Dancing with the Octopus

For readers of Educated and The Glass Castle, a harrowing, redemptive and profoundly inspiring memoir of childhood trauma and its long reach into adulthood. One Omaha winter day in November 1978, when Debora Harding was just fourteen, she was abducted at knifepoint from a church parking lot. She was thrown into a van, assaulted, held for ransom, and then left to die as an ice storm descended over the city. Debora survived. She identified her attacker to the police and then returned to her teenage life in a dysfunctional home where she was expected to simply move on. Denial became the family coping strategy offered by her fun-loving, conflicted father and her cruelly resentful mother. It wasn't until decades later - when beset by the symptoms of PTSD- that Debora undertook a radical project: she met her childhood attacker face-to-face in prison and began to reconsider and reimagine his complex story. This was a quest for the truth that would threaten the lie at the heart of her family and with it the sacred bond that once saved her. Dexterously shifting between the past and present, Debora Harding untangles the incident of her kidnapping and escape from unexpected angles, offering a vivid, intimate portrait of one family's disintegration in the 1970s Midwest. Written with dark humor and the pacing of a thriller, Dancing with the Octopus is a literary tour de force and a groundbreaking narrative of reckoning, recovery, and the inexhaustible strength it takes to survive.

'Extraordinary' Kate Mosse 'Electric' Lemn Sissay 'Searing' Julia Samuel One Omaha winter day in 1978, when Debora Harding was just fourteen, she was abducted at knife-point, thrown into a van, assaulted, held for ransom, and left to die. But what if this wasn't the most traumatic, defining event in her childhood? Undertaking a radical project, Debora Harding dexterously shifts between the past and present to unravel her story. From the immediate aftermath to the possibility of restorative justice twenty years later, Dancing with the Octopus lays bare the social and political forces that act upon us after the experience of serious crime. A vivid, sly and intimate portrait of one family's disintegration, this is a darkly humorous and ground-breaking narrative of reckoning and recovery.

For readers of Educated and The Glass Castle, a harrowing, redemptive and profoundly inspiring memoir of childhood trauma and its long reach into adulthood. One Omaha winter day in November 1978, when Debora Harding was just fourteen, she was abducted at knifepoint from a church parking lot. She was thrown into a van, assaulted, held for ransom, and then left to die as an ice storm descended over the city. Debora survived. She identified her attacker to the police and then returned to her teenage life in a dysfunctional home where she was expected to simply move on. Denial became the family coping strategy offered by her fun-loving, conflicted father and her cruelly resentful mother. It wasn't until decades later - when beset by the symptoms of PTSD- that Debora undertook a radical project: she met her childhood attacker face-to-face in prison and began to reconsider and reimagine his complex story. This was a quest for the truth that would threaten the lie at the heart of her family and with it the sacred bond that once saved her. Dexterously shifting between the past and present, Debora Harding untangles the incident of her kidnapping and escape from unexpected angles, offering a vivid, intimate portrait of one family's disintegration in the 1970s Midwest. Written with dark humor and the pacing of a thriller, Dancing with the Octopus is a literary tour de force and a groundbreaking narrative of reckoning, recovery, and the inexhaustible strength it takes to survive.

What if we stopped thinking that telling someone what to do is good communication? What telling really does is demotivates, stifles innovation, removes ownership, kills accountability and worse - You are doing all the work!The process and skill of asking questions are coaching. Coaching creates energy, gets clarity and can inspire others to do things better. Those questions become more powerful when they are placed in an order and sequence to create a flow. That flow is like a dance.'Dancing with an Octopus' is mindset and method to becoming a successful coach.Benedict J Larkey is an international, award-winning facilitator and executive coach, who shows you in a memorable and insightful way to use an adaptable 'dancing' mindset, Five Critical Coaching Moments(TM) and a powerful sequence of connected questions to get self-motivated and accountable people. This step-by-step guide to coaching teaches: How thinking of coaching as a dance will harness the talent, potential, and confidence of those around you in a responsive and fun way.How seeing your team member as an Octopus with tentacles to untangle allows you to concentrate on solving one tentacle at a time and allows you to be adaptable and inspiring.How Five Critical Coaching Moments(TM) have a greater positive impact on other people and be far more challenging of behaviour and performance, in a shorter period of time.How listening skillfully to create a sequence of question will enable others to have the clarity solve their own challenges and solutions, while increasing engagement.

This study examines the traditional Cree and Ojibway world view, develops an appreciation of native philosophy and indicates ways in which native values can be incorporated into court and criminal law processes and other aspects of 'mainstream' culture in Canada.

