Conjure Women

A dazzling debut novel, with echoes of Homegoing and Beloved, that sweeps across eras and generations, bridging the American Civil War, to tell the story of a mother and daughter with a shared talent for healing - and the conjuring of curses.

"Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother's footsteps as a midwife; and their master's daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom."--Publisher's description.

A mother and daughter with a shared talent for healing—and for the conjuring of curses—are at the heart of this dazzling first novel LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • NPR • Parade • Book Riot • PopMatters “Lush, irresistible . . . It took me into the hearts of women I could otherwise never know. I was transported.”—Amy Bloom, New York Times bestselling author of White Houses and Away Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother’s footsteps as a midwife; and their master’s daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom. Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love. Praise for Conjure Women “[A] haunting, promising debut . . . Through complex characters and bewitching prose, Atakora offers a stirring portrait of the power conferred between the enslaved women. This powerful tale of moral ambiguity amid inarguable injustice stands with Esi Edugyan’s Washington Black.”—Publishers Weekly (starred review) “An engrossing debut . . . Atakora structures a plot with plenty of satisfying twists. Life in the immediate aftermath of slavery is powerfully rendered in this impressive first novel.”—Kirkus Reviews (starred review)

A Stylist Best Book of 2020 You’re free to decide your future. But how do you escape the ghosts of the past? A stunning debut novel with echoes of Yaa Gyasi’s Homegoing and Sara Collins’ The Confessions of Frannie Langton

This book engages the ways African American authors have shifted, recycled, and reinvented the conjure woman in fiction. Kameelah Martin Samuel traces her presence and function in twentieth-century literature through historical records, oral histories, blues music, and collections of African American folklore.

The stories in The Conjure Woman were Charles W. Chesnutt's first great literary success, and since their initial publication in 1899 they have come to be seen as some of the most remarkable works of African American literature from the Emancipation through the Harlem Renaissance. Lesser known, though, is that the The Conjure Woman, as first published by Houghton Mifflin, was not wholly Chesnutt's creation but a work shaped and selected by his editors. This edition reassembles for the first time all of Chesnutt's work in the conjure tale genre, the entire imaginative feat of which the published Conjure Woman forms a part. It allows the reader to see how the original volume was created, how an African American author negotiated with the tastes of the dominant literary culture of the late nineteenth century, and how that culture both promoted and delimited his work. In the tradition of Uncle Remus, the conjure tale listens in on a poor black southerner, speaking strong dialect, as he recounts a local incident to a transplanted northerner for the northerner's enlightenment and edification. But in Chesnutt's hands the tradition is transformed. No longer a reactionary flight of nostalgia for the antebellum South, the stories in this book celebrate and at the same time question the folk culture they so pungently portray, and ultimately convey the pleasures and anxieties of a world in transition. Written in the late nineteenth century, a time of enormous growth and change for a country only recently reunited in peace, these stories act as the uneasy meeting ground for the culture of northern capitalism, professionalism, and Christianity and the underdeveloped southern economy, a kind of colonial Third World whose power is manifest in life charms, magic spells, and ha'nts, all embodied by the ruling figure of the conjure woman. Humorous, heart-breaking, lyrical, and wise, these stories make clear why the fiction of Charles W. Chesnutt has continued to captivate audiences for a century.

"Our Lady of Darkness - Middle-aged San Francisco horror writer Franz Westen is rediscovering ordinary live following a long alcoholic binge. Then one day, peering at his apartment window from atop a nearby hill, he sees a pale, brown thing lean out his window...and wave."--BOOK JACKET.

"I can’t remember the last time I read a book I wish so much I’d written. Treeborne is beautiful, and mythic in ways I would never have been able to imagine...I can’t say enough about this book."—Daniel Wallace, national bestselling author of Extraordinary Adventures and Big Fish: A Novel of Mythic Proportions An Honorable Mention for the Southern Book Prize One of Southern Living's "Best New Books Coming Out Summer 2018" and one of Library Journal's "Books to Get Now" Janie Treeborne lives on an orchard at the edge of Elberta, Alabama, and in time, she has become its keeper. A place where conquistadors once walked, and where the peaches they left behind now grow, Elberta has seen fierce battles, violent storms, and frantic change—and when the town is once again threatened from without, Janie realizes it won’t withstand much more. So she tells the story of its people: of Hugh, her granddaddy, determined to preserve Elberta’s legacy at any cost; of his wife, Maybelle, the postmaster, whose sudden death throws the town into chaos; of her lover, Lee Malone, a black orchardist harvesting from a land where he is less than welcome; of the time when Janie kidnapped her own Hollywood-obsessed aunt and tore the wrong people apart. As the world closes in on Elberta, Caleb Johnson’s debut novel lifts the veil and offers one last glimpse. Treeborne is a celebration and a reminder: of how the past gets mixed up in thoughts of the future; of how home is a story as much as a place.

