Don’t Look for Me: A Novel

Shortlisted for the 2016 Man Booker Prize and chosen by David Sedaris as his recommended book for his Fall 2016 tour. So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes—a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings. Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature.

Happily married with two small children and a circle of devoted friends, Angelica knows she should be grateful. But then she meets a charismatic South African who flirts with her and makes her feel beautiful. What starts as a long distance friendship grows into something deeper and soon she longs for his emails. From the glamorous streets of London to the lush vineyards of South Africa, Angelica chases a dream that risks the very things she holds dear. Yet, the dream is flawed and a moment of savage violence flings her and Jack together only to rip them apart. With life refined down to its bare essence, Angelica learns that what Fate takes with one hand, it gives with the other.

Separated from her blanket, Wigger, an orphan, nearly dies of loneliness until an extraordinary wind from Zurich brings them together again.

A dangerous, homeless drifter who grew up picking cotton in virtual slavery.An upscale art dealer accustomed to the worldof Armani and Chanel.A gutsy woman with a stubborn dream.A story so incredible no novelist would dare dream it. It begins outside a burning plantation hut in Louisiana. . . and an East Texas honky-tonk . . .and, without a doubt, in the heart of God. It unfolds in a Hollywood hacienda . . . an upscale New York gallery . . . a downtown dumpster. . . a Texas ranch. Gritty with pain and betrayal and brutality, it also shines with an unexpected, life-changing love. This incredible retelling now includes an interview with the authors and a reader’s guide that is perfect for individual or group study. The most inspirational and emotionally gripping story of faith, fortitude, and friendship I have ever read. A powerful example of the healing, restorative power of forgiveness and the transformational, life changing power of unconditional love.—Mark Clayman, Executive Producer forthe Academy Award–nominatedThe Pursuit of Happyness Denver Moore and Ron Hall’s story is one thatmoved me to tears. The friendship that formsbetween these two men at a time when both were ingreat need is an inspiration to all of us to be morecompassionate to everyone we come in contact with. This is truly a wonderful book!—Mrs. Barbara Bush

'I love Fiona Griffiths' Sharon Bolton A crime from the past. A murder from the future. DS Fiona Griffiths is bored. It's been months since she had a good corpse. Then she gets news; not just of a murder, but of a decapitation, and one committed with an antique sword no less. All that, and, a murder scene laid out like a gruesome crossword clue. Gaynor Charteris was an archaeologist excavating a nearby iron-age site. Genial, respected, well-liked, it was hard to see why anyone would want to kill her. But as Fiona starts to investigate, she finds evidence of a crime that seems to have its origins in King Arthur's greatest battle - a crime so bizarre that getting her superiors to take it seriously is going to be her toughest job. Especially since the crime hasn't yet been committed. Praise for the Fiona Griffiths mystery series: 'Compelling and claustrophobic. Without a doubt, Fiona Griffiths is one of crime's most memorable heroines' Sarah Hilary 'Compelling...a new crime talent to treasure' Daily Mail 'In a word - brilliant. One of the most enjoyable crime novels I've read in a while' James Oswald 'Gritty, compelling...a procedural unlike any other you are likely to read this year' USA Today 'Gripping...Fiona Griffiths kept me hooked to the last page and left me hungry for more' Rachel Abbott Fans of Angela Marsons, Peter James and Ann Cleeves will be gripped by the other titles in the Fiona Griffiths mystery series: 1. Talking to the Dead 2. Love Story, With Murders 3. The Strange Death of Fiona Griffiths 4. This Thing of Darkness 5. The Dead House 6. The Deepest Grave (coming soon!) If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it. ** Each Fiona Griffiths thriller can be read as a standalone or in series order **

In Don’t Bring Home a White Boy, writer Karyn Langhorne Folan debunks the myths about interracial relationships. Drawing on real-life testimonials, she boldly tackles this difficult subject with warmth, humor, and understanding, as she explores stereotypes of black female sexuality and white male perspectives on black female beauty. Folan goes beyond statistics and offers firsthand insights on her own interracial relationship and attempts to tap into a woman’s desire to have all that they deserve instead of restricting themselves, simply because they want a “good black man.” Frank, authoritative, and universally relevant, her message to women is to look beyond skin color, accept themselves for who they are, and seek a man who truly loves them, regardless of race.