Octopus loves living on the busy reef under the sea. From her cozy cave, she can see clown fish, and sea turtles, and little butterflies swimming by. She especially loves watching the seahorses having fun, wiggling and twirling. Sometimes she will play with them, but occasionally Octopus just wants to be alone, somewhere quiet, and not so busy. So one day, she swims far, far beyond the reef and finds another cozy cave, only here she is perfectly, wonderfully alone. It is exactly what she wanted . . . until she’s ready to go back home to be with her friends. As she did in Little Owl's Night, Divya Srinivasan shows children a wonderful part of the natural world in a very warm-hearted way.

Dark forces are unleashed by the intense passion of one young ballet dancer in a dark, seductive and highly dramatic thriller.

Illustrations and simple, rhyming text encourage the reader to wiggle, shake, and twirl to the beat.

Children love to unwind and relax with this fun exercise known as "muscular relaxation". Children relate to the angry octopus in this story as the sea child shows him how to take a deep breath, calm down, and manage his anger. This effective stress and anger management technique focuses awareness on various muscle groups to create a complete resting of the mind and body. Muscular relaxation can lower stress and anxiety levels. It can be used to decrease pain and anger. This engaging story quiets the mind and relaxes the body so your child can let go of anger and fall asleep peacefully. This is one of four stories featured on the Indigo Ocean Dreams CD.

'BREATHTAKING' Dolly Alderton, 'REMARKABLE' Marian Keyes, 'LIFE-CHANGING' Emma Jane Unsworth, 'COMPELLING' Amy Liptrot, 'STUNNING' Cathy Rentzenbrink, 'EXTRAORDINARY' Sali Hughes To everyone else, Terri White appeared to be living the dream, named one of Folio’s Top Women in US Media and accruing further awards for the magazines she was editing. In reality, she was rapidly skidding towards a mental health crisis that would land her in a locked psychiatric ward as her past caught up with her. As well as growing up in a household in poverty, Terri endured sexual and physical abuse at the hands of a number of her mother’s partners. Her success defied all expectations, but the greater the disparity between her outer achievements and inner demons, the more she struggled to hold everything together. Coming Undone is Terri’s documentation of her unravelling, and her precarious navigation back from a life in pieces.

Follow Dolphin on a fast-paced adventure that nearly lands him in the jaws of a shark!

Millie the Octopus learns the relaxing art of yoga in this fun-filled story. After dreaming up her wish to learn yoga, Millie spies a girl practicing some poses in the distance. Millie is sure that she can learn yoga, too!

The dancing girls of Lahore inhabit the Diamond Market in the shadow of a great mosque. The twenty-first century goes on outside the walls of this ancient quarter but scarcely registers within. Though their trade can be described with accuracy as prostitution, the dancing girls have an illustrious history: Beloved by emperors and nawabs, their sophisticated art encompassed the best of Mughal culture. The modern-day Bollywood aesthetic, with its love of gaudy spectacle, music, and dance, is their distant legacy. But the life of the pampered courtesan is not the one now being lived by Maha and her three girls. What they do is forbidden by Islam, though tolerated; but they are gandi, "unclean," and Maha's daughters, like her, are born into the business and will not leave it. Sociologist Louise Brown spent four years in the most intimate study of the family life of a Lahori dancing girl. With beautiful understatement, she turns a novelist's eye on a true story that beggars the imagination. Maha, a classically trained dancer of exquisite grace, had her virginity sold to a powerful Arab sheikh at the age of twelve; when her own daughter Nena comes of age and Maha cannot bring in the money she once did, she faces a terrible decision as the agents of the sheikh come calling once more.

An Amazon Best Book of the Year Meet Octicorn, the funny, sweet, and disarming character who is a champion for anyone who has ever felt a little bit different. And isn’t that everyone? This is a self-published success story from debut authors Justin Lowe and Kevin Diller. Octicorn is half octopus, half unicorn, half confused . . . which sometimes makes it hard to fit in. But maybe that’s not such a bad thing.

Callum Littlefield walks a fine line between arrogant overconfidence and self-deprecating insecurity. After being ostracized by his peers and getting thrown out of his New England boarding school, Callum’s parents exile him to his aging grandmother’s Gold Coast estate on Long Island. He is promptly put to work with her smattering of servants, and is forced to interact with his old Macumba-practicing Brazilian nanny. Though Callum reunites with old friends and tries his hand at the prep school party scene, he soon tires of his duties and escapes back to his family's empty Manhattan townhouse. There he meets a young girl named Layla, who changes his life in more ways than even he can understand. In one summer, Callum finds love, adventure, death, and heartbreak, all the while offering us a detailed social commentary on his blue blood, eastern surroundings.

