Afterlife

This book is a tour of Afterlife landscapes from Homer to Dante. It argues that the topography of the Afterlife in Greek and Roman tradition, and in Dante, reflects the state of 'scientific' knowledge at the time of the various contexts in which we find it, and the landscape of the Other World is a way of exploring and assimilating the shape of this world. This book posits that there is a dominant spatial idiom in afterlife landscapes, which I call the 'Journey-Vision paradigm.' By this the author means the presence of two kinds of space in afterlife representations - the horizontal journey of the soul across the afterlife landscape, and a synoptic vision of the universe. This has, in studies of individual texts, often been characterised as an inconsistency or anomaly: many scholars have argued that the Vision of the universe is out of place in the underworld landscape. However, when one looks across the entire tradition, one finds that afterlife landscapes, almost without exception, contain these two kinds of space in one form or another. The function of this double vision of space - the Journey-Vision paradigm - is, the book argues, an attempt to harmonise the underworld, as the landscape of the soul, with the 'scientific' universe, and to understand humanity in terms of the cosmos, and vice versa.

The question of what happens after death was a vital one in Shakespeare's time, as it is today. And, like today, the answers were by no means universally agreed upon. Early moderns held surprisingly diverse beliefs about the afterlife and about how earthly life affected one's fate after death. Was death akin to a sleep where one did not wake until judgment day? Were sick bodies healed in heaven? Did sinners experience torment after death? Would an individual reunite with loved ones in the afterlife? Could the dead communicate with the world of the living? Could the living affect the state of souls after death? How should the dead be commemorated? Could the dead return to life? Was immortality possible? The wide array of possible answers to these questions across Shakespeare's work can be surprising. Exploring how particular texts and characters answer these questions, Shakespeare and the Afterlife showcases the vitality and originality of the author's language and thinking. We encounter characters with very personal visions of what awaits them after death, and these visions reveal new insights into these individuals' motivations and concerns as they navigate the world of the living. Shakespeare and the Afterlife encourages us to engage with the author's work with new insight and new curiosity. The volume connects some of the best-known speeches, characters, and conflicts to cultural debates and traditions circulating during Shakespeare's time.

From the world class spiritual medium and author of the “compassionate yet educational” (John Edward, author of Infinite Quest) I’m Not Dead, I’m Different comes an insightful exploration into what it’s like on the other side. Is there really an afterlife? Do spirits still feel love for us? What is it like when we cross over? After more than twenty-five years of bringing comfort to tens of thousands of people, Hollister Rand brings her incredible knowledge and experience to this accessible and comprehensive book that takes you on an eye-opening journey into the afterlife. With warm-hearted sincerity, Rand offers you a clear-eyed and uplifting view into an unknown universe and teaches you how to navigate your life on this earthly plane with eternity in mind. In an increasingly uncertain world, there is only one guarantee: we all face the same outcome. Featuring her signature humor and infused with authenticity regarding her own spiritual journey, Rand provides comfort, clarity, and laughs along the way.

With contributions from leading scholars and detailed catalog entries that interpret the spells and painted scenes, this fascinating and important work affords a greater understanding of ancient Egyptian belief systems and poignantly reveals the hopes and fears about the world beyond death.

Award-winning journalist and New York Times bestselling author Joe Posnanski enters the world of Harry Houdini and his legions of devoted fans in an immersive, entertaining, and magical work on the illusionist’s impact on American culture—and why his legacy endures to this day. Harry Houdini. Say his name and a number of things come to mind. Escapes. Illusions. Magic. Chains. Safes. Live burials. Close to a century after his death, nearly every person in America knows his name from a young age, capturing their imaginations with his death-defying stunts and daring acts. He inspired countless people, from all walks of life, to find something magical within themselves. This is a book about a man and his extraordinary life, but it is also about the people who he has inspired in death. As Joe Posnanski delves into the deepest corners of Houdini-land, visiting museums (one owned by David Copperfield), attractions, and private archives, he encounters a cast of unforgettable and fascinating characters: a woman who runs away from home to chase her dream of becoming a magician; an Italian who revives Houdini’s most famous illusion every night; a performer at the Magic Castle in Los Angeles who calls himself Houdini’s Ghost; a young boy in Australia who, one day, sees an old poster and feels his life change; and a man in Los Angeles whose sole mission is life has been to keep the legend’s name alive. Both a personal obsession and an odyssey of discovery, Posnanski draws inspiration from his lifelong passion for and obsession with magic, blending biography, memoir, and first-person reporting to examine Harry Houdini’s life and legacy. This is the ultimate journey to uncover why this magic man endures, and what he still has to teach the world about wonder.