Welcome to Crimson Elite, the most exclusive sex club in the world. Enter at your own risk, and always remember our number one rule-You must never speak of Crimson Elite-the punishment is severe. Creed 'Too Hot for Words' Christopher If God created the perfect man he would closely resemble Creed, on the outside that is. He's as cavalier as they come. Unconcerned. Cold. Dismissive. I wonder if he has any feelings at all. And when his lips touch mine, everything goes black. He takes me into his world, and it's the most magical thing I've ever experienced. And I'm sucked in time and time again. Like a moth to the flame, I am ready to be set alight. Elicea 'F*cks With My Head' BeckhamElicea is a firecracker. She has piqued my interest, and no one piques my interest anymore.Beautiful women are what I do-it's my work. Not one of them has managed to get their claws into me the way she does. It's as if she's seeing my icy heart and trying to melt it, set it alight with each touch of her sinful lips. But that can't work, it won't work. Not in my world.*Please note all books can be read as a standalone*

How female solidarity begins—in experience, thought, action, and force of conviction. Irene, a rebellious product of an American 1950s upbringing, has fled from a repressive and sexist society into a life of apparent equality and adventure as part of the elite Trans-Temporal Authority's cadre of travelers. Under the tutelage of Ernst, a friend/lover and teacher/father, Irene has achieved status and dignity. Irene and Ernst are assigned to a Muslim world where they meet Zubedeyeh, a young girl whose creativity is being transformed into madness by the male chauvinistic society in which she lives. Vowing to rescue her, Irene unleashes a destructive cycle of violence. Originally published in 1978, The Two of Them is a powerful portrait of a future sexist society. This modern classic conveys its politics with rigor and complexity, in a story filled with suspense and unforgettable characters.

Olive Higgins Prouty the author of Stella Dallas and Now, Voyager brings you the sequel to her wonderfully delightful novel Bobbie: General Manager. The Fifth Wheel follows Bobbie’s sister Ruth as she navigates her way into young adulthood. Faced with the usual life choices of a young women of her time in her place she finds herself questioning the options she has and not wanting to be little more than a fifth wheel in her own life.

From one of our boldest, most celebrated new literary voices, a novel about a young woman's efforts to duck the ills of the world by embarking on an extended hibernation with the help of one of the worst psychiatrists in the annals of literature and the battery of medicines she prescribes Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.

President Donald J. Trump lays out his professional and personal worldview in this classic work—a firsthand account of the rise of America’s foremost deal-maker. “I like thinking big. I always have. To me it’s very simple: If you’re going to be thinking anyway, you might as well think big.”—Donald J. Trump Here is Trump in action—how he runs his organization and how he runs his life—as he meets the people he needs to meet, chats with family and friends, clashes with enemies, and challenges conventional thinking. But even a maverick plays by rules, and Trump has formulated time-tested guidelines for success. He isolates the common elements in his greatest accomplishments; he shatters myths; he names names, spells out the zeros, and fully reveals the deal-maker’s art. And throughout, Trump talks—really talks—about how he does it. Trump: The Art of the Deal is an unguarded look at the mind of a brilliant entrepreneur—the ultimate read for anyone interested in the man behind the spotlight. Praise for Trump: The Art of the Deal “Trump makes one believe for a moment in the American dream again.”—The New York Times “Donald Trump is a deal maker. He is a deal maker the way lions are carnivores and water is wet.”—Chicago Tribune “Fascinating . . . wholly absorbing . . . conveys Trump’s larger-than-life demeanor so vibrantly that the reader’s attention is instantly and fully claimed.”—Boston Herald “A chatty, generous, chutzpa-filled autobiography.”—New York Post