This collection of essays explains the emergence of black women novelists in contemporary American literature and the cultural and personal influences that made it possible for them to find their literary authority. Beginning with the 19th century origins of the tradition--the autobiographical writings and slave narratives--the volume discusses individual writers such as Pauline Hopkins, Jessie Redmon Fauset, Ann Petry and Octavia Butler; the aggregate significance of fiction by black women; and their influence on each other. Novels examined include Toni Cade Bambara's The Salt Eaters, Ann Petry's The Street, and Toni Morrison's Song of Solomon and The Bluest Eye. ISBN 0-253-31407-0 : $29.95; ISBN 0-253-20360-0 (pbk.) : $10.95.

A refreshed edition of Jambalaya: The Natural Woman’s Book of Personal Charms and Practical Rituals—updated with a note from the author sharing the changes that have occurred in the 30 years since its original publication. "A book of startling remembrances, revelations, directives, and imperatives, filled with the mysticism, wisdom, and common sense of the African religion of the Mother. It should be read with the same open-minded love with which it was written."—Alice Walker, author of The Color Purple Since its original publication in 1985, Jambalaya has become a classic among Women’s Spirituality Educators, practitioners of traditional Africana religions, environmental activists, and cultural creatives. A mix of memoir, spiritual teachings, and practices from Afro-American traditions such as Ifa/Orisha, and New Orleans Voudou, it offers a fascinating introduction to the world of nature-based spirituality, Goddess worship, and rituals from the African diaspora. More relevant today than it was 36 years ago, the wisdom of Jambalaya reconnects us to the natural and spiritual world, and the centuries-old traditions of African ancestors, whose voices echo through time, guiding us and blending with our own.

Lorena Hickok meets Eleanor Roosevelt in 1932 while reporting on Franklin Roosevelt's first presidential campaign. She is not instantly charmed by the idealistic, patrician Eleanor. As their connection deepens into intimacy, what begins as a powerful passion matures into a lasting love, and a life that Hick never expected to have. After she takes a job in the Roosevelt administration, promoting and protecting both Roosevelts, she comes to know Franklin not only as a great president but as a complicated rival and an irresistible friend, capable of changing lives even after his death.

A stunning collection of stories from “one of the foremost chroniclers of the American South” (The Washington Post), including the novella “Light in the Piazza”—featuring an introduction by Afia Atakora, author of Conjure Women Over the course of a fifty-year career, Elizabeth Spencer wrote masterly, lyrical fiction about southerners. An outstanding storyteller who was unjustly denied a Pulitzer for her anti-racist novel The Voice at the Back Door despite being the unanimous choice of the judges, she is recognized as one of the most accomplished writers of short fiction, infusing her work with elegant precision and empathy. The Southern Woman collects the best of Spencer’s short stories, displaying her range of place—the agrarian South, Italy in the decade after World War II, the gray-sky North, and, finally, the contemporary Sun Belt. The Modern Library Torchbearers series features women who wrote on their own terms, with boldness, creativity, and a spirit of resistance

Moonshadow Bay…where magic lurks in the moonlight, and danger hides in the shadows. As January faces the Aseer to find out what her magical strengths are, she also delves into her family history, where she discovers dark secrets about her great-grandmother Colleen and a long lost child. But when she and Ari take on a private case, they find themselves in over their heads. They must ask Conjure Ink for help in solving a riddle where a mother insists that her child isn’t really her child. January’s investigation leads everyone down the rabbit hole of magical intrigue and into the world of the Woodlings, where January finds her worldview of what actually is real changing, even as it puts her life in danger.

Ten wonderful stories by pioneer of African-American fiction: "The Goophered Grapevine," "Po' Sandy," "Sis' Becky's Pickaninny," "The Wife of His Youth," "Dave's Neckliss," "The Passing of Grandison," more. Witty, charming, insightful.

NAMED A BEST BOOK OF 2020 BY NPR “Amy Jo Burns writes a version of Appalachia that is one step removed from magic – all strychnine and moonshine and powerful wonder.”—NPR “[A] wrenching testament, told in language as incandescent as smoldering coal. . . This is not a despairing book, but a hopeful one, of Appalachian women taking back their life stories.” —New York Times Book Review On a lush mountaintop trapped in time, two women vow to protect each other at all costs-and one young girl must defy her father to survive. An hour from the closest West Virginia mining town, fifteen-year-old Wren Bird lives in a cloistered mountain cabin with her parents. They have no car, no mailbox, and no visitors-except for her mother's lifelong best friend. Every Sunday, Wren's father delivers winding sermons in an abandoned gas station, where he takes up serpents and praises the Lord for his blighted white eye, proof of his divinity and key to the hold he has over the community, over Wren and her mother. But over the course of one summer, a miracle performed by Wren's father quickly turns to tragedy. As the order of her world begins to shatter, Wren must uncover the truth of her father's mysterious legend and her mother's harrowing history and complex bond with her best friend. And with that newfound knowledge, Wren can imagine a different future for herself than she has been told to expect. Rich with epic love and epic loss, and diving deep into a world that is often forgotten but still part of America, Shiner reveals the hidden story behind two generations' worth of Appalachian heartbreak and resolve. Amy Jo Burns brings us a smoldering, taut debut novel about modern female myth-making in a land of men-and one young girl who must ultimately open her eyes.