Of all the ancient peoples, the Egyptians are perhaps best known for the fascinating ways in which they grappled with the mysteries of death and the afterlife. This beautifully illustrated book draws on the British Museum's world-famous collection of mummies and other funerary evidence to offer an accessible account of Egyptian beliefs in an afterlife and examine the ways in which Egyptian society responded materially to the challenges these beliefs imposed. The author describes in detail the numerous provisions made for the dead and the intricate rituals carried out on their behalf. He considers embalming, coffins and sarcophagi, shabti figures, magic and ritual, and amulets and papyri, as well as the mummification of sacred animals, which were buried by the millions in vast labyrinthine catacombs. The text also reflects recent developments in the interpretation of Egyptian burial practices, and incorporates the results of much new scientific research. Newly acquired information derives from a range of sophisticated applications, such as the use of noninvasive imaging techniques to look inside the wrappings of a mummy, and the chemical analysis of materials used in the embalming process. Authoritative, concise, and lucidly written, Death and the Afterlife in Ancient Egypt illuminates aspects of this complex, vibrant culture that still perplex us more than 3,000 years later.

Chuy, a senior at East Fresno High School lives on as a ghost after his brutal murder in the restroom of a club where he had gone to dance.

This Handbook traces the history of the changing notion of what it means to die and examines the many constructions of afterlife in literature, text, ritual, and material culture throughout time. The Routledge Handbook of Death and the Afterlife is an outstanding reference source to the key topics, problems, and debates in this exciting subject. Comprising twenty-nine chapters by a team of international contributors, the Handbook is divided into three parts and covers the following important themes: The study of dying, death, and grief Disposal of the dead: past, present, and future Representations of death: narratives and rhetoric Youth meets death: a juxtaposition Questionable deaths and afterlives: suicide, ghosts, and avatars Material corpses and imagined afterlives around the world Within these sections, central issues, debates, and problems are examined, including: the world of death and dying from various cultural viewpoints and timeframes, cultural and social constructions of the definition of death, disposal practices, and views of the afterlife. The Routledge Handbook of Death and the Afterlife is essential reading for students and researchers in religious studies, philosophy, anthropology, and sociology.

A reliable and lively volume which brings readers into the mainstream of the latest Etruscan scholarship.

This book explores how post-death existence is represented in popular film, looking at issues such as continuity, personal identity, and the nature of existence beyond the grave. Film often returns to the theme of dying, death and the afterlife, both directly and indirectly, because there are very few subjects as compelling and universal. The book compares the representation of death, dying and the afterlife in films to scholarly surveys of attitudes towards life-after-death through the analysis of twenty films made between the end of World War II and now. It looks at the portrayals of stages between death and a final destination; spatio-temporal and personal continuity; the nature of afterlife existence in terms of embodiment, or not; and the contact between the worlds of the living and the dead. This book offers a wide-ranging view on a compelling subject in film. As such, it will be of great interest to scholars of Religion and Film, Religion and Media, the Philosophy of Religion, and the Sociology of Religion, as well as Religion, Media and Film Studies more generally .

This volume offers a survey about what is known about the Ancient Egyptians' vision of the afterlife and an examination of these beliefs that were written down in books that were later discovered in royal tombs. The contents of the texts range from the collection of spells in the Book of the Dead, which was intended to offer practical assistance on the journey to the afterlife, to the detailed accounts of the hereafter provided in the Books of the Netherworld. The author looks closely at these latter works, while summarizing the contents of the Book of the Dead and other widely studied examples of the genre. For each composition, he discusses the history of its ancient transmission and its decipherment in modern times, supplying bibliographic information for any text editions. He also seeks to determine whether this literature as a whole presents a monolithic conception of the afterlife. The volume features many drawings from the books themselves.

Covers major religious and cultural traditions of death, burial, and the afterlife from prehistoric times to the present day.