"[An] intricate and unsettling new novel . . . Death in Her Hands is not a murder mystery, nor is it really a story about self-deception or the perils of escapism. Rather, it's a haunting meditation on the nature and meaning of art." -Kevin Power, The New Yorker From one of our most ceaselessly provocative literary talents, a novel of haunting metaphysical suspense about an elderly widow whose life is upturned when she finds an ominous note on a walk in the woods. While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate. With very little to go on, she invents a list of murder suspects and possible motives for the crime. Oddly, her suppositions begin to find correspondences in the real world, and with mounting excitement and dread, the fog of mystery starts to fade into menacing certainty. As her investigation widens, strange dissonances accrue, perhaps associated with the darkness in her own past; we must face the prospect that there is either an innocent explanation for all this or a much more sinister one. A triumphant blend of horror, suspense, and pitch-black comedy, Death in Her Hands asks us to consider how the stories we tell ourselves both reflect the truth and keep us blind to it. Once again, we are in the hands of a narrator whose unreliability is well earned, and the stakes have never been higher.

Winner of the 2018 Scotiabank Giller Prize A dazzling, original novel of slavery and freedom, from the author of the international bestseller Half-Blood Blues When two English brothers arrive at a Barbados sugar plantation, they bring with them a darkness beyond what the slaves have already known. Washington Black – an eleven year-old field slave – is horrified to find himself chosen to live in the quarters of one of these men. But the man is not as Washington expects him to be. His new master is the eccentric Christopher Wilde – naturalist, explorer, inventor and abolitionist – whose obsession to perfect a winged flying machine disturbs all who know him. Washington is initiated into a world of wonder: a world where the night sea is set alight with fields of jellyfish, where a simple cloth canopy can propel a man across the sky, where even a boy born in chains may embrace a life of dignity and meaning – and where two people, separated by an impossible divide, can begin to see each other as human. But when a man is killed one fateful night, Washington is left to the mercy of his new masters. Christopher Wilde must choose between family ties and young Washington's life. What follows is a flight along the eastern coast of America, as the men attempt to elude the bounty that has been placed on Washington's head. Their journey opens them up to the extraordinary: to a dark encounter with a necropsicist, a scholar of the flesh; to a voyage aboard a vessel captained by a hunter of a different kind; to a glimpse through an unexpected portal into the Underground Railroad. This is a novel of fraught bonds and betrayal. What brings Wilde and Washington together ultimately tears them apart, leaving Washington to seek his true self in a world that denies his very existence. From the blistering cane fields of Barbados to the icy plains of the Canadian Arctic, from the mud-drowned streets of London to the eerie deserts of Morocco, Washington Black teems with all the strangeness of life. This inventive, electrifying novel asks, What is Freedom? And can a life salvaged from the ashes ever be made whole?

#1 NEW YORK TIMES BESTSELLER * A Reese Witherspoon x Hello Sunshine Book Club Pick "Get ready to be swept up in a whirlwind romance. It absolutely charmed me."--Reese Witherspoon "Josie Silver writes with a warmth so palpable her characters sneak their way into your heart and stay for a long time."--Jill Santopolo, New York Times-bestselling author of The Light We Lost Two people. Ten chances. One unforgettable love story. Laurie is pretty sure love at first sight doesn't exist anywhere but the movies. But then, through a misted-up bus window one snowy December day, she sees a man who she knows instantly is the one. Their eyes meet, there's a moment of pure magic...and then her bus drives away. Certain they're fated to find each other again, Laurie spends a year scanning every bus stop and cafe in London for him. But she doesn't find him, not when it matters anyway. Instead they "reunite" at a Christmas party, when her best friend Sarah giddily introduces her new boyfriend to Laurie. It's Jack, the man from the bus. It would be. What follows for Laurie, Sarah and Jack is ten years of friendship, heartbreak, missed opportunities, roads not taken, and destinies reconsidered. One Day in December is a joyous, heartwarming and immensely moving love story to escape into and a reminder that fate takes inexplicable turns along the route to happiness.

A New York Times Book Review Notable Book of 2017 An electrifying first collection from one of the most exciting short story writers of our time "I can’t recall the last time I laughed this hard at a book. Simultaneously, I’m shocked and scandalized. She’s brilliant, this young woman."—David Sedaris Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick.