Conjure Women

A mother and daughter with a shared talent for healing—and for the conjuring of curses—are at the heart of this dazzling first novel WINNER OF THE SOCIETY OF AMERICAN HISTORIANS PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • NPR • Parade • Book Riot • PopMatters “Lush, irresistible . . . It took me into the hearts of women I could otherwise never know. I was transported.”—Amy Bloom, New York Times bestselling author of White Houses and Away Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother’s footsteps as a midwife; and their master’s daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom. Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE “[A] haunting, promising debut . . . Through complex characters and bewitching prose, Atakora offers a stirring portrait of the power conferred between the enslaved women. This powerful tale of moral ambiguity amid inarguable injustice stands with Esi Edugyan’s Washington Black.”—Publishers Weekly (starred review) “An engrossing debut . . . Atakora structures a plot with plenty of satisfying twists. Life in the immediate aftermath of slavery is powerfully rendered in this impressive first novel.”—Kirkus Reviews (starred review)

"Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother's footsteps as a midwife; and their master's daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom."--Publisher's description.

A mother and daughter with a shared talent for healing—and for the conjuring of curses—are at the heart of this dazzling first novel WINNER OF THE SOCIETY OF AMERICAN HISTORIANS PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • NPR • Parade • Book Riot • PopMatters “Lush, irresistible . . . It took me into the hearts of women I could otherwise never know. I was transported.”—Amy Bloom, New York Times bestselling author of White Houses and Away Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother’s footsteps as a midwife; and their master’s daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom. Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE “[A] haunting, promising debut . . . Through complex characters and bewitching prose, Atakora offers a stirring portrait of the power conferred between the enslaved women. This powerful tale of moral ambiguity amid inarguable injustice stands with Esi Edugyan’s Washington Black.”—Publishers Weekly (starred review) “An engrossing debut . . . Atakora structures a plot with plenty of satisfying twists. Life in the immediate aftermath of slavery is powerfully rendered in this impressive first novel.”—Kirkus Reviews (starred review)

A Stylist Best Book of 2020 You’re free to decide your future. But how do you escape the ghosts of the past? A stunning debut novel with echoes of Yaa Gyasi’s Homegoing and Sara Collins’ The Confessions of Frannie Langton

The stories in The Conjure Woman were Charles W. Chesnutt's first great literary success, and since their initial publication in 1899 they have come to be seen as some of the most remarkable works of African American literature from the Emancipation through the Harlem Renaissance. Lesser known, though, is that the The Conjure Woman, as first published by Houghton Mifflin, was not wholly Chesnutt's creation but a work shaped and selected by his editors. This edition reassembles for the first time all of Chesnutt's work in the conjure tale genre, the entire imaginative feat of which the published Conjure Woman forms a part. It allows the reader to see how the original volume was created, how an African American author negotiated with the tastes of the dominant literary culture of the late nineteenth century, and how that culture both promoted and delimited his work. In the tradition of Uncle Remus, the conjure tale listens in on a poor black southerner, speaking strong dialect, as he recounts a local incident to a transplanted northerner for the northerner's enlightenment and edification. But in Chesnutt's hands the tradition is transformed. No longer a reactionary flight of nostalgia for the antebellum South, the stories in this book celebrate and at the same time question the folk culture they so pungently portray, and ultimately convey the pleasures and anxieties of a world in transition. Written in the late nineteenth century, a time of enormous growth and change for a country only recently reunited in peace, these stories act as the uneasy meeting ground for the culture of northern capitalism, professionalism, and Christianity and the underdeveloped southern economy, a kind of colonial Third World whose power is manifest in life charms, magic spells, and ha'nts, all embodied by the ruling figure of the conjure woman. Humorous, heart-breaking, lyrical, and wise, these stories make clear why the fiction of Charles W. Chesnutt has continued to captivate audiences for a century.

This book engages the ways African American authors have shifted, recycled, and reinvented the conjure woman in fiction. Kameelah Martin Samuel traces her presence and function in twentieth-century literature through historical records, oral histories, blues music, and collections of African American folklore.

NATIONAL BESTSELLER ONE OF THE BEST BOOKS OF THE YEAR: VOGUE * FRESH AIR As a professor of physics at MIT, Helen Clapp disdains notions of the supernatural in favor of rational thought and proven ideas. So it's perhaps especially vexing when, on an otherwise unremarkable Wednesday in June, she gets a phone call from a friend who has just died. That friend was Charlotte Boyce, Helen's roommate at Harvard. The two women once confided in each other about everything: Helen's struggles as a young woman in science, Charlie's as a black screenwriter in Hollywood, their shared challenges as parents. But as the years passed, they gradually grew apart. And now Charlie is permanently, tragically gone. Drawn back into her friend's orbit, Helen is forced to question the laws of the universe that have always steadied her mind and heart. Suspenseful, perceptive, deeply affecting, Lost and Wanted is a story of friends and lovers, lost and found, at the most defining moments of their lives.

This collection of essays explains the emergence of black women novelists in contemporary American literature and the cultural and personal influences that made it possible for them to find their literary authority. Beginning with the 19th century origins of the tradition--the autobiographical writings and slave narratives--the volume discusses individual writers such as Pauline Hopkins, Jessie Redmon Fauset, Ann Petry and Octavia Butler; the aggregate significance of fiction by black women; and their influence on each other. Novels examined include Toni Cade Bambara's The Salt Eaters, Ann Petry's The Street, and Toni Morrison's Song of Solomon and The Bluest Eye. ISBN 0-253-31407-0 : $29.95; ISBN 0-253-20360-0 (pbk.) : $10.95.