Despite the range of studies into grief and mourning in relation to the digital, research to date largely focuses on the cultural practices and meanings that are played out in and through digital environments. Digital Afterlife brings together experts from diverse fields who share an interest in Digital Afterlife and the wide-ranging issues that relate to this. The book covers a variety of matters that have been neglected in other research texts, for example: The legal, ethical, and philosophical conundrums of Digital Afterlife The ways digital media are currently being used to expand the possibilities of commemorating the dead and managing the grief of those left behind Our lives are shaped by and shape the creation of our Digital Afterlife as the digital has become a taken for granted aspect of human experience. This book will be of interest to undergraduates from computing, theology, business studies, philosophy, psychology, sociology, and education from all types of institutions. Secondary audiences include researchers and postgraduate researchers with an interest in the digital. At a practical level, the cost of data storage and changing data storage systems mitigate the likelihood of our digital presence existing in perpetuity. Whether we create accidental or intentional digital memories, this has psychological consequences for ourselves and for society. Essentially, the foreverness of forever is in question. Maggi Savin-Baden is Professor of Higher Education Research at the University of Worcester. She has a strong publication record of over 50 research publications and 17 books. Victoria Mason-Robbie is a Chartered Psychologist and an experienced lecturer having worked in the Higher Education sector for over 15 years. Her current research focuses on evaluating web-based avatars, pedagogical agents, and virtual humans.

Beowulf's presence on the popular cultural radar has increased in the past two decades, coincident with cultural crisis and change. Why? By way of a fusion of cultural studies, adaptation theory, and monster theory, Beowulf's Popular Afterlife examines a wide range of Anglo-American retellings and appropriations found in literary texts, comic books, and film. The most remarkable feature of popular adaptations of the poem is that its monsters, frequently victims of organized militarism, male aggression, or social injustice, are provided with strong motives for their retaliatory brutality. Popular adaptations invert the heroic ideology of the poem, and monsters are not only created by powerful men but are projections of their own pathological behavior. At the same time there is no question that the monsters created by human malfeasance must be eradicated.

The mass media make it possible for fame to be enhanced and transformed posthumously. What does it mean to fans when a celebrity dies, and how can death change the way that celebrities are perceived and celebrated? How do we mourn and remember? What can different forms of communication reveal about the role of media in our lives? Through a provocative look at the lives and legacy of popular musicians from Elvis to Tupac and from Louis Prima to John Lennon, Afterlife as Afterimage analyzes the process of posthumous fame to give us new insights into the consequences of mediation, and it illuminates the complex nature of fandom, community formation, and identity construction.

Basing himself on Said Nursi's Risale-i Nur, Ali Unal presents a scientific and logical argument for the validity of one of religion's main elements of faith: belief in the resurrection and the afterlife.

A senior at East Fresno High School lives on as a ghost after his brutal murder in the restroom of a club where he had gone to dance.

For the thousands of people who loved To Heaven and Back, Heaven is for Real, and Proof of Heaven, a warm and detailed account of life between lives—and our lives to come What happens when someone dies? What does it feel like? What exactly is the light at the end of the tunnel? Is reincarnation real? And if so, do spirits have any influence over their lives to come? Based on his own amazing experiences communicating with those who have passed over, Barry Eaton answers these questions about the spirit world, and many, many more. Taking the reader on a journey through the realm of the spirit, the author details the whole process of crossing into the next life, from the journey “home,” to adapting to new living conditions in the afterlife, and even delving into what kinds of activities will be available there, and how we can be prepared for our own personal journey. This book will give hope, alleviate fear, and provide comfort for anyone who has questions or concerns about life after death.

"Published for the Center for Hellenic Studies."

After being struck by lighting, having open-heart surgery with four bypasses, and surviving a heart attack, I started seeing dead people and spirits. There were several visits from these entities and also many vivid dreams. Windows to the Afterlife began as a journal covering the time period 1992 to 2013. The book is about the paranormal events that happened both to me and to my wife. I realize that a lot of people have had paranormal experiences. Seventy percent of the public believe that paranormal events occur, while about 35 percent believe that that they have experienced something paranormal in their life. By writing this book, I wanted to tell others who have had paranormal things happen to them that they are not crazy.