Among the Beasts & Briars

For fans of Shannon Hale, Adam Gidwitz, and Michael Buckley comes a luminous new twist on a tale readers only thought they knew. . . Once upon a time, there was a girl with golden locks. But that’s just the beginning of this tale. The real story begins with a bear. Ursula is a young she-bear who has come to work as a governess at the Vaughn estate. Although she is eager to instruct her young charge, Teddy, she is also frightened, especially when inexplicable things happen in the huge house after dark. Ursula is sure she has heard footsteps in the hallways at night, and that something is following her during her walks in the Enchanted Forest. Then there is Mr. Bentley, a young bear also employed by Mr. Vaughn, whose superior disposition is enough to drive Ursula to tears . . . and yet why does he also make her heart race? As Ursula works to unravel the mysteries of the Vaughn manor, she will have to be very, very careful. After all, true love, justice, and a girl with golden locks are at stake. And in the Enchanted Forest, not every fairy tale is destined for a happily ever after.

Showcasing artwork from both Fantastic Beasts and Where to Find Them: Magical Characters & Places and Fantastic Beasts and Where to Find Them: Magical Creatures Coloring Books, this collection of 20 postcards is filled with intricate illustrations and dazzling designs from the film. This book of fantastic postcards, officially licensed by Warner Bros. Consumer Products, features a heavy card stock cover and enchanting black-and-white line art printed on heavy white paper with excellent opacity, ideal for coloring with markers, pencils, crayons, or paints, allowing readers to tap into their creative spirits for hours of entertainment and fun.

There are, roughly speaking, two distinct types of Scottish Fairy Tales. There are what may be called "Celtic Stories," which were handed down for centuries by word of mouth by professional story-tellers, who went about from clachan to clachan in the "Highlands and Islands," earning a night's shelter by giving a night's entertainment, and which have now been collected and classified for us by Campbell of Isla and others. These stories, which are also common to the North of Ireland, are wild and fantastic, and very often somewhat monotonous, and their themes are strangely alike. They almost always tell of some hero or heroine who sets out on some dangerous quest, and who is met by giants, generally three in number, who appear one after the other; with whom they hold quaint dialogues, and whom eventually they slay. Most of them are fairly long, and although they have a peculiar fascination of their own, they are quite distinct from the ordinary Fairy Tale. These latter, in Scotland, have also a character of their own, for there is no country where the existence of Spirits and Goblins has been so implicitly believed in up to a comparatively recent date. As a proof of this we can go to Hogg's tale of "The Wool-gatherer," and see how the countryman, Barnaby, voices the belief of his day. "Ye had need to tak care how ye dispute the existence of fairies, brownies, and apparitions! Ye may as weel dispute the Gospel of Saint Matthew." Perhaps it was the bleak and stern character of their climate, and the austerity of their religious beliefs which made our Scottish forefathers think of the spirits in whom they so firmly believed, as being, for the most part, mischievous and malevolent. Their Bogies, their Witches, their Kelpies, even their Fairy Queen herself, were supposed to be in league with the Evil One, and to be compelled, as Thomas of Ercildoune was near finding out to his cost, to pay a "Tiend to Hell" every seven years; so it was not to be wondered at, that these uncanny beings were dreaded and feared. But along with this dark and gloomy view, we find touches of delicate playfulness and brightness. The Fairy Queen might be in league with Satan, but her subjects were not all bound by the same law, and many charming tales are told of the "sith" or silent folk, who were always spoken of with respect, in case they might be within earshot, who made their dwellings under some rocky knowe, and who came out and danced on the dewy sward at midnight.

Fans of The Ancient Magus' Bride are sure to love this in-depth guide to its story. Chapter-by-chapter notes provide insight into the author's intent and the world of the story, covering mythology, magic, and more. This handbook contains spoilers aplenty, and is meant to enhance the reading experience for the first three volumes of the series. If you're hoping for a deeper examination of the story of Elias and Chise, look no further!

Perhaps Willa Cather's most autobiographical work, The Song of the Lark charts the story of a young woman's awakening as an artist against the backdrop of the western landscape. Thea Kronborg, an aspiring singer, struggles to escape from the confines her small Colorado town to the world of possibility in the Metropolitan Opera House. In classic Cather style, The Song of the Lark is the beautiful, unforgettable story of American determination and its inextricable connection to the land.

Erasmus reached England after a stay in Italy early in the summer of 1510. Soon afterwards, in Thomas More's house at Bucklersbury, he rapidly wrote his famous satire, the Encomium Moriae, or "Praise of Folly," in which Folly celebrates her own praises as the great source of human pleasures. He had been meditating this piece on the long journey from Rome; it is a kaleidoscope of his experiences in Italy, and of earlier memories. As to the title, Moria, the Greek word for "folly," was a playful allusion, of course, to the name of his wise and witty host. This "Praise of Folly" is a satire, not only in the modern but in the original sense of that word,—a medley. All classes, all callings, are sportively viewed on the weak side. But in relation to the author's own life and times, the most important topics are the various abuses in the Church, the pedantries of the school-men, and the selfish wars of kings. If this eloquent Folly, as Erasmus presents her, most often wears the mocking smile of Lucian or Voltaire, there are moments also when she wields the terrible lash of Juvenal or of Swift. The popularity of the satire, throughout Europe, was boundless. The mask of jest which it wore was its safeguard; how undignified, how absurd it would have been for a Pope or a King to care what was said by Folly! And, just for that reason, the Encomium Moriae must be reckoned among the forces which prepared the Reformation.

Reproduction of the original: The Finished Mystery by Charles Taze Russell

Global war devastated the environment, a zombie-like plague wiped out much of humanity, and civilization as we once understood it came to a standstill. But that was a thousand years ago, and the world is now a very different place. Conflict between city states is constant, superstition is rife, and machine relics, mutant creatures and resurrected prehistoric beasts trouble the land. Watching over all are the silent Dreaming Cities. Homes of the angels, bastion outposts of heaven on Earth. Or so the church claims. Very few go in, and nobody ever comes out. Until now... "Haley serves up equal helpings of horror, fantasy adventure, and SF in this stark, intriguing story of a ruined Earth where the remaining humans are determined to survive." - Publishers Weekly “Entertaining and exciting... If grim-dark is your thing, then this is a great read for you.” – Bull-Spec At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Coffin writes his personal observations while with the United States Army and Navy during the Civil War. From the first battle of Bull Run to the fall of Richmond and the surrender of Lee, he experienced the war at close quarters and takes us through the intimacy of the march and the camp, among ordinary men and officers, as momentous events unfolded and important decisions were made.

Finnegans Wake James Joyce - A daring work of experimental, Modernist genius, James Joyce's Finnegans Wake is one of the greatest literary achievements of the twentieth century, and the crowning glory of Joyce's life. Joyce's final work, Finnegan's Wake is his masterpiece of the night as Ulysses is of the day. Supreme linguistic virtuosity conjures up the dark underground worlds of sexuality and dream. Joyce undermines traditional storytelling and all official forms of English and confronts the different kinds of betrayal - cultural, political and sexual - that he saw at the heart of Irish history. Dazzlingly inventive, with passages of great lyrical beauty and humour, Finnegans Wake remains one of the most remarkable works of the twentieth century.James Joyce (1882-1941), the eldest of ten children, was born in Dublin, but exiled himself to Paris at twenty as a rebellion against his upbringing. He only returned to Ireland briefly from the continent but Dublin was at heart of his greatest works, Ulysses and Finnegans Wake. He lived in poverty until the last ten years of his life and was plagued by near blindness and the grief of his daughter's mental illness.

Francois Rabelais (1494-1553) was a major French Renaissance writer, doctor and humanist. He is regarded as an avant-garde writer of fantasy, satire, the grotesque, dirty jokes and bawdy songs. As a doctor, he used his spare time to write and publish humourous pamphlets which were critical of established authority and stressed his own perception of individual liberty. His revolutionary works, although satirical, revealed an astute observer of the social and political events unfolding during the first half of the sixteenth century. Using the pseudonym Alcofribas Nasier, he published his first book, Pantagruel, that would be the start of his Gargantua series. Gargantua and Pantagruel tells the story of two giants - a father, Gargantua, and his son, Pantagruel - and their adventures, written in an amusing, extravagant, and satirical vein. His use of his native tongue was astoundingly original, lively, and creative. He introduced dozens of Greek, Latin, and Italian loan-words and direct translations of Greek and Latin compound words and idioms into French. He has influenced many modern writers and scholars. Aleister Crowley's writings heavily borrow from Rabelais themes.