A Man & His Car: Iconic Cars and Stories from the Men Who Love Them

Man-about-town and NYC men’s style fixture Matt Hranek is back with his second book, A Man & His Car. Here is a beautiful homage to an object of men’s obsession, told in firsthand and original interviews. Jay Leno, a major car collector and the host of Jay Leno’s Garage, shares the story of his oldest car, a 1955 Buick Roadmaster that he bought for $350, which he literally slept in before getting his break in L.A. Kevin Costner reveals that he got so attached to the iconic Shelby Mustang he drove in the movie Bull Durham, he bought it for his own personal collection. Franz von Holzhausen, chief designer at Tesla, who worked hand in hand with Elon Musk to design the Tesla Model S prototype, says that his love of cars started when he was two (as evidenced by a picture of him sitting in a high chair drawing a car). And as for Snoop Dogg and his 1965 Cadillac “Snoop DeVille” convertible—do we even need to explain? A Man & His Car includes visits to some of the most exclusive collections in the world—from that of the Petersen Automotive Museum to those of car manufacturers from Fiat to Ford—giving us access to Steve McQueen’s favorite car, a 1956 Jaguar XKSS; the 1971 DeTomaso Pantera that Elvis purchased for his then-girlfriend Linda Thompson (and which has two bullet holes in the steering wheel and one in the driver’s-side floorpan from when, after an altercation with Thompson, Presley fired three rounds into the interior when the car wouldn’t start); and a super-rare, 24-karat-gold-plated 1980 DeLorean DMC-12, a model that was sold exclusively to American Express Gold Card members through the 1980 American Express catalog, for an astronomical $85,000 (equivalent to more than $250,000 today). Exquisite photos of each car accompany each story, and since cars naturally hold more detail than watches, there will be more photos in this book—of the cars head-on, of their hood ornaments and wheels, and of course full-body shots. With Hranek’s storytelling, the cars become more than just vehicles for transportation and status symbols; they represent pop-culture moments, pioneering achievements, heirlooms, friendships, and more.

Train is a glorious celebration of all things train and track, tracing the history of the railroad and the role of trains, from the first steam engines to today's high-speed bullet trains. Featuring DK's trademark brilliant photography, Train catalogs the development of trains from early steam to diesel engines and electric locomotives, explores in detail iconic trains such as the Fairy Queen, Orient Express, and Javelin, and chronicles the cultural backdrop against which railroads were built around the world.

Ayrton Senna details and profiles the extraordinary life of this beloved Formula 1 race car driver with expertly written text, historic photographs, and interactive memorabilia. During his lifetime, Brazilian Formula 1 racing champion Ayrton Senna was widely recognized as a leader in his sport, a pioneer in driving technique, ahard racer and a compassionate man. Since his fatal crash during the 1994 San Marino Grand Prix, Senna's remarkable career and humanitarian outlook have continued to inspire the world. Since his death the Ayrton Senna Institute, his most important legacy, has helped educate more than 7.8 million Brazilian children. The Senna family has opened its archives, sharingnever-before-seen photographs of private moments at home and at the racetrack. A true collector's item this book also includes special ephemera from Senna's life: readers can pull out and examine replicas of his baptism certificate, handwritten letters and race agendas, a keepsake formal photo, autographed team stickers, and more than 20 other special items. In exclusive interviews, Senna's family and teammates sharepersonal anecdotes and favourite memories from a life truly lived at full speed. Fully illustrated and uniquely interactive, Ayrton Senna: A Life Lived at Full Speed will be a cherished addition to any fan's collection.

The King of Style: Dressing Michael Jackson is a fascinating look at the intersection of music and fashion, as well as an homage to Michael Jackson’s brilliant fusing of costume, personality, and performance to create his iconic image. Through his music, dance, and fashion, Michael Jackson created a mystique that was unique to him and recognized as such throughout the world. For five decades he mesmerized audiences—and for twenty-five of those years Michael Bush was there as Jackson’s designer, stylist, and friend, accompanying the King of Pop on his journey to becoming the King of Style. While paying homage to the original Billie Jean, Beat It, and Thriller looks that put Jackson on the fashion map, The King of Style also traces their evolution over several decades. Jackson’s penchant for the military silhouette is explored in detail, along with the trade secrets behind the sequined glove and the fencing uniform that he, Michael Bush, and Dennis Tompkins reinvented to make stage magic. It was Bush who dressed Jackson for the final time, before he was buried. Dozens of garments were left unfinished by his shocking death. The legacy of Michael Jackson lives on. An artist like none other, he transformed everything he touched—from the fabric of his clothes to his legions of fans around the world.