From the author of the National Book Award finalist Black Leopard, Red Wolf and the WINNER of the 2015 Man Booker Prize for A Brief History of Seven Killings "An undeniable success.” — The New York Times Book Review A true triumph of voice and storytelling, The Book of Night Women rings with both profound authenticity and a distinctly contemporary energy. It is the story of Lilith, born into slavery on a Jamaican sugar plantation at the end of the eighteenth century. Even at her birth, the slave women around her recognize a dark power that they- and she-will come to both revere and fear. The Night Women, as they call themselves, have long been plotting a slave revolt, and as Lilith comes of age they see her as the key to their plans. But when she begins to understand her own feelings, desires, and identity, Lilith starts to push at the edges of what is imaginable for the life of a slave woman, and risks becoming the conspiracy's weak link. But the real revelation of the book-the secret to the stirring imagery and insistent prose-is Marlon James himself, a young writer at once breath­takingly daring and wholly in command of his craft.

The Conjure Woman is an 1899 collection of short stories by American writer Charles W. Chesnutt. It is Chesnutt's first book, and an important work of African American literature. The seven stories deal with the racial issues facing the South after the war, often through the comments of the character of Uncle Julius McAdoo. A freed slave, he tells the stories to John and Annie, a white couple from the North, who are visiting in their search for property, as they are thinking of moving south (because of Annie's health) and of buying an old plantation in "Patesville," North Carolina. Uncle Julius's stories are derived from African-American folk tales and include many supernatural occurrences built around hoodoo conjuring traditions. They are less idealistic and romanticized than John's understanding of Southern culture. They tell of black resistance to and survival within white culture

"I can’t remember the last time I read a book I wish so much I’d written. Treeborne is beautiful, and mythic in ways I would never have been able to imagine...I can’t say enough about this book."—Daniel Wallace, national bestselling author of Extraordinary Adventures and Big Fish: A Novel of Mythic Proportions An Honorable Mention for the Southern Book Prize One of Southern Living's "Best New Books Coming Out Summer 2018" and one of Library Journal's "Books to Get Now" Janie Treeborne lives on an orchard at the edge of Elberta, Alabama, and in time, she has become its keeper. A place where conquistadors once walked, and where the peaches they left behind now grow, Elberta has seen fierce battles, violent storms, and frantic change—and when the town is once again threatened from without, Janie realizes it won’t withstand much more. So she tells the story of its people: of Hugh, her granddaddy, determined to preserve Elberta’s legacy at any cost; of his wife, Maybelle, the postmaster, whose sudden death throws the town into chaos; of her lover, Lee Malone, a black orchardist harvesting from a land where he is less than welcome; of the time when Janie kidnapped her own Hollywood-obsessed aunt and tore the wrong people apart. As the world closes in on Elberta, Caleb Johnson’s debut novel lifts the veil and offers one last glimpse. Treeborne is a celebration and a reminder: of how the past gets mixed up in thoughts of the future; of how home is a story as much as a place.

“If you enjoyed An American Marriage by Tayari Jones, read The Care and Feeding of Ravenously Hungry Girls...an absorbing commentary on love, family and forgiveness.”—The Washington Post “A fast-paced, intriguing story...the novel’s real achievement is its uncommon perceptiveness on the origins and variations of addiction.”—The New York Times Book Review One of the most anticipated reads of 2019 from Vogue, Vanity Fair, Washington Post, Buzzfeed, Essence, Bustle, HelloGiggles and Cosmo! “The Mothers meets An American Marriage” (HelloGiggles) in this dazzling debut novel about mothers and daughters, identity and family, and how the relationships that sustain you can also be the ones that consume you. The Butler family has had their share of trials—as sisters Althea, Viola, and Lillian can attest—but nothing prepared them for the literal trial that will upend their lives. Althea, the eldest sister and substitute matriarch, is a force to be reckoned with and her younger sisters have alternately appreciated and chafed at her strong will. They are as stunned as the rest of the small community when she and her husband, Proctor, are arrested, and in a heartbeat the family goes from one of the most respected in town to utter disgrace. The worst part is, not even her sisters are sure exactly what happened. As Althea awaits her fate, Lillian and Viola must come together in the house they grew up in to care for their sister’s teenage daughters. What unfolds is a stunning portrait of the heart and core of an American family in a story that is as page-turning as it is important.

"Our Lady of Darkness - Middle-aged San Francisco horror writer Franz Westen is rediscovering ordinary live following a long alcoholic binge. Then one day, peering at his apartment window from atop a nearby hill, he sees a pale, brown thing lean out his window...and wave."--BOOK JACKET.

The struggle between ‘Good’ and ‘Evil’ has been an ongoing conflict since the beginning of man’s existence, and continues to this very day. Evil is the natural adversary of good, one cannot exist without the other; and this is a major factor in the equation that is called human existence. The Women of Conjure are the force that stands against those who practice evil; and as you read this novel you will be able to share with them the mystery and intrigue that is so much a part of this conflict, as these dedicated and powerful women engage the ‘satanic forces’ of evil.

Presents a collection of short stories centering around Nigerian women as they build lives out of hope, faith, and doubt, following such characters as a young woman faced with a dangerous decision to save her mother and a woman in love with another despite the penalties.

This Newbery Honor Book and Coretta Scott King Award Winner from beloved author Patricia McKissack offers a “stellar collection” of “ten original stories, all with a foundation in African-American history or culture” (School Library Journal). In that special half-hour of twilight—the dark-thirty—there are stories to be told. Mesmerizing and breathtakingly original, these tales are inspired by African American history and range from the time of slavery to the civil rights era. With her extraordinary gift for suspense, Patricia C. McKissack has created a heart-stopping collection of lasting value, a book not quickly forgotten. An ALA Notable Children’s Book An NCSS-CBC Notable Children’s Trade Book in the Field of Social Studies An IRA Teachers’ Choice