university. But the path ahead isn’t easy. Her parents don’t know about her passion. They wouldn’t allow a girl to play fútbol—and she needs their permission to go any farther. And the boy she once loved is back in town. Since he left, Diego has become an international star, playing in Italy for the renowned team Juventus. Camila doesn’t have time to be distracted by her feelings for him. Things aren’t the same as when he left: she has her own passions and ambitions now, and La Furia cannot be denied. As her life becomes more complicated, Camila is forced to face her secrets and make her way in a world with no place for the dreams and ambition of a girl like her. Filled with authentic details and the textures of day-to-day life in Argentina, heart-soaring romance, and breathless action on the pitch, Furia is the story of a girl’s journey to make her life her own.

Models that include a notion of time are ubiquitous in disciplines such as the natural sciences, engineering, philosophy, and linguistics, but in computing the abstractions provided by the traditional models are problematic and the discipline has spawned many novel models. This book is a systematic thorough presentation of the results of several decades of research on developing, analyzing, and applying time models to computing and engineering. After an opening motivation introducing the topics, structure and goals, the authors introduce the notions of formalism and model in general terms along with some of their fundamental classification criteria. In doing so they present the fundamentals of propositional and predicate logic, and essential issues that arise when modeling time across all types of system. Part I is a summary of the models that are traditional in engineering and the natural sciences, including fundamental computer science: dynamical systems and control theory; hardware design; and software algorithmic and complexity analysis. Part II covers advanced and specialized formalisms dealing with time modeling in heterogeneous software-intensive systems: formalisms that share finite state machines as common “ancestors”; Petri nets in many variants; notations based on mathematical logic, such as temporal logic; process algebras; and “dual-language approaches” combining two notations with different characteristics to model and verify complex systems, e.g., model-checking frameworks. Finally, the book concludes with summarizing remarks and hints towards future developments and open challenges. The presentation uses a rigorous, yet not overly technical, style, appropriate for readers with heterogeneous backgrounds, and each chapter is supplemented with detailed bibliographic remarks and carefully chosen exercises of varying difficulty and scope. The book is aimed at graduate students and researchers in computer science, while researchers and practitioners in other scientific and engineering disciplines interested in time modeling with a computational flavor will also find the book of value, and the comparative and conceptual approach makes this a valuable introduction for non-experts. The authors assume a basic knowledge of calculus, probability theory, algorithms, and programming, while a more advanced knowledge of automata, formal languages, and mathematical logic is useful.

To the perennial question "which comes first, the music or the words?" Ira Gershwin always responded, "the contract." The jest reveals both Ira's consummate professionalism and the self-effacing wit with which he ducked the spotlight whenever possible. Yet the ingeniously inventive melodies George Gershwin composed for such classic songs as "Someone to Watch Over Me," "Embraceable You," "Fascinating Rhythm," "It Ain't Necessarily So," and "Love is Here to Stay" live on in no small part because of the equally unforgettable lyrics of Ira Gershwin, lines crafted with a precision that earned him the sobriquet "The Jeweller" among his Broadway peers. In Ira Gershwin: The Art of the Lyricist, the older and less flamboyant of the Gershwin brothers at last steps out of the shadows to claim his due as one of American songwriting's most important and enduring innovators. Philip Furia traces the development of Ira Gershwin's lyrical art from his early love of light verse and Gilbert and Sullivan, through his apprentice work in Tin Pan Alley, to his emergence as a prominent writer for the Broadway musical theater in the 1920s. Furia illuminates his work in satirical operettas such as Of Thee I Sing and Strike Up the Band, the smart "little" revues of the 1930s, and his contributions to the opera Porgy and Bess. After describing the Gershwin brothers' brief but brilliant work in Hollywood before George's sudden death--work that produced such classics as "They Can't Take That Away From Me" and "Let's Call the Whole Thing Off"--Furia follows Ira's career through such triumphs as Lady in the Dark with Kurt Weill, Cover Girl with Jerome Kern, and A Star is Born, with Harold Arlen. Along the way, Furia provides much insight into the art of the lyricist and he captures the magic of a golden era when not only the Gershwins, but Irving Berlin, Cole Porter, Jerome Kern, Oscar Hammerstein II, Gertrude Lawrence, Fred Astaire, and other luminaries made the lights of Broadway and the Hollywood screen shine brighter than ever before. From his first major success, the now-classic "The Man I Love" (1924) to his last great hit, "The Man That Got Away" (1954), Ira Gershwin wrote the words to some of America's most loved standards. In Ira Gershwin: The Art of the Lyricist, Philip Furia illuminates the craft behind this remarkable achievement to reveal how Gershwin took the everyday speech of ordinary Americans and made it sing.