Timothy Morton argues that ecological awareness in the present Anthropocene era takes the form of a strange loop or Möbius strip, twisted to have only one side. Deckard travels this oedipal path in Blade Runner (1982) when he learns that he might be the enemy he has been ordered to pursue. Ecological awareness takes this shape because ecological phenomena have a loop form that is also fundamental to the structure of how things are. The logistics of agricultural society resulted in global warming and hardwired dangerous ideas about life-forms into the human mind. Dark ecology puts us in an uncanny position of radical self-knowledge, illuminating our place in the biosphere and our belonging to a species in a sense that is far less obvious than we like to think. Morton explores the logical foundations of the ecological crisis, which is suffused with the melancholy and negativity of coexistence yet evolving, as we explore its loop form, into something playful, anarchic, and comedic. His work is a skilled fusion of humanities and scientific scholarship, incorporating the theories and findings of philosophy, anthropology, literature, ecology, biology, and physics. Morton hopes to reestablish our ties to nonhuman beings and to help us rediscover the playfulness and joy that can brighten the dark, strange loop we traverse.

A pictorial look at the making of the James Bond film "Die Another Day."

START-UP NATION addresses the trillion dollar question: How is it that Israel-- a country of 7.1 million, only 60 years old, surrounded by enemies, in a constant state of war since its founding, with no natural resources-- produces more start-up companies than large, peaceful, and stable nations like Japan, China, India, Korea, Canada and the UK? With the savvy of foreign policy insiders, Senor and Singer examine the lessons of the country's adversity-driven culture, which flattens hierarchy and elevates informality-- all backed up by government policies focused on innovation. In a world where economies as diverse as Ireland, Singapore and Dubai have tried to re-create the "Israel effect", there are entrepreneurial lessons well worth noting. As America reboots its own economy and can-do spirit, there's never been a better time to look at this remarkable and resilient nation for some impressive, surprising clues.

With glorious photography and sharp writing, Never Stop Driving presents the case for the mental and social benefits of driving and engaging with automobiles. It also shows you—from dreaming about a car to living with it—how to jump in and get the most from your machine. There’s never been a better time to go for a drive. As a nation, we are chronically overstressed, overworked, and not sleeping enough. Worse yet, our digital devices are taking ever increasing chunks of what remaining free time we do have. Activities that force us to engage with ourselves and the environment around us are needed more than ever. Might I suggest a spin in a four-wheeled escape pod? The car—the act of driving, repairing, maintaining—drives out distraction and demands we be “present.” Making the car a pursuit invites not just the freedom of the road, but the potential to connect with thousands of like-minded individuals as well as the pleasure of simply caring for the machine. Further, there’s the thrill of commanding an object that represents a high point of human ingenuity and design. Cars invite passion. The first step is embracing the itch and acting on it. Learn how to choose your perfect weekend car, hunt for it, and make the deal. Then, find peace in the wrenches with tips on taking the plunge into maintaining your ride, including how your car can be an opportunity to tear your kids away from their screens and strengthen your bond with them. Next, explore the joy of driving, from scenic byways to taking your car to its performance limit. You’ll also tour the various highlights of the driving life, like how to become an automotive archaeologist, the possibilities for those short on cash but high for adventure, the car as a social gathering point, and what the future with autonomous cars means for those who love to drive. Never Stop Driving shines some light on why we find these machines so captivating, offering some inspiration and validation, and finally inviting those who are curious but haven’t made the leap to get in the car. Let’s roll.

Discover how the ancient Egyptians controlled their immortal destiny! This book, edited by Foy Scalf, explores what the Book of the Dead was believed to do, how it worked, how it was made, and what happened to it.