This New York Times Book Review Notable Book of the Year is "a powerful tale of racial tensions across generations" (People) that explores the depths of women’s relationships—powerful women and marginalized women, healers and survivors. In 1924, Josephine is the proud owner of a thriving farm. As a child, she channeled otherworldly power to free herself from slavery. Now her new neighbor, a white woman named Charlotte, seeks her company, and an uneasy friendship grows between them. But Charlotte has also sought solace in the Ku Klux Klan, a relationship that jeopardizes Josephine’s family. Nearly one hundred years later, Josephine’s descendant, Ava, is a single mother who has just lost her job. She moves in with her white grandmother, Martha, a wealthy but lonely woman who pays Ava to be her companion. But Martha’s behavior soon becomes erratic, then threatening, and Ava must escape before her story and Josephine’s converge. The Revisioners explores the depths of women’s relationships—powerful women and marginalized women, healers and survivors. It is a novel about the bonds between mothers and their children, the dangers that upend those bonds. At its core, The Revisioners ponders generational legacies, the endurance of hope, and the undying promise of freedom. "[A] stunning new novel . . . Sexton’s writing is clear and uncluttered, the dialogue authentic, with all the cadences of real speech . . . This is a novel about the women, the mothers." ―The New York Times Book Review

The Conjure Woman (1899) is a collection of stories by African American author, lawyer, and political activist Charles Chesnutt. “The Goophered Grapevine,” the collection’s opening story, was originally published in The Atlantic in 1887, making Chesnutt the first African American to have a story published in the magazine. The Conjure Woman is now considered a masterpiece of African American fiction for its use of folklore and exploration of racist stereotypes of Black Americans, especially those living in the South. In “The Goophered Grapevine,” an old ex-slave named Julius McAdoo—a coachman hired by a white Northerner named John—warns his employer about the land he has decided to purchase. He tells him the story of the vineyard’s previous owner, who hired a woman named Aunt Peggy to put a curse on his famous scuppernong grapes in order to stop his slaves from eating them. Each story in The Conjure Woman follows a similar formula, beginning with a narrative situation involving John and his wife, Annie, before leading to a story from Uncle Julius. “Po’ Sandy,” one of Chesnutt’s most acclaimed tales—and a loose adaptation of Ovid’s Metamorphoses—opens with John deciding to build a new kitchen for his wife. Uncle Julius drives him to the saw mill, where, while watching the saw cut through a log, he is reminded of the story of Sandy, a local man who was turned into a tree by a conjurer in order to escape slavery. The Conjure Woman is a powerful collection of folk takes and stories exploring themes of race, identity, and class in the nineteenth century South. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Chesnutt’s The Conjure Woman is a classic of African American literature reimagined for modern readers.

The struggle between ‘Good’ and ‘Evil’ has been an ongoing conflict since the beginning of man’s existence, and continues to this very day. Evil is the natural adversary of good, one cannot exist without the other; and this is a major factor in the equation that is called human existence. The Women of Conjure are the force that stands against those who practice evil; and as you read this novel you will be able to share with them the mystery and intrigue that is so much a part of this conflict, as these dedicated and powerful women engage the ‘satanic forces’ of evil.

In Afrolatinx religious practices such as Cuban Espiritismo, Puerto Rican Santería, and Brazilian Candomblé, the dead tell stories. Communicating with and through mediums’ bodies, they give advice, make requests, and propose future rituals, creating a living archive that is coproduced by the dead. In this book, Solimar Otero explores how Afrolatinx spirits guide collaborative spiritual-scholarly activist work through rituals and the creation of material culture. By examining spirit mediumship through a Caribbean cross-cultural poetics, she shows how divinities and ancestors serve as active agents in shaping the experiences of gender, sexuality, and race. Otero argues that what she calls archives of conjure are produced through residual transcriptions or reverberations of the stories of the dead whose archives are stitched, beaded, smoked, and washed into official and unofficial repositories. She investigates how sites like the ocean, rivers, and institutional archives create connected contexts for unlocking the spatial activation of residual transcriptions. Drawing on over ten years of archival research and fieldwork in Cuba, Otero centers the storytelling practices of Afrolatinx women and LGBTQ spiritual practitioners alongside Caribbean literature and performance. Archives of Conjure offers vital new perspectives on ephemerality, temporality, and material culture, unraveling undertheorized questions about how spirits shape communities of practice, ethnography, literature, and history and revealing the deeply connected nature of art, scholarship, and worship.