This text adopts an interdisciplinary approach, combining the standard legal topics with materials on ethics, social responsibility, comparisons between capitalism and socialism, and international issues. Included are discussions of trade regulation and anitrust, employer-employee relations, and the interaction of business and selected social problems.

Perfect for fans of You Should See Me in a Crown and To All the Boys I've Loved Before, this hilarious and heartfelt Own Voices rom-com from bestselling author Debbie Rigaud is pure Black girl joy. Simone Thibodeaux is about to switch things up. Check her life: It’s sealed in a boy-proof container. Her Haitian immigrant parents send Simone to an all-girls high school and enforce strict no-dating rules. As for prom? Simone is allowed to go on one condition: Her parents will select her date (a boy from a nice, Haitian immigrant family, obviously). Simone is desperate to avoid the setup -- especially since she has a serious crush on another boy. It's time to take action. Simone and her fellow late-bloomer friends make a senior year bucket list of all the wild things they haven't done yet. Like: going out dancing, skipping class (what), and oh yeah -- deciding their own prom destinies. But as the list takes on a life of its own, things get much messier than Simone expected. Can she figure out which rules are worth breaking and which might save her from heartbreak?

DIV A tough Welshman, he was softened by the affections of a breathtakingly beautiful woman: she was a modern-day Cleopatra madly in love with her own Mark Antony. For quarter of a century, Elizabeth Taylor and Richard Burton were the king and queen of Hollywood. Yet their two marriages to each other represented much more than outlandish romance. Together, Elizabeth and Richard were a fascinating embodiment of the mores and transgressions of their time and even luminaries like Jacqueline Kennedy looked to them as a barometer of the culture. The enduring glamour, grandeur, drama and bravado embodied in the couple gave rise to the type of rabid gossip and wide-eyed adoration that are the staples of todayÕs media. Using brand-new research and interviews Ð including unique access to Taylor herself, the Burton family, and TaylorÕs extensive personal correspondence Ð this ultimate celebrity biography is the gripping real-life story of a fairy-tale couple whose lives were even grander and more outrageous than the epic films they made. /div

An instant New York Times Bestseller A Read with Jenna Today Show Book Club Pick! "A thrilling debut that deserves your attention." –Ron Charles, the Washington Post Written with the haunting emotional power of Elizabeth Strout and Barbara Kingsolver, an astonishing debut novel that explores the lingering effects of a brutal crime on the women of one small Texas oil town in the 1970s. Mercy is hard in a place like this . . . It’s February 1976, and Odessa, Texas, stands on the cusp of the next great oil boom. While the town’s men embrace the coming prosperity, its women intimately know and fear the violence that always seems to follow. In the early hours of the morning after Valentine’s Day, fourteen-year-old Gloria Ramírez appears on the front porch of Mary Rose Whitehead’s ranch house, broken and barely alive. The teenager had been viciously attacked in a nearby oil field—an act of brutality that is tried in the churches and barrooms of Odessa before it can reach a court of law. When justice is evasive, the stage is set for a showdown with potentially devastating consequences. Valentine is a haunting exploration of the intersections of violence and race, class and region in a story that plumbs the depths of darkness and fear, yet offers a window into beauty and hope. Told through the alternating points of view of indelible characters who burrow deep in the reader’s heart, this fierce, unflinching, and surprisingly tender novel illuminates women’s strength and vulnerability, and reminds us that it is the stories we tell ourselves that keep us alive.

The American Song Book, Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music, including covers, of songs that constitute the enduring standards of Irving Berlin, Jerome Kern, the Gershwins, and other lyricists and composers of what has been called the "Golden Age" of American popular music. These songs have done what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year, generation after generation, by jazz artists such as Charlie Parker and Art Tatum, Ella Fitzgerald and Louis Armstrong. In the 1950s, Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet, Doris Day, Willie Nelson, and Linda Ronstadt. In more recent years, these songs have been reinterpreted by Rod Stewart, Harry Connick, Jr., Carly Simon, Lady GaGa, K.D. Laing, Paul McCartney, and, most recently, Bob Dylan. As such, these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs, authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley, the emergence of American musical comedy on Broadway, and the "talkie" revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters, performers, and impresarios such as Florenz Ziegfeld. In addition, they analyze the lyrical and musical artistry of each song and relate anecdotes, sometimes amusing, sometimes poignant, about how the songs were created. The American Songbook is a book that can be read for enjoyment on its own or be propped on the piano to be played and sung.