Based on the Rockwell collections owned by George Lucas and Steven Spielberg, "Telling Stories" is the first book to chart the connections between Rockwell's iconic images of American life and the movies.

War on Autism examines autism as a historically specific and powerladen cultural phenomenon that has much to teach about the social organization of a neoliberal western modernity. Bringing together a variety of interpretive theoretical perspectives including critical disability studies, queer and critical race theory, and cultural studies, the book analyzes the social significance and productive effects of contemporary discourses of autism as these are produced and circulated in the field of autism advocacy. Anne McGuire discusses how in the field of autism advocacy, autism often appears as an abbreviation, its multiple meanings distilled to various “red flag” warnings in awareness campaigns, bulleted biomedical ”facts” in information pamphlets, or worrisome statistics in policy reports. She analyzes the relationships between these fragmentary enactments of autism and traces their continuities to reveal an underlying, powerful, and ubiquitous logic of violence that casts autism as a pathological threat that advocacy must work to eliminate. Such logic, McGuire contends, functions to delimit the role of the “good” autism advocate to one who is positioned “against” autism.

In the late eighties and early nineties, Formula One was at its most explosive, with thrilling races, charismatic drivers, nail-biting climaxes - and the most deadly rivalry ever witnessed in sport. Two of Formula One's most honoured champions and iconic figures drove together for McLaren for two seasons, and their acrimonious and hostile relationship extended even after one of them had left the team. ALAIN PROST, France's only F1 world champion, the intelligent, smooth driver with the epithet 'Le Professeur'. AYRTON SENNA, the mercurial kid from a privileged background in Sao Paolo who would become the most intense and ruthless racing driver the world has ever seen. It was a story that would have a tragic ending. As the great rivals raced to victory, their relationship deteriorated badly, beginning with the breaking of a gentleman's agreement, and public spats followed, culminating in Prost accusing Senna of deliberately trying to ride him off the circuit, and fearful that the Brazilian would get someone killed with his daring overtaking feats. And the final, sad act of this drama happened at the San Marino Grand prix at Imola in May 1994, when Senna was killed. Featuring a rare interview with Prost, and insight from Martin Brundle, Damon Hill, Sir Frank Williams, Bernie Ecclestone, Derek Warrick, Johnny Herbert, Gerhard Berger, plus McLaren insiders and other F1 figures, Malcolm Folley provides us with a breath-taking account of one of the all-time classic sporting rivalries.

Why History is an introduction to the issue of history and ethics. Designed to provoke discussion, the book asks whether a good knowledge and understanding of the past is a good thing to have and if so, why. In the context of postmodern times, Why History suggests that the goal of 'learning lessons from the past' is actually learning lessons from stories written by historians and others. If the past as history has no foundation, can anything ethical be gained from history? Why History presents liberating challenges to history and ethics, proposing that we have reached an emancipatory moment which is well beyond the 'end of history'.

Award-winning Nishnaabeg storyteller and writer Leanne Betasamosake Simpson returns with a bold reimagination of the novel, one that combines narrative and poetic fragments through a careful and fierce reclamation of Anishinaabe aesthetics. Mashkawaji (they/them) lies frozen in the ice, remembering a long-ago time of hopeless connection and now finding freedom and solace in isolated suspension. They introduce us to the seven main characters: Akiwenzii, the old man who represents the narrator’s will; Ninaatig, the maple tree who represents their lungs; Mindimooyenh, the old woman who represents their conscience; Sabe, the giant who represents their marrow; Adik, the caribou who represents their nervous system; Asin, the human who represents their eyes and ears; and Lucy, the human who represents their brain. Each attempts to commune with the unnatural urban-settler world, a world of SpongeBob Band-Aids, Ziploc baggies, Fjällräven Kånken backpacks, and coffee mugs emblazoned with institutional logos. And each searches out the natural world, only to discover those pockets that still exist are owned, contained, counted, and consumed. Cut off from nature, the characters are cut off from their natural selves. Noopiming is Anishinaabemowin for “in the bush,” and the title is a response to English Canadian settler and author Susanna Moodie’s 1852 memoir Roughing It in the Bush. To read Simpson’s work is an act of decolonization, degentrification, and willful resistance to the perpetuation and dissemination of centuries-old colonial myth-making. It is a lived experience. It is a breaking open of the self to a world alive with people, animals, ancestors, and spirits, who are all busy with the daily labours of healing — healing not only themselves, but their individual pieces of the network, of the web that connects them all together. Enter and be changed.