Combining the emotional depth of The Art of Racing in the Rain with the magical spirit of The Life of Pi, Lily and the Octopus is an epic adventure of the heart. When you sit down with Lily and the Octopus, you will be taken on an unforgettable ride. The magic of this novel is in the read, and we don’t want to spoil it by giving away too many details. We can tell you that this is a story about that special someone: the one you trust, the one you can’t live without. For Ted Flask, that someone special is his aging companion Lily, who happens to be a dog. Lily and the Octopus reminds us how it feels to love fiercely, how difficult it can be to let go, and how the fight for those we love is the greatest fight of all. Remember the last book you told someone they had to read? Lily and the Octopus is the next one.

Imagine a world in which people see themselves as embedded in the natural order, with ethical responsibilities not only toward each other, but also toward rocks, trees, water and all nature. Imagine seeing yourself not as a master of Creation, but as the most humble, dependent and vulnerable part. Rupert Ross explores this indigenous world view and the determination of indigenous thinkers to restore it to full prominence today. He comes to understand that an appreciation of this perspective is vital to understanding the destructive forces of colonization. As a former Crown Attorney in northern Ontario, Ross witnessed many of these forces. He examines them here with a special focus on residential schools and their power to destabilize entire communities long after the last school has closed. With help from many indigenous authors, he explores their emerging conviction that healing is now better described as “decolonization therapy.” And the key to healing, they assert, is a return to the traditional indigenous world view. The author of two previous bestsellers on indigenous themes, Dancing with a Ghost and Returning to the Teachings, Ross shares his continuing personal journey into traditional understanding with all of the confusion, delight and exhilaration of learning to see the world in a different way. Ross sees the beginning of a vibrant future for indigenous people across Canada as they begin to restore their own definition of a “healthy person” and bring that indigenous wellness into being once again. Indigenous Healing is a hopeful book, not only for indigenous people, but for all others open to accepting some of their ancient lessons about who we might choose to be.

"Travel is no longer a past-time but a colossal industry, arguably one of the biggest in the world and second only to oil in importance for many poor countries. One out of 12 people in the world are employed by the tourism industry which contributes $6.5 trillion to the world's economy. To investigate the size and effect of this new industry, Elizabeth Becker traveled the globe. She speaks to the Minister of Tourism of Zambia who thinks licensing foreigners to kill wild animals is a good way to make money and then to a Zambian travel guide who takes her to see the rare endangered sable antelope. She travels to Venice where community groups are fighting to stop the tourism industry from pushing them out of their homes, to France where officials have made tourism their number one industry to save their cultural heritage; and on cruises speaking to waiters who earn $60 a month--then on to Miami to interview their CEO. Becker's sharp depiction reveals travel as a product; nations as stewards. Seeing the tourism industry from the inside out, the world offers a dizzying range of travel options but very few quiet getaways"--

This book contains no nudity. No profanity. No sexual material of any kind. And yet it just might be the most obscene thing we've ever published! Penis Pokey is an illustrated board book with a large die-cut hole in its center. Every spread features a dazzling full-color illustration with one thing missing a banana, perhaps, or a fire hose, or a sea serpent. Male readers can complete the illustrations using the talents God has given them. Are we serious? Yes! Is this funny? Absolutely! Will this be a terrific hit with college students, bachelorette parties, and exhibitionists of all ages? Of course! Penis Pokey is far and away the strangest and funniest novelty book we've seen in a long, long time.

On March 17, 2011, many Syrians rose up against the authoritarian Asad regime that had ruled them with an iron fist for forty years. Initial successes were quickly quashed, and the revolution seemed to devolve into a civil war pitting the government against its citizens and extremist mercenaries. As of late 2015, almost 300,000 Syrians have been killed and over half of a total population of 23 million forced out of their homes. Nine million are internally displaced and over four million are wandering the world, many on foot or in leaky boats. Countless numbers have been disappeared. These shocking statistics and the unstoppable violence notwithstanding, the revolution goes on. The story of the attempted crushing of the revolution is known. Less well covered has been the role of artists and intellectuals in representing to the world and to their people the resilience of revolutionary resistance and defiance. How is it possible that artists, filmmakers and writers have not been cowed into numbed silence but are becoming more and more creative? How can we make sense of their insistence that despite the apocalypse engulfing the country their revolution is ongoing and that their works participate in its persistence? With smartphones, pens, voices and brushes, these artists registered their determination to keep the idea of the revolution alive. Dancing in Damascus traces the first four years of the Syrian revolution and the activists’ creative responses to physical and emotional violence.

This 2005 book tells the story of the first British settlers of Australia and the people they found living there.