50 legendary cars from 25 movies! Includes the cars from the newest No Time to Die movie starring Daniel Craig and Rami Malek. The perfect holiday gift for the James Bond fan in your life! The vehicles featured in this book were driven by - or pursued - the world's most celebrated spy. Stylish, fast, and specially equipped with state-of-the art gadgets, each is rendered in full color showing the key features that set them among the world's greatest cars. With facts and figures plus their key scenes and stunts, these are the cars that made Bond movie history. The James Bond film series is one of the longest continually-running film series in history, having been in on-going production from 1962 to the present. In that time Eon Productions has produced 24 films, with the 25th - "No Time to Die" releasing November 2020. With a combined gross of over $7 billion to date, the films produced by Eon constitute the fifth-highest-grossing film series. Six actors have portrayed 007 in the series, the latest being Daniel Craig.

Since the Grand Prix’s start in 1950 just 33 men have achieved the accolade of F1 World Champion. For the first time, legendary F1 commentator Maurice Hamilton and award-winning photographers Bernard and Paul-Henri Cahier bring the heroes of this iconic sport together, in a stunning photographic portrayal of the poise, skill and winning mindset that separates the fast from the furious, the elite from the talented. With exclusive quotes from icons such as Lewis Hamilton and Nico Rosberg, and including Maurice’s historic interviews with the sport’s lost heroes – including James Hunt and Aryton Senna – F1: The Champions is a beautiful tribute to the most ferocious of sports and the incredible sportsmen who drive at the edge in pursuit of greatness.

The Sunset Strip, circa 1967. What was happening then is now absolutely clear. Rock 'n' roll and the kids who lived it were coming of age - right there on The Strip. And, as if to define the era, a few independent minds in the music industry posted giant, temporary monuments that said it all. Billboards. Bigger than life. Hand-painted homages to rock. In Rock 'n' Roll Billboards of the Sunset Strip, Robert Landau showcases these signs of the time, a time when rock was the most important music ever recorded, when youth, politics, and art merged to turn counterculture into mainstream culture.

This book reports on research and developments in human-technology interaction. A special emphasis is given to human-computer interaction, and its implementation for a wide range of purposes such as healthcare, aerospace, telecommunication, and education, among others. The human aspects are analyzed in detail. Timely studies on human-centered design, wearable technologies, social and affective computing, augmented, virtual and mixed reality simulation, human rehabilitation and biomechanics represent the core of the book. Emerging technology applications in business, security, and infrastructure are also critically examined, thus offering a timely, scientifically-grounded, but also professionally-oriented snapshot of the current state of the field. The book is based on contributions presented at the 3rd International Conference on Human Interaction and Emerging Technologies: Future Applications, IHIET 2020, held on August 27-29, 2020. It offers a timely survey and a practice-oriented reference guide to researchers and professionals dealing with design and/or management of the new generation of service systems.

The digital revolution is interwoven with the promise to empower the user. Yet, the rise of centralized, commercial platforms for crowdsourced work questions the validity of this narrative. In Crowd-Design, Florian Alexander Schmidt analyses the workings and the rhetoric of crowdsourced work platforms by comparing the way they address the masses today with historic notions of the crowd. The utopian concepts of early online collaboration are taken as a vantage point from which to view and critique current and, at times, dystopian applications of crowdsourced work. The study is focused on the crowdsourcing of design tasks, but these specific applications are used to examine the design of the more general mechanisms employed by the platform providers to motivate and control the crowds. Crowd-Design is as much about the crowdsourcing of design as it is about the design of crowdsourcing.

This book focuses on storytelling and human life by exploring the possibilities of narrative approaches across numerous disciplines and in diverse contexts; stories are humanity’s oldest way of making meaning of our past, present and future.